Freedom In Purple Hibiscus

Hugh Prather, an American writer, once said “Just when I think I have learned the way to live, life changes.” Change is an inevitable part of being human. As we grow we meet and discover new ideas and people, that change our thinking. For the most part, change happens in very small amounts in life, but there are times at which one single event can lead to great personal development or downfall. In the novels Things Fall Apart by Chinua Achebe and Purple Hibiscus by Chimamanda Ngozi Adichie, change of physical and social interactions and environments leads to change in personal beliefs. However, while Purple Hibiscus portrays change as a beneficial transformation, Things Fall Apart argues that change is undesirable. In Purple Hibiscus,

The novel “Purple Hibiscus” by Chimamanda Ngozi Adichie tells a story of how two Nigerain children rebelled against their very father. For these children to end up rebelling against their father they must first bring about a change in themselves, they must become more mature, more responsible and not so dependent on their father. Kambili is one of those children that does go through a considerable change in her character, she reaches maturity. In fact this novel is a bildungsroman which is a story about a character self-development, her change.

Imagine living in dramatic fear, someone who loves you, puts you through abuse, depression, and demolishing your self-esteem. How does a person grow from such a traumatic experience and become brave? Chimamanda Ngozi Adichie was born on September 15, 1977 in Enugu, Nigeria. During her senior year at Eastern, she started working on her first novel, Purple Hibiscus, which was released in October 2003. Adichie demonstrates bravery and growth in humanity. Kambili and her family’s lives are followed throughout Purple Hibiscus. Kambili and her family live through fear of Papa, they are silent and are afraid to stand up for themselves. Fear suppresses our individuality and confidence- thus; it controls humanity and hinders us from bravery and growth.

Chimamanda Adichie’s Purple Hibiscus is a story set in Nigeria told from the perspective of Kambili and her journey towards independence; along the way, she looks to the female role models in her life, each which aid her path to liberation. Mama and Aunty Ifeoma are two vital female characters to the development of the story but with stark contrasts; Mama’s submissive and reserved demeanor provides a perfect foil to Aunty’s outgoing and independent personality. They both influence Adichie’s bildungsroman, but how they aid Kambili’s endeavor is strikingly different. Mama and Aunty Ifeoma represent the female figures in Kambili’s life; Mama shows Kambili to submit to the men in her life, while Aunty Ifeoma opens up the idea of being independent and free thinking. Mama stresses submission and dependency as a sacrifice to tradition while Aunty Ifeoma emphasizes independent thought to embrace oneself and progress over all others. The way that these two women uphold themselves throughout the novel, demonstrates how these patriarchal societies, like the one in Nigeria, restrict women like Mama, while women like Aunty are deemed rebellious to society.

TOPIC 2: Analyse the development of Kambili in Purple Hibiscus as she moves from strict, fearful obedience to tentative defiance of her father. In your response account for her initial subservience and explain what factors contribute to her increasing maturity and independence.

An important relationship in the novel Purple Hibiscus by Chimimanda Ngozi Adichie is the relationship between Kambili and her Aunty Ifeoma, and her family. It introduces Kambili into a less sheltered environment where she is not only free to speak her mind, she is encouraged to question things, and form her own opinions. She also looks up to and admires her cousin, Amaka, who influences Kambili to be more confident and free thinking, like she is. The relationship between Kambili and Aunt Ifeoma’s family also opens Kambili up to new relationships, such as her relationship with Papa-Nnukwu. She begins to

The novel Purple Hibiscus, by Chimamanda Ngozi Adichie, is a story of a young girl , who tries to find her own voice and speak out against her violent oppressive father. The novel is set in post-post-colonial Nigeria, in a time in which the government was run by a military dictatorship. There are a number of symbols used to help develop ideas in the text; the three most important ones being purple and red hibiscuses and Mama’s figurines. The red hibiscuses are symbolic of the violence in Kambili’s life while the purple hibiscuses symbolise freedom, defiance and the freedom to speak out. The figurines are symbolic of Mama’s quiet character and of the violence in her home. These symbols are there to show the

