AKIO’S JOURNEY The short story of “Fountains in the Rain” written by Yukio Mishima is about a young boy who is trying to break up with his girlfriend. In the story the young couple finds them selves by a fountain, a key place of setting. Fountain shows a lot of importance in the story. ‘‘Mishima Yukio is arguably still the most famous writer modern Japan has produced’’ (Enotes 1). Akio, the main character, starts off the story carrying his girlfriend through the rain in a sack. Akio is the protagonist of the story finds him self in a bit of a predicament towards the end the story but the fountain fixes every thing. “He has contrived a plan much like an engineer might plot the dimensions of a proposed building” (Hart 1). There will be …show more content…
So far, so good Masako delivers her reaction…” (Hart 1). Masako is showing tears but nothing is said or to be led up to it. “There was no business of breaking into sobs; nor did she bawl her head off: the tears simply gushed, expressing nothing, and with most impressive force” (Mishima 1). Akio had no idea that it was all a fake and she did not even here him say his famous line “its time to break it off” (Mishima 1). “that slick vending machine metaphor that the narrator used to mark the beginning of Masako’s at the start of this story is suddenly out of order” (Hart 3). That shows how the tears control the flow of the story it is up and down. The third and final element is all about the characters. The characters are important feature to the story; I mean without them you do not have a story. First I will start out with the antagonist Masako, the bad guy in this story. Mishima puts a lot of Alvey 5 thought into how he needs to make Masako act. “Most of Mishima’s antagonists are antihero, physically or physiologically wounded” (Hart 1). That tells a description on how Masako is during the story. “… (Akio) I told you quite plainly some time ago didn’t I? (Masako) What did you tell me?” (Mishima 5). Masako rips Akio apart with that one line; like what a traditional antagonist would to there protagonist counterpart. Her acting is very good as well when she changes from a sobby girl to a girl that is completely ignorant what just
The atmospheric conditions may represent the hardships that the couple had to go through in their relationship, and may also be used contrast the unpredictability of the outside world compared to the steady relationship that the couple have. ‘A Youth Mowing’ is also a poem about relationships, this time it is between a younger couple. The river ‘Isar’ is a symbol of freedom, it represents the way that the men’s lives are. However, this sense of liberty is broken by the ‘swish of the scythe-strokes’ as the girl takes ‘four sharp breaths.’ Sibilance is used to show that there is a sinister undertone to the freedom that the boy has which will be broken by the news that his girlfriend is bringing. She feels guilty for ‘what’s in store,’ as now the boy will have to be committed to spending the rest of his life with her, and paying the price for the fun that they had.
Tim Winton’s short story, ‘The Water Was Dark and it Went Forever Down’, depicts a nameless, adolescent girl who is battling the voices inside her head along with the powerful punishments at the hands of her inebriated mother. The key concerns of life and death are portrayed through the girl’s viewpoint as she compares her life with her sad, depressed mother. Anonymous as she is, the girl constantly makes an attempt to escape the outbursts, that come as a result to her mother’s drinking, by submerging herself into the water. An extended metaphor is used when expressing the girl as a machine and her will to continue surviving in her sombre life.
For this essay, I am going to be discussing the short story “Swimming” found on the New Yorker, and written by T. Cooper. I have chosen this story for many reasons, and among those reasons is the personal sadness I felt when I first read the story, almost as if the universe was placing a certain theme in my life, that only the main character could possibly understand. I am talking about running, the god given instinct felt by all men, inherent in the nature of fear, and brought out in all who feel sadness in its full intensity. Though in my short life I can not compare the sadness I have felt with that of losing a child at my own hand, but if I had been placed in that situation, if fate had tempted my soul with such a sequence of events, I would like to think I could find the strength to endure and the courage to not abandon all I had previously known. Yet I am able to reconcile the themes of grief, the mode of recovery, and the longing to escape such a terrible tale. I think in this piece, as I will discuss in later parts, the author was able to put into words a transformation we rarely get to observe in closeness, the kind of transformation that turns a kind man into a “just man” the kind of death that turns this world from a beautiful and happy place into a world that is closing in on our main character, that is forcing him to surface temporarily and gasp for air, much like he does when he finds peace in the water, wading breath after air, after sea. I firmly believe that
In the two novels, Masters of the Dew and Praisesong for the Widow, water is an evident representation of change between opposite ideas throughout the overall plots. In Masters of the Dew, Jacques Roumain tells the story of Manuel, a Haitian peasant who struggles to save his native village, Fonds Rouge, from severe drought and division of the villagers. Later, Manuel finds a large reservoir of water but only tells the secret to one person. Towards the end of the story, the village is saved, but only after the divided village agree to work together and build an irrigation system after Manuel dies. In spite of Manuel’s death, the people of Fonds Rouge finally access water. In his death, there was change--reconciliation. In this novel, water symbolises change, from death to life--revival. In Praisesong for the Widow, the symbolism is similar, but not as literal. The story starts with Avey Johnson, an African American widow, on a cruise ship with her friends. However, Avey starts to feel an indescribable urge to
The river represents the period between life and death. Another part of this symbol is the air representing life and under the rocks and waterfall representing death. Just as the transition from life to death is in motion, so is the rushing of the water. Both have a beginning and an ending point, but the part in the middle is constantly moving, swirling and churning. As the girl loses hope for survival and the waterfall is approaching, the narrator states, “[S]he becomes part of the river” (45). The girl now crosses over the borderline of life and death, and she is about to be swallowed up by the falls of death and can never return to life. However, when the diver goes into the river to save her, he comes out saying that “he’d never enter that river again” (47). He encounters the spiritual eccentricity of the edge of death when he looks into lifeless girl’s animated eyes, and he can not fathom that experience. Another symbol that is introduced twice is the gurgle of the aquarium, which symbolizes the attempt to understand nature’s cycle of life. As she floats downstream, the girl remembers “her sixth-grade science class, the gurgle of the aquarium at the back of the room”(45). During this moment, all of her thoughts are puzzled, and she cannot understand the death awaiting her. Later on, after sleepless nights, the diver is in the empty school where “the only sound the gurgle of the aquarium” (48). This moment is the point at which he decides
First off, Mishima illustrated the importance of the social class within the lives of the Japanese people, and Japan in general. For example, Shinji said, “It’s all because I’m poor (113).” Social ranks played a huge part in Japan. When one
The short story “On The Rainy River” is written through the perspective of O’Brien in present day and as a young faced with a draft notice for Vietnam War. In “On The Rainy River,” O’brien portrays the importance of bravery in an individual through the use of symbolism, powerful tone, and reflective point of view.
