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Flowered Memories: an Analysis of Ted Hughes' Daffodils

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‘Imagine what you are writing about. See it and live it.'
–Ted Hughes, Poetry in the Making

Edward James Hughes was English Poet Laureate from 1984 to his death in 1998. Famous for his violent poems about the innocent savagery of animals, Ted Hughes was born on Mytholmroyd, in the West Riding district of Yorkshire, which became "the psychological terrain of his later poetry" (The Literary Encyclopedia). He was married to the famous Sylvia Plath from 1956 up to her controversial suicide in 1956. Believed by many to have pushed his wife to suicide, Hughes maintained 35 years of silence on the issue.
And on February 1998, Ted Hughes finally broke the silence with the release of Birthday Letters a collection of 88 poems written over 25 …show more content…

Starting from this point, the poem then becomes increasingly introspective as the poem's narrative progresses, with the poet going on to justify their choice by listing several factors that prompted them to put the daffodils up for sale, even while recognizing that they did make a mistake in selling the flowers. First of all, he states that back then, they were poor and "were hungry to convert everything to profit" (line 16). Furthermore, they thought that daffodils were a "windfall " and would continue to come forever. However, the persona makes it clear that he realizes that they were naïve in their assumptions, and that the daffodils were, in fact "a fleeting glance of the everlasting", a final, ephemeral blessing for a happy marriage, before all comes spiraling downward. The poet's portrayal of Nature as a way to communicate with the Divine is particularly highlighted in this part of the poem. Meanwhile, the persona juxtaposed their earlier ideas regarding the daffodils with their former attitudes regarding their marriage by stating how they (the couple) used to believe that they would " live forever" (line 25). This concept of invincibility and/or immortality however, is revealed to be a misconception as the persona realizes that like the daffodils, their union and even their lives, were transitory. The poem then moves back

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