Frida Kahlo And Roots Raices By Maya Hansen

Generally, when innocence is thought of, the first speculation recalled to one’s mind is the thought of pureness and the idea that the specific individual is free from moral wrong. On the other end of the spectrum is the term known as guilt. Guilt is the emotional notion in which one feels that they have compromised his or her own standards in a negative way. In the novel Sarah’s Key, Sarah frequently proves to struggle with both guilt and innocence. These specific themes are put on display when Sarah realizes she is not going back home, the scenario in which Sarah boards the cattle car to the camps, and the tragic event in which Sarah takes her own life.

Frida’s double personality is most present (excepting arguably The Two Fridas, which will be mentioned later in this essay) in her painting Tree of Hope, Stand

Unlike animals, humans are able to observe past the mere monochromatic vision of survival. We have an impeccable ability to desire more than just living to breed, and breeding only to someday perish. Thus, we gradually brush this canvas with the colours of ethics, control, and knowledge. Whether the colours fade or become prominent through time, this canvas becomes our perception of normality and we allow it to justify our actions; favorable or harmful. We, as well as the narrator in the short story The Hunt by Josephine Donovan represent this. However, because of the narrator’s difference in perception, self-indulgence, and greed for power, the story introduces a feeling of infuriation to the reader.

Frida was against the feminine ideals that were imposed on her by society as a result she became an important feminist icon. Kahlo was often, and still is, criticized by her facial hair, what is admirable about her is that despite how much negative opinions she experienced, she kept her head held high, she was proud of her unibrow

In this essay, I will be discussing how two famous artists from different times and cultures have created aesthetic qualities in artworks, communicated ideas and developed styles. Frida Kahlo and Pablo Picasso have been chosen to express two very different art styles and how both artists use elements and principles to create a distinct quality artwork. Although Frida Kahlo and Pablo Picasso come from different parts of the world and have different cultural backgrounds, both artists have practiced and explored portraiture as a way of making art.

Frida's artwork has always interested me in many ways. Her paintings are so much more than self-portraits and surrealism. She illustrates her life and the struggles she goes through, even if most would like to ignore the darker aspects of life. The theme of suffering permeates Frida’s self-portraits and often explicitly comprises their subject matter. She visually depicts physical and psychological struggles through the distortions of her body, which is fragmented, doubled, turned inside-out, and merged with non-human elements. She shows me that I can be strong through life even when I'm hurting physically and emotionally. Frida challenged herself and her

“We must open the doors and we must see to it they remain open, so that others can pass through it”

Maya Angelou was born in St. Louis, Missouri, is a writer,and she is known for many auto-biographical novels and she also writes poetry and essays. She also loved to study music, dance,and drama. From 1963 to 1966 Angelou was involved in the black civil rights movement. Maya Angelou wrote this specific poem called; “Phenomenal Women”. Angelou has a very creative way of saying things throughout her poem. Angelou talks about a woman in the poem that talks about herself a lot she repeats the phrase“ I’m a woman Phenomenally. Phenomenal woman that's me”( Angelou) therefore Angelou might be this person in her poem. Angelou is trying to show the reader that you need to have more confidence in your own person instead of worrying about others judgment.

In the painting of “The Two Fridas” you automatically notice two women sitting down in a bench, holding hands with hearts connected with each other. The background looks as if she was outside since it looks like clouds and the floor is light brown. The first Kahlo has her hair up, has light makeup on, (she is whiter than than second woman, her mustache is shaved, and she put some lipstick.), the dress is white and has two different designs on top (her chest is more vintage while the arms are layer of laces). The middle portion of her dress has blood stains dripping downwards. Then at the very bottom there seems to be flowers like roses and little birds, and the heart she has seems to be damaged with white and black inside. The second Kahlo also has her hair up, now she doesn’t seem to have any type of makeup (she is a bit tanner than the first woman and she actually has mustache) she has a more natural look, the dress she is wearing has color to it, the top of the dress is blue with some yellow around the neck, arms, and in the lower stomach area then on the bottom of the dress it is brown but the very bottom is simple with no flowers, it is white with frills, and the heart she has looks more of a realistic. For the first Kahlo the blood vessels are going around her arm, up her shoulder, and around her neck going towards the second Frida heart. Once the blood vessels reaches