In 1952, author George Sessions Perry wrote about a small town in central Texas named Rockdale. The article, written for The Saturday Evening Post, dubbed the community “The Town Where it Rains Money.” Perry tells of an Alcoa plant coming to town and drastically changing the community with an influx of money. The manufacturer transformed Rockdale from a small dot that somehow made itself onto a map into a community that saw its population double in less than a decade; with it, brought many jobs.
One of the first items the author states is that all symbolism is intentional, there are no accidents when it comes to analyzing famous literature. He describes certain authors like James Joyce and T.S. Elliot as “intentionalists” or writers who purposely try to control every part of the story through symbolism. The author Thomas Foster teaches us never to overlook anything in a novel even if it be little things like the color shirt they are wearing or what the weather is like outside. Building more off the last statement, precipitation, whilst being a little detail added into a story, holds a lot of important roles in moving the story along and even providing hardships for characters to overcome. Even more than that though, he says “It’s never just rain”, rain provides as a symbol in the story so that if someone is in the rain it’s almost as if they are being cleansed.
The water is symbolic of romantic love as an overwhelming and transforming force that changes in form and changes the people involved. The wave is large, unpredictable and spans out as far as the eye can see. The movement of an all-encompassing emotion like love is impossible to contain, much like water. It is free flowing and goes on forever. “Love was a game, a perpetual creation (Paz, 2). Love and water are both creations of the divine and humans tend to use and abuse them. However, humans are emotional and social animals who need both love and water to survive. Waves have a way of hitting humans all at once, just like love. It renders humans excited and full of surprise at first “wave of surprise” (Paz, 2) like a crashing delight. It also leaves us always wanting more. We have an unquenchable thirst for love and affection, thus we chase it even in its most sinister forms, like an abusive relationship. The narrator is accepting of the wave 's presence when she appears in his home where he was once hesitant of the idea of her in his life. Love also transforms and can change us, like water changes states. It can become overwhelming and hard to breathe, but it is often all around us and
The geography of rivers is important to their symbolism in this story. Antonio’s river starts from a lake, a place of no morals; studies prove that infants are selfish beyond belief, and so is water at its birth. His river carries the water to the ocean, the place where all water lands, carrying the blood and salt and debris that it picks up on its long journey. All high rivers go to the ocean, no matter how many lakes they go through. The ocean is where water goes to die, until its spirit, in clean water, is carried through the clouds back into the frigid mountain lakes, where it is born again. This is the cycle of water, and the cycle of life.
Archetypes are defined as “a typical character, an action or a situation that seems to represent such universal patterns of human nature.” (“Archetype”) The short story “On the Rainy River” by Tim O’Brien is about the internal struggle and the journey he faces after he is drafted to serve the army. The classical hero’s journey archetype is similar to Tim O’Brien’s journey in his short story, “On the Rainy River,” with the exception of the arc length and depth of transformation.
Is it fair to hold individuals responsible for a choice society pressured them to make?
The third scene is very critical because it is the last glimpse into every characters' mind and the last time that everyone is
Insignificant droplets of water plunging to the ground, gradually elaborating into a system which proclaims its existence with such scintillation and momentous significance, the river. The river that carries the same inexorable rate which we live our lives by, parallels to the current of an unstoppable river. Shifted to different directions by the different obstacles encountered, the river finds different routes to get to the destination it desires and life mimics its nature as many avenues close and others open. But the river carries on and does not pass through the same obstacle twice, it does not struggle or brawl the happenings opposed to it, it simply takes another path and learns from its mistakes. The river symbolizes life. In the book Siddhartha by Herman Hesse. The river plays a significant role on a reflective surface which redirects his actions into the eyes of the protagonist, Siddhartha.