Food as a Metaphor for Unexpressed Emotions in Like Water for Chocolate
An oppressed soul finds means to escape through the preparation of food in the novel, Like Water for Chocolate (1992). Written by Laura Esquivel, the story is set in revolutionary Mexico at the turn of the century. Tita, the young heroine, is living on her family’s ranch with her two older sisters, her overbearing mother, and Nacha, the family cook and Tita’s surrogate mother. At a very young age, Tita is instilled with a deep love for food "for Tita, the joy of living was wrapped up in the delights of food" (7). The sudden death of Tita's father, left Tita's mother's unable to nurse the infant Tita due to shock and grief. Therefore Nacha, "who [knows]
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Pedro does become engaged to Rosaura, because, as he tells his father when they are leaving the ranch, "When you're told there's no way you can marry the woman you love and your only hope of being near to her is to marry her sister, wouldn't you do the same?" (15). It is during Pedro and Rosaura's wedding reception that Tita's feelings first become apparent through the magic of her cooking.
Mama Elena, sensing Tita's reluctance to participate in her sister's upcoming wedding, warns her, "I won't stand for disobedience... nor am I going to allow you to ruin your sister's wedding, with you acting like the victim. You're in charge of all the preparations starting now, and don't ever let me catch you with a single tear or even a long face, do you hear?" (27). At the wedding party the following day, although Tita keeps a perfectly calm demeanor, her true feelings about her sister's marriage to Pedro are revealed in the guests' first bite of the Chabela wedding cake. "The moment [the guests] took their first bite of the cake, everyone was flooded with a great wave of longing... [T]he weeping was just the first symptom of a strange intoxication that seized the guests" (39), all but Tita, on whom the cake had no effect. The author uses the cake's effect on the guests to reveal first, Tita's grief over her loss of love through the guests uncontrollable weeping and second, her disgust over her sister and Pedro's
In this chapter, Tita is missing her childhood because it was a happier time than what she’s experiencing, and the author makes the reader long for a simpler time in their life, “When she was a child..,”(Esquivel 166). In addition, there is a crucial turning point in this part of the book that fabricates a suspenseful atmosphere. The situation is left open ended, “And the solution to this huge problem? She had no idea,” (Esquivel 166). Tita acted on the love she carried for Pedro, and now she must choose between her first love or her fiancee who has nothing but genuine love and nurture for
The life she had before her love for Pedro. Esquivel’s purpose in this passage is how much life is changed for love. She includes the slightest detail in a random order because that's how Tita thinks, she is overwhelmed with herself in the life she was given. It's to show everyone has a breaking point, but love changes everything. Titas love for Nacha is irreplaceable, she shaped Tita into a woman before she even was one. Her inexplicable love for Pedro began at such a young age and Tita got what she wanted, to spend her life with Pedro but not in the way she had hoped. Seeing her love with her sister throughout many years, did take an emotional toll on her. In addition, Mama Elena’s tradition affected Tita since she was born on that table in the kitchen. Yet no matter how horribly Mama Elena treat Tita she did not defy her out of rebellion, she ultimately defied her out of exhaustion. Tita respected her out of love and that's what kept Tita going throughout this novel, the power of love. In “Like Water for Chocolate”, Esquivel extends the theme of magic realism to the everyday world of a
Esquivel applies suspense in the passage expressing Titas fears of becoming pregnant the night Pedro followed her into the darkroom. She has yet to tell Pedro but instead of worrying, she decides to focus on preparing the Kings’ Day Bread for her guests. Being aware of the situation, she knows she will have to cancel her engagement to John Brown, given that she is no longer a virgin. Esquivel uses tradition as a reason of why Tita feels so horrible with losing her purity of the white flower and not being holy in God's eyes. While Tita makes the bed, she remembers the King’s Days of her past. As a girl, she would always receive something Mama Elena wanted her to have on King’s Day instead of the gift she herself
Mama Elena is the type of person that think other should take care of her and his the type of person that want to take control of someone else life. Elena thinks that a daughter only job is to take care of her mother until she dies, but more to Tita because she is the youngest one. Mama Elena only shows people her cold heart and harsh woman, so that people respect her and fulfill her needs. Mama Elena is like a dictator, she is the only one who have full control of everyone and everyone most do what she says at all time. “During the funeral Tita really wept for her mother. Not for her castrating mother who had repressed Tita her entire life, but for the person who had lived a frustrated love. And she swore in front of Mama Elena’s tomb that come what may, she would never renounce love.”(Tita). People only want to remember the good side of Mama Elena even her own daughter, that only wanted to remember the human side of her mother and not the heartless mother that she knew since her
When Pedro asks for Tita’s hand in marriage, Mama Elena refuses, stating that Rosaura, who is two years older than Tita, is a better option. Mama Elena states that Rosaura is, “…one hundred percent available, and ready for marriage...” (Esquivel, 13) Despite his love for Tita, Pedro marries her sister, believing that doing so will forge a closer bond between the two. When his father asks his son why would he marry Rosaura Pedro’s response is that he is going to marry, “with great love for Tita that will never die” (Esquivel, 15). Throughout the story, even after she dies, Mama Elena remains an almost foreboding obstacle between Tita and Pedro.