Nigeria, a barren wasteland, now an uprising land of civilization enters an era of ferocity, dominance, depravity. From the ashes of Nigeria, emerges Chimamanda Ngozi Adichie, the author of Purple Hibiscus. She intertwines Purple Hibiscus with her personal memories; she wrote her tale based on her experience-religion, history, and politics. Purple Hibiscus is a novel expressing the complexity of the human nature. From tragedies to happiness, life is a pendulum of occasions. Life consists of abrupt changes; these changes are caused by external factors such as government. However, when a government is corrupt, two primary courses are presented: to submit or rebel. The corruption within government vastly expands towards major concepts-politics, economy, religion-that influences people’s lives. Therefore, Adichie exposes the detrimental transformation of a tyrannical government through her portrayal of the economic, religious, and political strife throughout Nigeria.

1) Five major issues explored in purple hibiscus are; domestic violence, oppression, religion, education and love.

Kambili and Jaja break free from their father, Eugene’s, abusive and controlling ways in the novel Purple Hibiscus. Kambili is a shy and scared girl at the beginning, but by the end she was changed into a beautiful outgoing girl who develops her voice and her laughter. Jaja is more outgoing in the beginning and becomes more protective of his family throughout the book. The change didn’t come to Kambili and Jaja naturally; it came through Aunty Ifeoma and their time away from Eugene. Ifeoma’s rejection of Eugene’s Catholic-driven control inspires Kambili and Jaja to break free.

A religious family in the story Why I am a Pagan by Zitkala-sa, talks about how this little girl was taught certain things that her family has always gone by. What she was taught, she now holds close to her life dearly, while also relying on it every moment of the day. Her life shows us a different view on cultural identity, how she was taught something important not only to her, but in everyone else’s as well. By showing her what the kind of men in her life mean the most to her. She says something about her religion, how it reflects her past, present, and future, along with what she stands for. She says, “I was taught long years ago by kind missionaries to read the holy book, these godly men taught me also the folly of our old beliefs.” (Zitkala-sa 2) In her culture, and

TOPIC 2: Analyse the development of Kambili in Purple Hibiscus as she moves from strict, fearful obedience to tentative defiance of her father. In your response account for her initial subservience and explain what factors contribute to her increasing maturity and independence.

Envision a character deprived of basic rights; a tyrant who manipulates daily tasks and assigns the most heinous of punishments for disobedience — This is the life Eugene imposes on his family. Chimamanda Ngozi Adichie was born on September 15, 1977 in Enugu, Africa. As one of six daughters to an Igbo household, she witnessed first hand the culture and environment of a postcolonial Nigeria. Due to this, she revolves the majority of her books around Nigerian based characters and involves themes of religion and politics very frequently. This is prominently seen in the novel Purple Hibiscus, which details the themes of violence, politics, and oppression heavily. By portraying the inhibition of life caused through the suffering and oppression imposed by Eugene, Adichie condones the thought of violence as the solution to oppression.

In Purple Hibiscus “silence and Feminism” is a theme of grave adversity. The household in which the story surround comprised of Papa Eugene, mother Beatrice, daughter Kambili and son Jaja. Papa Eugene is a very successful and prominent figure who dominated the family with an iron fist. His devout to Catholicism propel him from a loving public figure to an authoritative husband and father at the hint of any religious indiscretion. His method of punishments is immoral by nature, but yet no one dear speak against him. They flout it, acting as if though nothing occurred and returned to normalcy just as fast as Papa violent outburst. The silence is abnormal and heavy; Kambili feels “suffocated” by it (Adichie 7).He is, a sick, demented man who is

In Purple Hibiscus by Chimamanda Ngozi Adichie the characters Papa and Jaja’s relationship is put to the test when Jaja begins to rebel. When Jaja misses communion that is when everything changes, including Papa and Jaja's relationship. Jaja is forced to grow up at a young age after realizing there is world outside of his father’s home. After becoming his own person Jaja feels even more protective and responsible for his family. In Purple Hibiscus by Chimamanda Ngozi Adichie the relationship between papa and Jaja is strained because of Jaja’s disobedience.