Franz Kafka's Metamorphosis

“The Metamorphosis” is a surreal story by Franz Kafka surrounding the transformation and betrayal of Gregor Samsa, who wakes up one day, reborn into a large insect. Along with the bizarre and nightmarish appearance of his new hard back, brown segmented belly, and many legs, Gregor only desire is to live a normal life, unfortunately, this is impossible because he struggles to even get out of bed. Gregor transformation into an insect is a vivid metaphor for the alienation of humans from around the world. After losing human form, Gregor is automatically deprived of the right to be a part of society. Franz Kafka could relate to Gregor because he too was mistreated/neglected by his father and worked a job that he was unhappy doing. Franz and Gregor both were providers for their families. Alienation, isolation, and loneliness were not hard to recognize during the Modernity and Modernism time period.

Franz Kafka’s twentieth-century classic, The Metamorphosis, shows the changes of the Samsa family after their son, Gregor, turns into a vile insect. Even though Gregor has turned into the most disgusting of creatures, this “metamorphosis” is ironic compared to the transformation that his family endures. While Gregor still sustains his humanity, the lack of any compassion and mercy from his family, is what makes them the disgusting creatures rather than Gregor. The changes of Gregor’s father, mother, and sister prove that the theme of metamorphosis is not exclusively present within Gregor.

In Franz Kafka's Metamorphosis, Gregor’s life dramatically changes with the event of his transformation to a bug. His family is not in full acceptance of what has become of him and Gregor begins to lose himself. He had once been the provider for his family and now it is as if his family reproaches him for his inability to take care of them. Gregor wants to again have a role in his family yet recognizes that his family would be better off without him and dies. There are several situations that Gregor experiences that makes him lose all hope. From Maslow’s hierarchy of needs it can be be seen that Gregor loses his humanity including the essential needs to humans such as his safety, his desire to be successful, and his desire for affection from others. The desire to feel love from his family and their rejection is the final event that leads to his depression and at the end to his death.

Prior to the metamorphosis Gregor led a physically isolating life with little time for anything other than superficial relationships. Hinted at the beginning of the piece he longed to break free from his traveling salesman's job and shrug off the financial burden placed on his back. The metamorphosis was equally as mentally imprisoning as to what it was physically. Gregor was unable to express his emotions or even communicate his needs to his family this ultimately led to the family’s gradual shift of resentment towards him solely because they were unable to see how much of their once family member remained.

In Franz Kafka 's Metamorphosis, Grete changes from a child into an adult while also trying to do the opposite with her own family. Gregor’s metamorphosis leaves her family without anybody money to pay for their needs. Consequently, Grete replaces Gregor and begins to cook and clean for her family and go to work. These jobs allow Grete to become more experienced and to mature. Similarly, Grete shows displays these changes by dressing more provocatively and becoming more interested in romance. However, during Grete’s own metamorphosis, she realizes the burden that is (or was) her brother and proves to her family that he is no longer human. Since she wants to keep her family the same as it was before Gregor’s metamorphosis, Grete convinces her parents of this absence of Gregor’s real personality and tries to get rid of him. Thus, Grete’s goal is to keep her family the same as it is before Gregor’s metamorphosis, and to accomplish this, Grete simultaneously goes through her own metamorphosis into an adult woman as a result of the many jobs she takes to keep her family in the same situation as before.

Franz Kafka’s clear isolation of Gregor underlines the families’ separation from society. In The Metamorphosis, Kafka emphasizes Gregor’s seclusion from his family. However, Gregor’s separation is involuntary unlike the family who isolates themselves by the choices they make. Each family member has characteristics separating them from society. These characteristics become more unraveling than Gregor, displaying the true isolation contained in The Metamorphosis.

Franz Kafka’s The Metamorphosis (1915) is a novella about protagonist Gregor, a hard-working traveling salesman transforms into some a vermin overnight and struggles to adjust to his startling change. Kafka characterizes Gregor as a selfless individual whose profound love for his family misleads him about their genuine disposition. As he adjusts to his new change, he undergoes great difficulty to determine his identity and humanity. Gregor has deceived himself into believing that his family will love him despite his repulsive appearance. In The Metamorphosis, Kafka uses characterization and third-person narrative to demonstrate Gregor’s self-deception and self-awareness regarding his family and circumstances to establish the theme of identity.