The phrase “mother knows best” refers to maternal instinct and wisdom. It is often used to describe how mothers are the most knowledgeable when it comes to their children’s needs. This cliche is frequently used by mothers who try to guide their children on the path towards success, especially when the child protests. Tita’s mother, Mama Elena, embraces this expression fully, and always pushes Tita towards what she believes is the road to achievement. Mama Elena is perhaps one of the best portrayals of “tough love” in a character in literature. Like Water for Chocolate’s author, Esquivel, depicts Mama Elena as a strong, independent woman who does not bother with things she deems insignificant. This translates to the reader through the decisions and actions Mama Elena makes throughout the book. Her disregard for emotions is often the reason why her actions are misunderstood by readers who claim that she is a cruel, unrelenting mother who is apathetic to her daughter’s suffering. However, this is not the case, as Mama Elena never acts without reason and only goes out of her way to discipline Tita when she believes that Tita is in the wrong. The readers see her go to great lengths to protect Tita numerous times, although these instances are often hidden behind her less than pleasant words, such as when she tries to shield Tita and Nacha from the rebels who were known to frequently terrorize families and rape women. Despite being a strict and unforgiving mother, Mama Elena’s
Following, we learn that Mama Elena has no milk to feed Tita, which makes Nacha, the family cook - her official caretaker as she replaces Mama Elena. This is important to point out because the initial separation of the two main characters is quite evident; there is no mother-daughter bond that should have been established, Mama Elena doesn’t have time to worry about her, “without having to worry about feeding a newborn baby on top of everything else.” (7) We grow to understand why Tita forms other vital bonds with Nacha, and of course the food that surrounds her daily, helping her not only to grow but acts as an outlet for her emotions. “From that day on, Tita’s domain was the kitchen…this explains the sixth sense Tita developed about everything concerning food.” (7) From the beginning, Tita is given barely any freedom, she is given a purpose, she will not marry anyone until Mama Elena is alive, she is to look after her, which becomes a great conflict when the love of her life, Pedro, is to marry her sister, Rosaura, and not her. Mama Elena wants to hear nothing about Tita’s frustration. Mama Elena herself has lost her true love and because of it is insensitive to Tita’s love with Pedro. The reaction of each woman to her predicament helps explain the opposite characters. Mama Elena lets the loss of her young love turn into hatred for anything but tradition, and
Additionally, the sorrow that Tita felt was also unintentionally transferred to others. . Specifically the wedding cake in which she managed to communicate her longing and sadness to Rosaura and Pedro 's wedding guests. As she prepared the Chabela Cake, her tears fell into the batter and icing. "The moment they took their first bite of the cake, everyone was flooded with a great wave of longing...Mama Elena, who hadn 't shed a single tear over her husband 's death, was sobbing silently. But the weeping was just the first symptom of a strange intoxication-an acute attack of pain and frustration-that seized the guests and scattered them across the patio and the grounds and in the bathrooms, all of them wailing over lost love" (Esquivel 39). The tears affected everyone at the wedding banquet with longing for lost loves, so much so that they become physically sick. They were literally love sick and Tita was responsible even though she had no idea what she had just done. In the same manner, even though Tita didn’t actually make the hot chocolate from story’s title "Like water for chocolate", it still symbolizes her biggest emotion. It is learned that once she hears Rosaura tell Alex about
The title of this novel, Like Water for Chocolate, is also a simile for the burning passion Tita and Pedro had for each other. In Latin countries, “like water for chocolate” mean to boil water to the right temperature in order to make chocolate milk. Figuratively it is a metaphor for state of sexual arousal. Despite their true love for each other, Tita and Pedro had to restrain their feelings under the eyes of society. Their love is like the boiling point of water.
