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Fly In The Fly

Decent Essays

Bugs and insects are often used as literary devices in very different ways, yet they mostly have some kind of connection to the protagonists’ lives, their emotions and their character traits. The insect’s outward appearance stands in sharp contrast to that of a human being in fiction, yet its character traits or emotions are personified in order to be similar to those of the human protagonist. This contrast is what makes stories like these so effective. This is, to a certain extent, also the case in “The Fly” by Katherine Mansfield even though here the human protagonist, the boss, is the one actively projecting his inner self onto the insect. In fact, it is possible to say that the fly is used as a reflector: it reflects the boss’s idealised …show more content…

It is important to mention that the only way the boss is able to process his son’s death is through crying but one day he fails to cry, starting the inevitable road to his spiritual death (cf. Boyle 183). More indications of the relation between the failure of the boss and that of the fly are found on page 164: “Nothing happened or was likely to happen” (Mansfield 164). This can be seen as a reference to the tears the boss ceases to cry and is most likely not going to be able to cry ever again. The aspect of failure also becomes obvious when looking at the way the fly is described throughout the last two pages: “It was ready for life again” (Mansfield 163). This shows not only the fly’s victory of surviving the fall into the inkpot but also the new hope the boss finds in observing the fly and testing its limits. This hope, however, dies when the fly dies.
 As mentioned before, the boss experiences his spiritual death (Boyle 183) at the end of the story which is emphasised and illustrated by the death of the fly. The story, therefore, doesn’t seem to be mainly about the death of the fly really but about how the fly’s death stands for the boss’s spiritual death. It is mainly caused by his inability to properly grieve for his son anymore, which leads him to loose all kinds of human feelings. Boyle examines the aspect of the spiritual death in greater detail and explains the connection between the blots of ink and the boss’s grief very well, saying “the struggles of the fly with the blots of ink, in fact, parallel the struggles of the boss with his grief for his son” (184). According to Boyle, the love for the boss’s son could be substituted with the grief he feels after his son’s death. (185) It is therefore logical to assume that the moment he stopped grieving, he stopped loving to a

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