Foucault’s Panopticism and Its Application Within Modern Education Systems

From the concrete walls, the schematics of Architecture and even the way that we are taught, school can remind us of a type of prison. We are taught by repetition and to regurgitate information rather than actually go in depth to understand the topic. We are ready to absorb information and not question said info. We are like fishes swimming in a bowl, unable to comprehend what exists outside of our own sphere of learning. In an essay written by Foucault, he talks about the idea of the Panopticon. When reading his essay, it becomes clear there are striking similarities between the Panopticon and the schooling system. It is my intent to show how both the schooling system and the Panopticon strip Individuality away because of mechanical teaching. This will be conveyed by showing the comparisons of the Panopticon and the schooling system through the topics of how describing the similarity of the two locations and lead into the course of Surveillance on both subjects. I will then lead into the topic of Discipline shaping behavior and will finalize with discussing how the general architecture of schools and the Panopticon are similar.

“Hence the major effect of the Panopticon: to induce in the inmate a state of conscious and

In order to understand the power structures present in her description of life as a low-wage worker in Nickel and Dimed, we need to first understand Michael Foucault’s philosophy regarding discipline and surveillance. Rather than perceive power and discipline as strictly political and authoritative, Foucault believes that society is structured in a way in which constant observation disciplines us to abide by social norms and expectations. This constant surveillance is omnipresent in the sense that observation occurs in all realms of society, from education to sexuality. To further explain this idea of disciplining through constant inspection, Foucault describes Jeremy Bentham’s panoptican, a type of prison in which

To start, is Foucault 's Panopticism. Panopticism uses the idea of Bentham’s Panopticon to elaborate the disciplinary ideas that he is trying to explain. The Panopticon is an “all seeing” structure that makes observations without the people ever knowing when they were being watched, even though it is clearly visible (Foucault, 204). Its gaze can be upon anyone, from a “madman, a patient, a condemned man” (Foucault, 200). These features allow Panopticism to be a passive power, rather than an active one. With this in mind, power is shifted from the hands of the individual to the anonymous “supervisor” of the Panopticon (Foucault, 200). This method of observation facilitates the transformation of individuals to controllable individuals (Foucault, 205).

Foucault once stated, “Our society is one not of spectacle, but of surveillance; under the surface of images, one invests” (301). By this, he means that our society is full of constant supervision that is not easily seen nor displayed. In his essay, Panopticism, Foucault goes into detail about the different disciplinary societies and how surveillance has become a big part of our lives today. He explains how the disciplinary mechanisms have dramatically changed in comparison to the middle ages. Foucault analyzes in particular the Panopticon, which was a blueprint of a disciplinary institution. The idea of this institution was for inmates to be seen but not to see. As Foucault put it, “he is the object of information, never a subject in

“The Panopticon functions as a kind of laboratory of power,” Foucault declares; indeed, much knowledge can be ascertained by “penetra[ting] into men’s behavior” (379).

According to Foucault, power does not belong to the individual, but to the system, to the institution. In his essay on Discipline and Punish, Foucault presents his idea of the panopticon mechanism, a mechanism in which visibility is a trap. With little importance over the actual individual in the role of the observer or of the observed, the object of the system is total power over the observed. Due to the unique shape of the panopticon, there are no corners and thus no blind spots for the observed to hide in. The private space is replaced by the public one. Furthermore, as final evidence of total control, the observed never knows for sure if they are being watched or not, as they can’t see the observer (Foucault 200-205). Foucault further argues that this system is followed by any government institution, placing the society under permanent observation. Individuals might try to evade the system, but achieving liberation and freedom is not something that anyone could do. Dostoevsky’s famous novel, Crime and

Foucault's "Panopticism" (1979) is a careful piece that talks about how a panoptic framework would impact culture, society, the political, and individuals. Foucault describes panopticon is to “induce the inmate a state of conscious and visibility that assures the automatic function of power.” Foucault mentions, surveillance has a lasting effects, regardless of the fact that it is discontinuous in its activity; that the perfection of power ought to render its real unneeded practice. The Inmates are in a dominating circumstance that they are them-selves the bearers. Foucault (201, 202–3) also mentions that "He who is subjected to a field of visibility, and knows it, expect responsibility regardless of the constrains of power; he makes them play spontaneously upon

Panopticism is a social theory named after the “panopticon”, which was originally developed by the French philosopher, Michel Foucault. Panopticon was first mentioned in his book, Discipline and Punish. In his book, he refers "panopticon" to “an experimental laboratory of power in which behaviour could be modified.” Foucault considered panopticon as a symbol of the “disciplinary society of surveillance” (Panopticism). In the two novels, Nineteen Eighty-Four and Frankenstein, panopticism is an element shown greatly. Though these two novels have many differences, this similarity shared between the two is equally important.

The author of the essay “Panopticism”, Michel Foucault gives his opinion on power and discipline in Panopticism. He describes Jeremy Bentham’s “Panopticon”, a tower in the centre of a room which has vision to every cell, generalized for prisoners. In simple words, it functioned in maintaining discipline throughout the jail. It’s most distinctive feature was that; prisoners could be seen without ever seeing. Prisoners would never really know when they are watched and when not. They are always under the impression that someone is keeping an eye on them continuously and if anything goes wrong, or they make mistake, they would be punished severely. Since, a prisoner would never know when he/she is watched, they have to be at their best. In a

     The Panopticon, a prison described by Foucault, “is a machine for dissociating the see/being seen dyad: in the peripheric ring, one is totally seen, without ever seeing” (321, Foucault). This literally means that in the formation of the panopticon those who are being seen can not see one another and the one who sees everything can never be seen. That is the most important tool of the panopticon. Foucault makes this assumption about today’s society by saying that we are always being watched whether we know it or not. One always keeps an eye over their shoulder as a

Originally derived from the measures to control “abnormal beings” against the spreading of a plague, the Panopticon is an architecture designed to induce power with a permanent sense of visibility. With a tower in the center, surrounded by cells, the prisoners can be monitored and watched at any given time from the central tower. The goal of this architectural plan was to strip away any privacy and therefore create fear induced self-regulation amongst the prisoners, with an unverifiable gaze - The prisoners can never

This is a summary of Michel Foucault's seminal work on the history of criminal punishment and social discipline as it transformed from punitive to correctional models during the late eighteenth and nineteenth centuries.

In her article, “Foucault, Femininity, and the Modernization of Patriarchal Power”, Bartkey begins by summarizing philosopher Michel Foucault’s literary analysis of the Panopticon and how the prison system works tying it to modern society. Foucault begins by using the example of a student who is forced to sit in assigned seating based of class ranking. The scrutiny the student faces forces him to sit upright; he must keep feet his feet on the floor; his head must stay erect; and he may not slouch or fidget. With

Sandra Bartky begins her piece by explaining Michel Foucault’s ideas about modern power dynamics. Unlike in the past, power in modern society focuses not only on controlling the products of the body but, rather, on governing all its activities. In order for this power to continue, people are disciplined into becoming “docile bodies” which are subjected and practiced (Bartky, 63). This discipline is imposed through constant surveillance in a manner similar to the Panopticon. Inmates in said prison are always visible to a guard in the central tower, so they mentally coerced into monitoring their own behavior. In the same way, individuals become their own jailers and subject themselves to the society’s whim due to being in a “state of conscious and permanent visibility” to its all-seeing eye (65). Bartky, however, breaks from Foucault’s theory by claiming that there is a clear difference in the disciplines imposed on men and women that are ignored in the latter’s writings.