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For Whom The Bell Tolls(term-paper)

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When reading an Ernest Hemingway novel, one must try very hard to focus on the joy and encouragement found in the work. For Whom the Bell Tolls is full of love and beauty, but is so greatly overshadowed by this lingering feeling of doom--a feeling that does not let you enjoy reading, for you are always waiting for the let down, a chance for human nature to go horribly awry. This feeling is broken up into three specific areas. In Ernest Hemingway's novel, For Whom the Bell Tolls, humanity is exploited through brutal violence, unnecessary courage, and hopeless futility.
Hemingway has the uncanny gift of imagery, and he possesses a brilliant mastery of the English language. He is …show more content…

The fascists then rounded up all of her family and shot them one by one in the back of the head, letting her live just to tell the tale to whoever tried to stop them. This forces you to try and remember that this is just a fictional story and that things like this don’t really happen in ordinary life, but the unfortunate reality is that these things happen all the time, especially while peoples are at war. To snuff this horrendous use of violence is much easier, but, sadly, is far from a realistic notion.
Why is there all this violence going on? Sometimes one thinks that had the hero in this story not been so brazenly courageous, maybe the sadness and disgusting malice may not have occurred, for if you don’t start a fight you cannot get beaten up, and also, if one hides instead of shouting, he can usually get away. Regardless, Robert Jordan must do both of the following two acts in order to cope inside this story: build up his life to apex at one final showdown, and to trap himself in a never-ending tunnel of beatings and ultimately destruction (Frohock 167). Robert Jordan must make a final stand in For Whom the Bell Tolls if for no other reason, to save his manhood. John Wain explains:
“…To make a last stand—for if defeat is accepted in Hemingway’s world, humiliation and rout are not. His fictions present moments of violence, crisis and death, yet these become occasions for a stubborn, quixotic resistance through which the

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