Sarah's Key by Tatiana de Rosnay is a work of fiction about a young girl, Sarah Starzynski, who was collected in France during the roundup of Jews in July 16, 1942, when the French police arrested thousands of Jews throughout Paris. The girl and her family were sent to an internment camp where people were held before being sent to Auschwitz where they were executed.

The TED talk, “Seeds of Our Ancestors, Seeds of Life,” by Winona LaDuke was really sad. Thinking about how many types of foods of gone extinct, and that there are companies that keep trying to patent and genetic engineer our food. Food is more than something we just buy, it keeps us living, yet we don’t seem to put much thought into it anymore. The statement about only about 30 different varieties of food giving us our calories makes sense, but I can see why it’s so sad. It’s depressing that species of food are going extinct, we think about animals going extinct, but we don’t often think about our food. I’m curious about all of the types of food that I will never be able to try because they have gone extinct.

Frida Kahlo's influence still lingers around the world. Even with Frida dead for almost two decades, she is still celebrated and thought of as an idol. Frida Kahlo was an artist in many different ways. Besides Frida's incredible talent to paint surrealist thoughts and emotions on canvas, she also was and artist in her mind and body. Frida's attire of traditional Mexican clothing, which consisted of long, colorful dresses and exotic jewelry, and her thick connection eyebrows, became her trademark. To the public, Frida Kahlo appeared to be full of spirit and joy. She walked through life happily, with a smile glued to her face. However, her feelings of anguish, anger, unhappiness of her painful miscarriages, and

Frida Kahlo is a world-renowned Mexican painter known for her shocking self-portaits filled with painful imagery. Her artwork was seen by many as surrealist and socialist, but she refused the labels put on herself. Until today, her works have been able to exude the same playful and wild feel as before (Fisher n.p). Her legacy as a painter has attracted prominent people like Madonna who has confessed her admiration for the painter. Not only that but fashion designers are frequently inspired by her iconic Tijuana dresses while her paintings have been priced at more than three million dollars (Bauer 115).

Frida was a very skilled painter who did mainly self-portraits where she expressed her feelings and portrayed herself in unconventional ways. Frida would take some of the events of her life and paint them. For example, Frida painted the auto accident she was in that left her with traumatizing pain, the miscarriages she suffered as a result of the accident, the heartbreak she

The painting is of two versions of Frida Kahlo, closely gripping hands and sharing one heart between them. They are dressed in contrary clothing, with the Frida on the left dressed in modern European garb, while the other to the right is in traditional Mexican clothing. When viewing the painting, we are immediately attracted to the left Frida, who has nearly all of the light in the painting shining down on her. Her European clothing, popular in Mexico at the time, feels very constricting for both the subject and the viewer,specifically the collar grasping her neck so very tightly. Her upright and fragile stance and her almost limp grasp of the second Frida’s is understandable as we see the gaping hole where her heart should be. The pulsating anatomy of her wound bleeds into the room, while her face is completely indifferent. A single vein connects the hole in left Frida to the heart of right Frida. In left Frida’s unclenched hand, a delicate pair of scissors, indicating that she had wretched the heart out of her own bosom. It is this connection that guides us to the Frida to the right, but not before we notice the background behind them. A gray and cloudy backdrop that seems to embody Kahlo’s emotional state at the time, it is hard to distinguish the right Frida from its murky depths. A shadow presiding all around her, the right Frida is dressed in a traditional Mexican dress, with a posture and facial expression completely identical to the other Frida’s. The most eye-catching feature of hers, however, is the pulsating heart that the left Frida is lacking beating out of her chest. This gruesome and oblivious picture is made only more extraordinary when we make out the object right Frida is