Purple Hibiscus Aunty Ifeoma Analysis

The novel “Purple Hibiscus” by Chimamanda Ngozi Adichie tells a story of how two Nigerain children rebelled against their very father. For these children to end up rebelling against their father they must first bring about a change in themselves, they must become more mature, more responsible and not so dependent on their father. Kambili is one of those children that does go through a considerable change in her character, she reaches maturity. In fact this novel is a bildungsroman which is a story about a character self-development, her change.

The Thing Around Your Neck by Chimamanda Ngozi Adichie highlights the often challenging lives of Nigerian women living in Africa, but also abroad in the United States. It is however, not the difficulties which Adichie is ultimately focusing on, but the courage and intelligence of women who are able to make ‘small victories’, overcoming various attempts of cultural oppression.

Imagine living in dramatic fear, someone who loves you, puts you through abuse, depression, and demolishing your self-esteem. How does a person grow from such a traumatic experience and become brave? Chimamanda Ngozi Adichie was born on September 15, 1977 in Enugu, Nigeria. During her senior year at Eastern, she started working on her first novel, Purple Hibiscus, which was released in October 2003. Adichie demonstrates bravery and growth in humanity. Kambili and her family’s lives are followed throughout Purple Hibiscus. Kambili and her family live through fear of Papa, they are silent and are afraid to stand up for themselves. Fear suppresses our individuality and confidence- thus; it controls humanity and hinders us from bravery and growth.

During the novel “Purple Hibiscus”, we witness the transformation of Kambili Achike from a silenced, repressed and wary girl into a more confident, mature and happy young woman. This change is brought upon by significant characters in the story, who help show Kambili how joyous the world can be and how she also has a place within this joyous world. And through this Kambili finds a way to slowly crack through her father’s hold over her and come into her own.

An important relationship in the novel Purple Hibiscus by Chimimanda Ngozi Adichie is the relationship between Kambili and her Aunty Ifeoma, and her family. It introduces Kambili into a less sheltered environment where she is not only free to speak her mind, she is encouraged to question things, and form her own opinions. She also looks up to and admires her cousin, Amaka, who influences Kambili to be more confident and free thinking, like she is. The relationship between Kambili and Aunt Ifeoma’s family also opens Kambili up to new relationships, such as her relationship with Papa-Nnukwu. She begins to

The novel Purple Hibiscus, by Chimamanda Ngozi Adichie, is a story of a young girl , who tries to find her own voice and speak out against her violent oppressive father. The novel is set in post-post-colonial Nigeria, in a time in which the government was run by a military dictatorship. There are a number of symbols used to help develop ideas in the text; the three most important ones being purple and red hibiscuses and Mama’s figurines. The red hibiscuses are symbolic of the violence in Kambili’s life while the purple hibiscuses symbolise freedom, defiance and the freedom to speak out. The figurines are symbolic of Mama’s quiet character and of the violence in her home. These symbols are there to show the

Nigeria, a barren wasteland, now an uprising land of civilization enters an era of ferocity, dominance, depravity. From the ashes of Nigeria, emerges Chimamanda Ngozi Adichie, the author of Purple Hibiscus. She intertwines Purple Hibiscus with her personal memories; she wrote her tale based on her experience-religion, history, and politics. Purple Hibiscus is a novel expressing the complexity of the human nature. From tragedies to happiness, life is a pendulum of occasions. Life consists of abrupt changes; these changes are caused by external factors such as government. However, when a government is corrupt, two primary courses are presented: to submit or rebel. The corruption within government vastly expands towards major concepts-politics, economy, religion-that influences people’s lives. Therefore, Adichie exposes the detrimental transformation of a tyrannical government through her portrayal of the economic, religious, and political strife throughout Nigeria.

Kambili and Jaja break free from their father, Eugene’s, abusive and controlling ways in the novel Purple Hibiscus. Kambili is a shy and scared girl at the beginning, but by the end she was changed into a beautiful outgoing girl who develops her voice and her laughter. Jaja is more outgoing in the beginning and becomes more protective of his family throughout the book. The change didn’t come to Kambili and Jaja naturally; it came through Aunty Ifeoma and their time away from Eugene. Ifeoma’s rejection of Eugene’s Catholic-driven control inspires Kambili and Jaja to break free.