Frank Kafka’s short story, The Metamorphosis, is a story that observes human experiences through family bonds, the question of morality, and confronting mystery. The overall theme of the book is confronting the unknown. The story starts out with Gregor Samsa, a salesman, who wakes up as an insect. From the beginning of the text, Gregor and his family were already put to the test of confronting Gregor’s unknown situation. It is unusual for a man to turn into a vermin over the course of one night, which is what happened to Gregor. When Gregor originally turned into a bug, his ties with his families became cut off. His parents did not take care of him the way that they always had, and Gregor could not take care of his parents the way that he always did. Gregor’s ties with his sister became close because his sister, Grete, felt obligated to take care of her brother even though he was transformed. The question of morality come up at the end of the story right before Gregor dies. Gregor’s sister explodes with frustration and contemplates on getting rid of Gregor all together. The story question morality because Gregor’s family decides on getting rid of him, as if he had not been a part

The Menace of Expectations In Franz Kafka’s Metamorphosis, he describes a huge life change for a man named Gregor. One day, Gregor wakes up and finds himself transformed into a bug. Scholars have tirelessly debated whether Gregor transforms into an actual bug or a figurative bug. State aside, it is impossible, unrealistic, to think that a man can one day become a bug. Gregor becoming a literal bug is more extreme than if he would wake up just “think” that he is a bug.

In a household or family, typically, changes that one family member experiences affects the way of living of another family member or even the whole family. These changes can affect families by making them come to a realization in which they have to find other resources to accommodate their needs or the change can help mend relationships within the family. Changes can also help in the development of one or more of the family members. In The Metamorphosis by Franz Kafka this theme of change within family and personal growth is seen and experienced with all the characters in the family. The character that experience the most changes and personal growth is Grete. Grete’s brother, Gregor, is a salesman that wakes up one day transformed into a bug. This transformation that Gregor experiences from being the provider of the family and being dedicated to his job makes Gregor go through various realizations about his life. As Grete witnesses this transformation she experiences major changes of her own. Throughout the novella, Grete’s metamorphosis can be interpreted into three different parts. The first is Grete in her most innocent and sensitive phase, where she is helping her brother out of kindness and love. The second stage is where Grete is beginning to develop and get accustomed to these new

In the beginning of the story, Grete is near the bottom. When the family realizes that Gregor has transformed into a giant bug, Gregor is put below Grete, effectively giving Grete an upgrade in status. With the little power given, Grete had, “This feeling sought release at every opportunity, and with it Grete now felt tempted to want to make Gregor’s situation even more terrifying” (Kafka 45). Grete has been oppressed her whole life and had a feeling that “sought release at every opportunity” which meant her upgrade in stature was her quick release. Once Grete was given the role of caretaker for Gregor, she felt her female paradigm slipping away. She was not satisfied with being a caretaker and wanted to “make Gregor’s situation even more terrifying”. Grete did not want to have to take of Gregor, it was a mother’s job and Gregor was not her son. Grete wanted to terrify Gregor because it made her feel more dominant. In “Transforming Franz Kafka’s ‘Metamorphosis’”, Nina Pelikan Straus elaborates on Grete’s role and how she does not want to continue it. Grete cared for her brother, she was the first to feed and take care of him in the story however when she sees new responsibilities given to her she rebels against her role as his caretaker. Nina Pelikan Straus states, “early twentieth-century masculine attitudes toward women and transforms these attitudes by presenting Grete and Ms. Samsa

In The Metamorphosis, Kafka establishes, through his religious imagery and gospel-esque episodic narration, the character of Gregor Samsa simultaneously as a kind of inverse Messianic figure and a god-like artist, relating the two and thus turning the conventional concept of the literary hero on its ear. The structure of the novel reflects that of the Gospel of Mark in that it is narrated in individual events, and in this it is something of a Künstlerroman - that is, the real metamorphosis is over the course of the novel, rather than just at the beginning, and that change is a heightened sensitivity to the world in an artistic sense. The motif of change is a rather theological one as well: we see it in a religious sense, in the form of

Franz Kafka, struggled throughout his life with isolation, which is clearly a great influence and inspiration in his work, The Metamorphosis. Franz Kafka was born in 1883 to an upper middle class Jewish family in Prague. Kafka struggled with many problems in all facets of his life, most significantly in his his health, his relationships with the people in his life, and his relationship with work. Each of these problems contributed to his isolation, which is reflected in his character Gregor Samsa’s isolation from the world around him. The early 1900s, the time in which Kafka did much of his writing was marked by events such as World War I, which notably shaped popular opinion and the literary style of the time. The shift from the

Throughout literary history, certain authors are so unique and fresh in their approach to the written word that they come to embody a genre. Franz Kafka is one such author; “Die Verwandlung” or “The Metamorphosis” is one of his works that helped coin the term “Kafkaesque.” Through this novella, Kafka addresses the timeless theme of people exploit-ing others as a means to an end. He demonstrates this point through showing that a family’s unhealthy dependence on the main character results in that character’s dependence on the family.

In the opening lines of German author Franz Kafkas’ short story narrative “The Metamorphosis”, the protagonist Gregor Samsa a disgruntled traveling salesman who lives with and supports his parents and little sister, awakens from a night of unpleasant dreams to find that he has been metamorphosed into a cockroach he calls a “monstrous vermin” (Kafka, page 89). This particularly strange opening sets the stage for in my opinion, a very strange and very vague play. I say this because throughout the whole story we never find out much less are given any clue of how or why he managed to be metamorphosed into this insect. Not to mention what the moral of the story is or the fact that this whole book reads like one big