Recently, gender studies have become the main sources of information for understanding gender issues in the society. The masculine and feminine divide used to represent the socially constructed sexual traits which men and women are expected to portray in their relationships and interactions. In The Maltese Falcon by Dashiell Hammett, the characters strongly conform to socially constructed gender roles in the way they dress, talk and act. This paper explores how the main characters in the novel including the detective, Samuel Spade, his partner, Miles Archer and their client Miss. Rudy Wonderly actively demonstrate the traditional gender roles.
The female characters are expected to exhibit feminism traits through their dressing, talking and acting. In relation to the issue of dressing, Miss. Rudy Wonderly is portrayed as a fashionable and attractive woman. This is demostrated clearly in the first chapter when she is introduced and the way detective Samuel and his partner Archer behave towards her. In his description, Hammett says, “She wore two shades of blue that had been selected because of her eyes” (Hammett 2). When she entered his office, “Spade rose bowing…”(2) which was a sign of respect for the beautiful lady. She same behavior is demonstrated by Archer when he is introduced to Miss Wonderly. Hammett observes that Archer entered Spade’s office while “… ducking his head and smiling at Miss Wonderly, making a vaguely polite gesture with the hat in his hand” (2).
Miss
Women have different personalities and motivations, and they form relationships with men for many different reasons. Some of these reasons include love, money, and even lust and manipulation. The Maltese Falcon by Dashiell Hammett is a novel about Sam Spade, who is a huge figure of the hard-boiled detective genre. Sam Spade goes on a quest to find a valuable falcon, solve murders and jump over the obstacle that surround him on a daily basis. The novel is also about the three women who surround Spade during his quest. The names of these women are Iva Archer, Effie Perine, and Brigid O’Shaughnessy, and they all have different roles in Sam Spade’s life. In The Maltese Falcon by Dashiell Hammett, Brigid O’Shaughnessy plays the role of femme fatale, Iva Archer plays the role of Spade’s unfortunate future, and Effie Perine plays the role of Spade’s right-hand woman.
This likely spurred a bit of fear and resentment in men as these women played a much bigger role in society than ever before. Film noir reflected this by elevating the female character from a passive supporting figure to the femme fatale. Suddenly, women were cast as seductive, autonomous, and deceptive predators who use men for their own means (Barsam and Monahan 95). The Maltese Falcon was no different. In the film, Brigid O’Shaughnessy (who previously went by the fake name Ruth Wonderly) plays the femme fatale. We watch as she rejects the traditional roles of wife and mother as she uses Floyd Thursby and continually tries to use Sam Spade with the intention of discarding them when they finish serving her purpose. She uses her sexuality as her main weapon as she lies and manipulates her way through life. O’Shaughnessy’s strong, sexual, and dominant character is only one way in which women’s role in society is portrayed in this movie. Spade’s treatment of O’Shaughnessy illustrates what American society valued and trusted during the time period. In current times, his treatment of women would lead to outrage but he is more or less the poster boy for American society at that time. Generally speaking, our society was distrustful of the empowerment and enfranchisement of women and
Throughout history, our society has created gender norms that are followed consistently by members of communities. Though they differ from place to place, we recognize trends that seem almost prescribed to certain genders. Specifically, in the 1600s, men and women had explicit roles that were designated by people of stature. These expectations were followed loyally and people who failed to follow suit were shunned or sometimes even suffered seriously punishment including crude public beatings that were mot only pain inflicting but also status damaging (Rocke, Gender and Sexual Culture, 159). Looking deeper into the novel The Return of Martin Guerre, we identify from the start the expectations that are in place and how they play a role in the story. In comparison of Characters, taking into consideration the standard that had been set for men of this era, we notice that Pansette (Arnaud du Tilh) is an almost faultless example of what is expected for men and in contrast, Martin Guerre fails to meet these standards.
To analyze the impact of women in the picture, one must examine Philip Marlowe, the hero and epitome of masculinity. Throughout the novel, Marlowe displays the admirable qualities of a man: intelligence, strength and justice. Additionally, Marlowe’s role as the hero of the film creates an example to which all men should strive. He represents the goals and desires of men, and as such his behavior helps define the position of women. Women constantly throw themselves at Marlowe, allowing him to pick from a fairly wide selection. His choice of Vivian holds considerable weight in determining the traits that make a woman popular. Marlowe’s interactions with all women help reveal the complexities of 1940s feminine attraction.
To sum up, Dashiell Hammett’s story “The Maltese Falcon”, clearly and successfully depicted the negativity of masculinity as problematic toward men through the conduct, the reputation and the manliness of the main character. The main character had many trouble and difficulties because of masculinity. Sam Spade might have avoided those problems and difficulty if he did not try to be so masculine. Although, socially a man is made to act masculine, the most important are the benefits and the consequences of acting that
Alfred Hitchcock uses dramatic and verbal irony to explain women’s powerful intuition compared to men’s analytical skills. Gender differences are presented in a dramatic manner. Further, the short film explains the differences in gender character’s present in the society (Leitch, 18). For instance, men appear to have an arrogant feeling of superiority against women. This is highly evident in the society we live in because there are high levels of gender inequality. Moreover, women in the story act in solidarity-resisting men’s act of superiority. This brings the theme of feminism creatively in the film.
