The Aspects Of Gender Roles In The Return Of Martin Guerre

Does being a female put every woman at a disadvantage in a patriarchal society? In The Marquise of O, Heinrich von Kleist tells the story of a woman named Giulietta who lost her husband, but continues to take care of her children. This almost perfect life of hers came to an end when she was raped and found out she was pregnant without any knowledge of the incident. As a woman living in the 18th century, she was put at a disadvantage because she now had to now find a father for the child in order for her and the child to avoid public scrutiny in the patriarchal society where having a father figure or more so his name was crucial. In this paper, I will be looking at the problem of feminine passivity in the Marquise of O and how this is shown

Starting with the premodern society and moving on to our modern society I will compare and contrast the two societies.

Women were also expected to maintain their social positivity and kindness by never speaking or listening to evil about other women. Men hearing these women speak evil would appear to “listen gladly” but ultimately “hold such women in small respect” and “esteem them so lightly as to despise their company” (177.) From the accounts held in The Courtier of women in the Renaissance, it can be said that women were almost considered to be “status symbols” during this time period. Some men aimed to treat women with courtesy and respect but never viewed them as true equals. Women were expected not to make a fuss, not to speak up too loudly, and to act positive and apolitical at every turn, resulting in a stifling lack of agency. As a whole, women were expected to be seen and not heard, ultimately having a scarce role in the era. Even still, misogyny and hatred was ubiquitous in this time period.

The purpose of this paper is to introduce, discuss, and analyze the book "The Return of Martin Guerre" by Natalie Zamon Davis. Specifically, it will discuss the life of the peasant during the Middle Ages. This book is a fascinating account of a true case that happened during the 16th century in France. The book is also an excellent example of how the peasants lived in the Middle Ages, from what they ate, to how they traveled and what their family lives were like.

In Voltaire’s Candide, the women are constantly being victims of rape, abuse, and violence. They suffer no matter how rich or how poor they were. From Cunegonde to Paquette, and The Old Woman, none of these characters possess such importance as the male characters do. Voltaire ridicules gender roles and the lack of power these women had in the Enlightenment period, which was supposed to be a time of “intellectual freedom and equality for men and women” (Johnson)

In the sixteenth century the role of women in society was very limited. Women were generally stereotyped as housewives and mothers. They were to be married, living their life providing for her husband and children. The patriarchal values of the Elizabethan times regarded women as the weaker sex.’ Men were considered the dominant gender and were treated with the utmost respect by females. Women were mainly restricted within the confines of their homes and were not allowed to go school or to university, but they could be educated at home by private tutors. Men were said to be the ones to provide for their families financially. Women were often seen as not intelligent. Property could not be titled in the name of a female within the family. Legally everything the female had belonged to her husband. Poor and middle class wives were kept very busy but rich women were not idle either. In a big house they had to organize and supervise the servants.

Natalie Zemon Davis’ famous work The Return of Martin Guerre is a story of a man who runs away from his family and home, an imposter comes and takes over his life, and returns only when the imposter is about to be found innocent in trial. Davis’ story has the new Martin Guerre and his new wife Bertrande, work together to invent a marriage between them. The story is about identity, culture and love in 16th century peasant society.

Natalie Zemon-Davis’s 1983 book The Return of Martin Guerre provided both the public and academic world with a fresh and interesting take on a classic story. Presented like a mystery thriller, Davis weaves a tale of deception based on a solid framework of cultural history. Her narrative depends on grounding the characters of Bertrande de Rols, Martin Guerre, Arnaud du Tihl, and their associates within a web of social context. Davis draws heavily on the traditional Coras narrative, but also supplements the established story with the version presented in Le Sueur, a new source she discovered. Additionally, she incorporates unusual sources dealing with broader social context and infers specifics from a general study of period interactions. It is this latter approach that historian Robert Finlay disagrees with. He claims that Davis does not appropriately rely on the source material provided by the Coras narrative and thus gives an unnecessarily dramatic version of events. The AHR forum on the subject includes both Finlay’s review and Davis’s response, providing a model of scholarly debate that extends beyond the actual content of the book in question. In addition to being a rhetorical critique, Finlay is attacking the foundational methodology of modern social history that Davis is then compelled to defend.

In the book “The Return of Martin Guerre” by Natalie Zemon Davis it tells a story about a time in 1560 when a man named of Martin Guerre was impostered by a man named Arnaud Du Tilh. As an infant Martin’s father moved his family to the small town along the French and Spain board name Artigat. In his early teenage years while living here Martin marries a young lady named Bertrande. After being married for several years Bertrande became pregnant and had their only son named Sanxi.

In our culture men have been tasked with being protectors, laborers, and leaders. Men are expected to care and love for their families, yet they are supposed to also have a tough, hard exterior and not show too much emotion. A man is considered inadequate if they display any type of pain or affliction. With that being said not much has changed over the years about what is expected out of a man. In 12th century B.C. men were expected to go off to war to protect their homes, go to work to provide for their families, and to lead. This is showed by Odysseus in Homer’s, The Odyssey, with his, cleverness, patience, and loyalty.

Identity is defined as the condition of being oneself or itself, and not another. Some components of one's identity are  qualities, beliefs, personality, looks and/or expressions. The return of Martin Guerre is a book written by Natalie Zemon Davis, an American historian of early modern france. The book portrays a case of identity theft after a war.  The book also shows the life in the sixteenth century. The book is interesting because it shows life of regular people rather than royalty, generals, and history’s usual subjects.

The story of Martin Guerre differs considerably between the film and the book. Natalie Zemon Davis’s book: The Return of Martin Guerre, was written after the film, which she also contributed to as an historical advisor. However, what ultimately prompted Davis to write her book was the need to make sense out of a film that was shifting away from historical evidence. Davis’s main objective was to examine what motivated people during the sixteenth century and whether they valued truth in addition to the film’s assumption, which placed importance on money and property.

The Return of Martin Guerre written by Natalie Davis gives the audience a rare glimpse into the world of peasant life in sixteenth century France. It also allows a modern day audience a chance to examine and to compare their own identities and questions of self. What makes the story so interesting to modern day viewers and readers is how relevant the story and the people in it are to our own times. This story is about a history of everyday people rather than royalty and generals, history's usual subjects.

Presenting literature to the public that is meant to be a commentary on social or political issues, masked under the guise of entertaining and fictional, is a tool implemented by authors and activists for centuries. While not all satire is as overt as Jonathan Swift’s suggestion that we eat the babies, it does not diminish the eyebrow raising suggestions that are conveyed once the meaning has been discovered. In Aphra Behn’s The History of the Nun and Eliza Haywood’s Fantomina, the established expectations of the female role within society are brought into question then directly rejected. These expectations establish that women should be deferential to men, morally unblemished, and virtuous at all times. Men, however, are not held to these expectations in the same way. The masculine roles assumed by Isabella and Fantomina demonstrate a private rebellion against the established patriarchal society as it warns against the under-estimation of women and proves that women exist independently.

Then in society, men were portrayed as “dominant figures” and women were the “nurturers”. Men not only filled the fatherly role but they also usually earned the “breadwinning”, went to work all day, and financially provided for the wives and