The images in the movie relate very closely to the amusing feeling the book gives us, giving us a high angle on the guests and long shots, showing us collectively how everyone was crying. At that night Nacha dies, and shatters Titas world. Later on Pedro gives Tita roses, and she decides to make quail in rose. The passion dripped from her to the dish, and made Gertrudis the older sister think of sinful thoughts. The aroma arousing from her reaches to a soldier Juan, who was Gertrudis dream, the moment is described magically: “A pink clod floated toward him, wrapped itself around him…naked as she was, luminous, glowing with energy… without slowing his gallop, so as not to waste a moment, he leaned over, put his arm around her waist, and lifted her onto the horse in front of him, face to face” (pg 55-56). The movie draws a great parallel here, the picture is blurry a little as if it is a dream, and for the first time in the movie, which is very dimly lit and poorly lighted, the picture is bright, with a flowing movement of the two as they disappear. One of the most significant moments in the book is when Tita delivers Rosauras baby Roberto, the thing she loved the most. In the movie however, the whole phase of taking care of Roberto in the kitchen and feeding him is very brief, which is very confusing for later scenes. As mama Elena senses that Pedro and Tita might have an affair going on, she sends them to one of her relatives in the United States.
“You know perfectly well that being the youngest daughter means you have to take care of me until the day I die.” (10). This statement shows how Tita is being oppressed not by mama Elena choice but family tradition. Like Water for Chocolate by Laura Esquivel concentrate into the stories of the women of De La Garza. Tita the main character aim to find love, happiness and independent, and Elena De La Garza the antagonist who will stand in the way of Tita happiness and would do anything in her power to stop Tita to fulfil her goals which is to find true love with Pedro. This mother and daughter relationship was predestined since the day when Tita was brought up into this world, and her father’s sudden death. Mama Elena was the opposite of a loving, caring women she never had a relationship with Tita. While Tita formed a relationship with food that gives her the strength, and love she never experienced before. The women of De La Garza experienced many challenges in this strict societies. All the women expected to follow an oppressive family tradition.
Tita’s thoughts shows how, despite her fear of Mama Elena, she still attempts to gain her right to marry and she is secretly happy about Pedro marrying Rosaura just to be near her. Despite Mama Elena 's intentions to break Tita 's heart by making her watch the person she loves getting married to her sister, Tita completely changes the meaning of this wedding to something that makes her love for Pedro grow stronger. This is also portrayed in the film when Tita 's smile remains even after Mama Elena scolds her. The contrast in Mama Elena and Tita 's behaviour is conveyed when Tita thinks about what it would be like to have her mother’s strength:
But of course Rosaura was hurt because of the fact that he brought Tita roses instead of her and Mama Elena did not approve and told Tita to throw them out, but Tita didn’t listen to her so she went into the kitchen to express them the best way she could which was through food, so she cooked the quail in rose petals sauce making the food have a sexual tension especially towards Gertrudis. When Pedro complimented the food Mama Elena downgraded it and Rosaura excused herself. Gertrudis was feeling very hot and lusty causing her to go to the bathroom and shower herself but that didn’t help and the heat from her body cause the bathroom to catch on fire which made her run out of the bathroom naked the opposite way of the ranch, pg. 51 in “Like Water for Chocolate says “The delicacy of her face, the perfection of her pure vaginal body contrasted with passion, the lust, the leapt from her eyes, from every pore. These things, and the sexual desire Juan had contained for so long while he was fighting in the mountains, made for a spectacular encounter.” The tension that she was feeling made her run away from the ranch with Juan on the horse and from there that’s when Gertrudis made love for the very first time. Those two examples were the two major recipes that showed how much Tita’s cooking had a big impact on the people that surrounded her and what it did to them to affect them.
Like Water For Chocolate by Laura Esquivel explains women’s roles in northern Mexico during the turn of the nineteenth century. The novel takes place in northern Mexico on a family ranch where many family traditions are carried out. Also, the novel describes some of the typical foods that were prepared and fiestas that were celebrated in the Mexican culture around this time. However, the novel mainly focuses on the roles of females in Mexican society at that time. The novel goes beyond explaining women’s roles and also explains what took place in the Mexican family. Throughout the novel, readers learn the role of mothers, the conflict between personal desires and tradition, and typical foods, celebrations, and family traditions that were
Since Tita was unable to stand up to Mama Elena, she felt helpless, which she then realized how strong her fate for an identity would be nonexistent; however, Tita would not accept that fate. From the day Tita was born and past off to Nacha, the cook, Mama Elena formed resentment towards Tita, while attempting to make Tita obedient through force, cruelty and mistreatment. The physically punished Tita endured, multiple times, by the hands of Mama Elena, forced her to live the life as a servant and a house cook; as well as, arrange the wedding of her love, Pedro, to her sister, Rosaura (26-29). While under Nacha’s care, Mama Elena bounded Tita to the kitchen and constrained her to cook for the family, and if Mama Elena saw signs of Tita disobedience, she would strike Tita in rage. The preparations for Pedro and Rosaura’s wedding was Tita’s responsibility, which Mama Elena placed Tita in charge just to lower her spirits and eliminate any hope she may have within, causing Tita to have a weak moment that triggers her to hallucinate. In the opinion of