Men have a historical reputation of treating females poorly and thinking they are above them. Men have also been known to create generalizations and stereotypes towards females that limit them in society. In the short story “The Women's Open” by David Sedaris, Lou is taking two of his children, David and Lisa, for a ride in his second-hand Porsche. Lou is shown to be a golf enthusiast, trying to spend as much as he can on the golf course, whether that’s playing or watching golf. He constantly tries to trick and force his children to be more involved in golf which is evident by the quote, “Once again we’d been duped. There was nothing worse than spending an afternoon on a golf course.” The male nature mentioned is evident in Lou because he is accepting the female stereotypes by treating females disrespectfully throughout the text.
Explore the presentation of femininity and identity in The Great Gatsby and The Color Purple, considering the contexts of their production, reception and the different ways in which these texts have been read.
There are countless factors throughout the book that help to create a critical gendered lens. However, I have found that the four most helpful have been the discussions of intersectionality, gender performance, gendered/sexed language, and the three prominent theories of gender/sex. Learning the term intersectionality and what it means in terms of gender and communication really helped shape the way that I looked at all of the content of this course. The idea that a person’s identity is multiplicative rather than additive gives clearly explains intersectionality. The idea that all of the components of a person’s identity work together to make up who they are and how they view the world and are viewed by others is critical to the study of gender
For example, in Paper 1, I discussed how the police were used to illustrate the detective. It seems that The Long Goodbye presents a story about “love and loss,” but in fact, what Chandler tries to depict is the friendships between Detective Marlowe and the mysterious Terry Lennox. In other words, the story is not about love, but about masculinity. For example, Plain points out that even Roger Wade shows his masculinity by “drinking himself into an easily killable stupor” after he feels disappointed and is “refusing to complete a debased cultural product” (p. 81). The main theme of masculinity thus forms the female characters in the novel. The female characters could also be regarded as significant elements for building the traits of the detective and/or the novel, and to differentiate the masculinity that Chandler wishes to illustrate in the
Readers who have never picked up on the Dashiell Hammett detective novel The Maltese Falcon 1930 or seen the classic 1941 film adaptation, which follows the novel almost verbatim, can feel a strong sense of familiarity, faced for the first time in history. In this book, Hammett invented the hard-boiled private eye genre, introducing many of the elements that readers have come to expect from detective stories: mysterious, attractive woman whose love can be a trap , search for exotic icon that people are willing to kill the detective, who plays both sides of the law, to find the truth , but it is ultimately driven by a strong moral code , and shootings and beatings enough for readers to share the feeling of danger Detective . For decades , countless writers have copied the themes and motifs Hammett may rarely come anywhere near him almost perfect blend of cynicism and excitement.
In traditional hard-boiled American detective fiction there are many themes that seem to transcend all novels. One of those themes is the concept of power and the role in which it plays in the interaction and development of characters. More specifically, the role of women within the novels can be scrutinized to better understand the power they hold over the other characters, their own lives and the direction of the story. Dashiell Hammett’s The Maltese Falcon exemplifies the varying ways in which female characters attempt to obtain and utilize power in hopes of influencing, manipulating and succeeding.
Dashiell Hammett’s novel, The Maltese Falcon, is a hard-boiled detective novel; a subset of the mystery genre. Before the appearance of this sub-genre, mystery novels were mainly dominated by unrealistic cases and detectives like Conan Doyle’s Sherlock Holmes. As Malmgren states, “The murders in these stories are implausibly motivated, the plots completely artificial, and the characters pathetically two-dimensional, puppets and cardboard lovers, and paper mache villains and detectives of exquisite and impossible gentility.” (Malmgren, 371) On the other hand, Hammett tried to write realistic mystery fiction – the “hard-boiled” genre. In the Maltese Falcon, Hammett uses language, symbolism, and characterization to bring the story closer to
When analyzing a piece of literature, it is easy to simply take it at face value. However, when you read between the lines you can often find subtle hints that tell you an even greater story. The Importance of Being Earnest is applicable to Gender and Queer Theories because it addresses past gender inequality, portrays women in a certain way, and is about people feeling like they need to hide their true selves from society.
In the United States, our concept of gender, and the differences between men and women, have deep traditional roots. Men are supposed to be strong individuals, who support and defend their families. Women are seen as nurturing, and motherly, more gentle and tame. We believe so strongly that the two genders are entirely separate, with such completely different traits, that it almost seems that men and women are just born with different qualities.