In the gothic novel, Frankenstein, written in 1818, author Mary Shelley tells a blood chilling story of Victor Frankenstein and his monstrous creation. Many of the main concepts in the Romantic literary movement are prevalent throughout the novel. Some of these concepts include nature as beauty and truth, strong personal motivation, and gothicism which inhibits intense emotion and complex psychology. Victor’s monstrous creation can be categorized as a romantic hero because of his continuous rejection
Frankenstein: the Modern Prometheus by Mary Shelley and The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson both show Freud’s ideas of Id, Ego and Superego as well as of innate desire. Frankenstein: the Modern Prometheus shows Freud's stages of psychosexual development. Collectively both novels should be considered Freudian through these ideas. Jekyll and Hyde works as a symbolic portrayal of the goodness and evil that resides in equal measure within the soul of a man. It pre-empted
and son. The present dissertation critically examines two novels; Frankenstein by Mary Shelley and The Heart of a Dog by Mikhail Bulgakov under the light of Freud’s perception of parenthood. Many critics such as Burgin, Glenny, Gomel and professor Zholkovsky have mentioned Mary Shelley’s novel Frankenstein as a one of the literary predecessors of Bulgakov’s novel The Heart of a Dog. Although there are so many discussions on Frankenstein, but a few research on The Heart of a Dog. The writer of The Heart
The Critical Metamorphoses of Mary Shelley’s Frankenstein You must excuse a trif ling d eviation, From Mrs. Shelley’s marvellous narration — from th e musical Frankenstein; or, The Vamp ire’s Victim (1849) Like Coleridge’ s Ancient Mariner , who erupts into Mary Sh elley’s text as o ccasionally and inev itably as th e Monster into Victor Frankenstein’s lif e, Frankenstein; or, The Modern Prometh eus passes, like night, from land to land and w ith stang ely ad aptable powers of speech