Imagine living life as your 15yr old self, but you are not living your life the way you want to. You are being controlled by your strict religious father using harsh laws and any law you break results in a traumatic punishment to follow. Well, 15yr old Kambili, her brother, and mother live that exact type of life in the novel, Purple Hibiscus. The story follows Kambili’s life as she struggles to find her voice to speak out against her father’s wrongdoings. The author, Chimamanda Ngozi Adichie, is a Nigerian writer that has won awards like A Black Issues Book of The Year and A San Francisco Chronicle Book of The Year. By giving the audience a view of a young girl’s struggle to find her voice, Adichie's novel not only shows us the importance of religion to families in post-colonial Nigeria in the 1960’s during the Biafra

Purple Hibiscus takes place in Enugu, a city of political conflict in post Colonial Nigeria. The story is narrated by the protagonist Kambili Achike, a teenager and lives with her elder brother Jaja, who excels in academics like his sister but is withdrawn and sullen. Kambili’s father papa is a delightful but a harsh authoritarian whose faithfulness to

“Religion and oppression” (Adichie 173), words written by Chimamanda Ngozi Adichie, provides a simple yet effective overview of her novel, Purple Hibiscus. The novel illustrates an emotional story of Kambili, a Nigerian girl who silently lives under the tyrannical ruling of her wealthy and publicly respected father, undergoes a series of both physical and mental change as she experiences life in Aunty Ifeoma’s house in town Nsukka. Adichie incorporates natural symbols, such as the verandah, earthworms, rainwater and Odim hill throughout the novel to highlight and signify Kambili’s growth and development towards freedom and adulthood.

Chimamanda Adichie’s Purple Hibiscus and Chinua Achebe’s Things Fall Apart both emphasize the complexities of progenitor-son relationships. The adult composition of devoted contention is improved throughout the manner of both texts and attend to illustrious the impact of Western imperialism on Igbo culture. While Adichie publicly profess that she was inhaled by Achebe, a finisher look at the nuanced variance between the two novels illumine Adichie’s own vote. Okonkwo, the misogynistic individuality with a masculineness complicated, is a omi still cicatrice by his father’s shameful value in Things Fall Apart. His sire’s unwell fame and deficiency of entitle tern Okonkwo to chase a more biography in an effort to disunite himself from his father.

Throughout the centuries, the roles of Nigerian women have continuously evolved. During the pre- colonial era, women in Nigerian tribes were not only child bearers and wives, but also free adults. They played critical roles in food preparation, weaving, pottery, and the economy. However, the impact of British rule in Nigeria made a significant shift from the pre-colonial to the post- colonial era. The influence of the Catholic Church, Western style education, patriarchal government and modern ways of making money took a major toll in a woman’s role in society. In Chimamanda Adichie’s novel, Purple Hibiscus, Mama Beatrice and Aunty Ifeoma are dynamic female foils who represent opposite sides of spectrum in post- colonial feminism. Mama

In the novel Purple Hibiscus, by Chimamanda Ngozi Adichie, a young woman named Kambili struggles to live under her father's extremist beliefs, causing her to be unable to break away from his rule. However, on a trip to Nuskka, she lives with her aunt who views life more open-mindedly, thus giving her a new perspective of life. At the beginning of the novel, Kambili is introverted and close-minded, while as the book progresses, she changes into a more open-minded and independent person.

The novel Purple Hibiscus by Chimamanda Ngozi Adichie was published by Anchor Books in 2004, a first person narrative of life in the political turmoil of post-colonial Nigeria. Purple Hibiscus, exemplifies how the western feminist theory has greatly failed to address the needs and wants of the african women and their children. This essay focuses primary on the forms of patriarchy presented in the novel and how each utilizes violence, religious oppression and silence as forms of control over the mother and the children of the Achike family. The family's patriarch Eugene, the patriarchal religious leaders and the corruption of the patriarchal government attempt to control homes, parishes, and nations through silence and violence.The use of