Of course, the analysis of Michel Foucault didn’t stay unnoticeable. In fact his work stirred up all sorts of discussions. The author was accused of misreading the artwork, reducing the role of Velasquez as a creator of Las Meninas and as a historical figure, imposing artificial meaning that is not there, oversimplifying the painting and so on. In short, Foucault’s interpretation located outside of traditional art historical approach and therefore didn’t seem legit for many scholars.
One of the main critiques comes from Robert Wicks, who blames Foucault’s so called “oeuvre-independent approach” for starting the new trend in philosophical discussions, characterized by one-sidedness of viewpoint (Wicks, 259). Followers of Foucault often read the work of art from their own perspective, completely disregarding its historical
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Only in comparison with other Velazquez’s paintings, “the crucial layer’s of work meaning” can be revealed (260). In contrast to Foucault, Wicks uses traditional historian method to scrutinize the painting. First, Wicks compares Las Meninas and The Spinners. Both works have depicted fable of Arachne on the background (one of wall paintings in Las Meninas depicts myth of Arachne), and if Velazquez chose this particular subject in his two major works, it must be very important for him, therefore one must consider it in her/his interpretation(268). Second Wicks’ comparison would be of Las Meninas and St. John the Evangelist on the Island of Patmos (1618). By juxtaposing hand position in both painting, together with one of the many possible audiences of Las Meninas, namely the menina figure, Wicks concludes that Velazquez personifies himself as St. John, “portraying
The gazes of the fresco’s subjects run along this depth axis towards a point that lies beyond the coronal plane of the fresco. This intersection of gazes to a point beyond the plane of the visual text is reminiscent of those in Diego Velázquez’s Las Meninas, on which critical theorist Michel Foucault comments, referring to the gazes of the model, the spectator, and the painter, “These three ‘observing’ functions come together in a point exterior to the picture: that is, an ideal point in relation to what is represented, but a perfectly real one too, since it is also the starting-point that makes the representation possible” (15). Gaulli’s Triumph of the Name of Jesus, once again, is a visual text that is viewed di sotto in sù, the viewer’s gaze turned skyward to partake of the text. This viewing takes place across a vertical space—a distance between the viewer on ground level and the vaulted ceiling—that is pronounced by a set of trompe-l'œils that the viewer is responsible for reconciling. The aforementioned disruptions of visual boundaries and patterns in the text, the disruptions of media boundaries from paint to sculpture to architecture, and the artificial shadows projected by the painted figures all contribute to the viewer’s ability to perceive this depth axis and focus on the burst of light that resides at a point beyond the coronal plane of the
Michel Foucault and Erving Goffman’s work was centralised around there two different concepts of how your identity is formed through the process of power and expert knowledge. This Essay will discuss the ideas of Michel Foucault who was a French Social Theorist. His theories addressed the relationship between power and knowledge and how both of these are used as a form of social control through society. The essay will look at Foucault’s work in The Body and Sexuality, Madness and Civilisation and Discipline and Punish which displays how he conceptualised Power and identity on a Marxist and macro basis of study. The Essay will also address the Ideas of Erving Goffman who was A Canadian Born Sociologist who’s key study was what
Panopticism is a social theory named after the Panopticon, according to Foucault, his describes a watch tower in a prison and he thinks Panopticism is how people act different when they’re being watched. Rayner perspective on Panopticism is how we can use social media to our advantage. In this essay, I will analyze both Foucault and Rayner perspective on Panopticism and will determine the rhetorical appeals of both writings.
You and I live in a world were modernism is reaching new heights every day. One day that touchscreen phone is considered new, and then next week it’s old news. These two stories that I am going to compare are about the role of technology, science and how it affects me and you. Based on how it uses new technology and modern science A Sound of Thunder is a better sci-fiction story.
The Mona Lisa has been one of the most debated paintings of all time. The look on the face of the women in this painting leaves a person’s mind wondering. No one really seems to know what this mysterious woman is thinking or feeling. The questions that cannot seem to be answered are what make this painting so famous. The reason for that is because it is raveled in mystery and secrets. All of the small details make the painting stand out by being different from others and the details also make it far more remarkable as well. And surely, the smirk on the face of the Mona Lisa is the major key factor to the painting being so interesting. “Leonardo da Vinci was one of the
The French Revolution was a period of time from 1789 to 1799 in France where there was political instability. It officially began on the 14th of July, 1789, when the Bastille, which was a symbol of the King’s harsh policies, was stormed. The King, Louis XVI, the Queen, Marie-Antoinette and about 40,000 people were all brutally murdered. But there was also a positive side, the Declaration of the Rights of Man and Citizen was formally adopted on August 1789 and feudalism was abolished. This essay will address the issues of the three estates system, food shortages and the fiscal crisis. It will also be argued that the most significant cause of the French Revolution was the social inequality that stemmed from the three estates system.
‘I ask a favour that I fear will not be granted; it is that one not judge by a moment’s reading the work of twenty years, that one approve or condemn the book as a whole and not some few sentences. If one wants to seek the design of the author, one can find it only in the design of the work.’ (Montesquieu 1989: preface)
“Our society is not one of spectacle, but of surveillance; under the surface of images, one invests bodies in depth; behind the great abstraction of exchange, there continues the meticulous concrete training of useful forces; the circuits of communication are the supports of an accumulation and a centralization of knowledge; the play of signs defines the anchorages of power; it is not that the beautiful totality of the individual is amputated, repressed, altered by our social order, it is rather that the individual is carefully fabricated in it, according to a whole technique of forces and bodies. (pp.333-34)”
In The Introduction to the History of Sexuality, Foucault explains how during the 19th century with the raise of new societies, the discourse or knowledge about sex was not confronted with repulsion but it “put into operation an entire machinery for producing true discourses concerning sex” (Foucault 69). In fact, this spreading of discourse on sexuality itself gives a clear account of how sexuality has been controlled and confined because it was determined in a certain kind of knowledge that carries power within it. Foucault reflects on the general working hypothesis or “repressive hypothesis,” and how this has exercised power to suppress people’s sexuality. It has power on deciding what is normal or abnormal and ethical or unethical
Michel Foucault’s work within philosophy has made important impacts when it comes to understanding how power affects a capitalist state. Believed that history of a country should how the past created a better future for society but in most cases through history, that was not the case. One of the examples that Foucault uses is how the mentally ill were treated in the Renaissance compared to the 18th century. During the Renaissance period, the mental ill people were allowed to seen within society and were seen as useful and gave wisdom into their society rather than in the 18th century. People with mental illness were put away and see as a burden to society and seen as needed to being cured by sinister people. Another example that Foucault discuss
Both Foucault and Butler claim that sexuality is not what makes us who we are, that it is simply a social construct. In addition, they both believe that by submitting to the mechanisms of power and categorizing ourselves sexually, we are giving impetus to our own subjugation. While they hold similar beliefs in many ways, and much of Judith Butler's work is building upon work done by Michael Foucault, Judith Butler does diverge from Foucault's ideas. The reason Butler revises Foucault is that his concept of biopower leaves no room for resistance to power. For Foucault, a shift in the 17th century from a top-down monarchial model of power which focused on the individual gave way to a political technology for controlling entire populations.
The Mona Lisa has to be one of my favorite paintings of all time and has lead me to use this specific painting as a topic for this paper. Not to mention the love I have for Leonardo da Vinci. I, myself have always been drawn to da Vinci’s paintings and all of his other achievements that he has given us during his life. I, like Leonardo da Vinci love art and science just as much as it seems he did. He shares a love of art and a fondness for science. It also seems that he loves a good mystery, and the Mona Lisa just happens to be one clouded in mystery. And I too love a good mystery.
René Descartes was a French philosopher and also mathematician. His method of doubt led him to the famous "cogito ergo sum" when translated means "I am thinking, therefore I exist". This cogito was the foundation for Descartes' quest for certain knowledge. He explored doubt and how we can prove our own existence, by taking the first steps of scepticism. His book "Meditations On First Philosophy", was written in six parts. Each representing the six days that God took to create the world. Not to upset the Church, Descartes would need to prove the existence of God, and the soul. Within Descartes' argument, we find some important areas. Two, which require focus, are his
The French Revolution last from 1789 to 1799. This war had many causes that began the revolution. Its causes ranged from the American Revolution, the economic crisis in France, social injustices to the immediate causes like the fall of Bastille, the Convening of he Estate-General, and the Great Fear. As a result of this revolution there many effects , immediate and long term. The immediate effects were the declaration of rights of man, abolishing of olds reign, execution of king and queen, the reign of terror, and war and forming of the citizen-army. The long term effects were the rise of Napoleon, spread of revolutionary ideas, growth of nationalism, and the conservative reaction.
I ask a favour that I fear will not be granted; it is that one not judge by a moment 's reading the work of twenty years, that one approve or condemn the book as a whole and not some few sentences. If one wants to seek the design of the author, one can find it only in the design of the work. ' (Montesquieu 1989: preface)