Throughout most of Esperanza’s adolescence, she witnesses many members in her environment who would fall into the assumptions placed before them. The neighborhood she remembers most, Mango Street, is filled with many dysfunctional families and flawed people. Mango Street consists of many occupants, predominantly of Hispanic heritage, and the traditions of their culture heavily influence many aspects of the inhabitants’ lifestyles. Esperanza was nonetheless different from the social norms. She uses her knowledge and experience to overcome the difficult leaps of expectations. Despite this, limitations still exist and it is strenuous work to move past the conditions. Esperanza’s Hispanic heritage confines her from transcending the racial biases …show more content…
The assumptions that people put on others relate to the way others react and most likely fall into the conjectures. For the citizens on Mango Street, expectations have always remained constant. For example, Rafaela is expected to fall into the gender role and follow her husband’s instructions. She eventually succumbs and takes her role as a Hispanic woman. However, these expectations are not limited to just gender. The Vargas kids grew up with a single mother who could not handle her own problems, nonetheless her children. Consequently, the Vargas kids grow up without much guidance. They were perceived poorly by neighbors and “are without respect for all things living, including themselves” (Cisneros 29). The Vargas kids are viewed as troublesome and the rest of the community eventually stopped caring even when Angel Vargas died. Despite the heavy influence of suppositions in society, Esperanza challenges them. She drives herself to “say goodbye to Mango,” since she believes that she will eventually leave because of the differences across cultures (Cisneros 110). Esperanza feels conflicted between having two cultures to determine her heritage and background. She wants to move past the expectations that restrict her. She would not allow the cultural barriers to stop her, but for now, she can only wish to do
Throughout The House on Mango Street Esperanza learns to resist the gender norms that are deeply imbedded in her community. The majority of the other female characters in the novel have internalized the male viewpoint and they believe that it is their husbands or fathers responsibility to care for them and make any crucial decisions for them. However, despite the influence of other female characters that are “immasculated”, according to Judith Fetterley, Esperanza’s experiences lead her to become a “resisting reader” in Fettereley’s terminology because she does not want to become like the women that she observes, stuck under a man’s authority. She desires to leave Mango Street and have a “home of her own” so that she will never be forced
All the people on Mango Street were struggling to get by, but they seemed satisfied with just making it. Esperanza was not. There were characters like Esperanza’s mother who was a “smart cookie,” and could’ve been anything, but she let shame get the best of her and dropped out of school. There was also Rafaela who got married before the 8th grade just so she could move into her own house, but her husband never let her leave the house afterward. He never let her see her friends, and the highlight of her week was getting coconut or papaya juice from someone who would send it up in a paper bag attached to a clothespin since she couldn’t leave the house. Lastly, there was the time when she was left stranded by the tilt-a- whirl waiting for a friend that never came back and got molested by a group of boys. The only witnesses were the red clown statues that seemed to be laughing at her. Nevertheless, she let none of this stopped her from going forward and perusing her dream. She still seemed to be struggling with a sense of belonging, but maybe that’s because she didn’t.
In the collection of vignettes, The House on Mango Street, Sandra Cisneros develops the theme that people should not be devalued because of their financial circumstances through metaphors of classism, the motif of shame, and the contrast between minor characters Alicia and Esperanza’s mother. Esperanza, the protagonist, is a Mexican-American adolescent living in the rural Chicago region. She occupies a house on Mango Street with her father, mother, two brothers, Carlos and Kiki, and little sister, Nenny. Mango Street is filled with low-income families, like Esperanza’s, trying to adapt to their difficult circumstances. Esperanza realizes it is difficult, but she dreams of leaving her house and Mango Street altogether.
In addition to Esperanza facing society's standards for women, so did many of the women on Mango Street. In this time period, countless women are stuck in gender roles. Sally says, “He never hits me hard” (Cisneros 92). Sally’s father makes her feel belittled when he abuses her because it is socially acceptable to hit your own daughter. Her father makes it seem like she is less valued than a male. Esperanza talks about Sally, “But Sally doesn’t tell about that time he hit her with his
Our families are the people we grew up around, whether they are our blood relatives or not. They are the people that make you who you are, though they might not always be around. In the story “House on Mango Street, Esperanza's family plays a huge role in shaping her identity. Throughout the story we are shown how her family, community, culture, and gender impacted her character and actions. In her community, there are Hispanic minorities and people who have lived more unfortunate lives. In fact, her family is a part of this group. Not only are people prejudiced against because of their culture, but the women face sexism from both outsiders and people in their community. Although our identities are influenced by a multitude of factors, the family we are surrounded by in our adolescence end up shaping our identities the most.
The book Esperanza Rising, by Pam Munoz Ryan, gives readers a reason to never be afraid of starting over. The main character named Esperanza, is faced with several challenging situations as a young girl. These challenging events are life changing at times, which forces her to make adult decisions at young age. The life Esperanza is forced to live is unfortunately a reality to many Mexican families that made the move to the United States in search of the American Dream. Events faced by Esperanza’s family alongside workers of the El Rancho de las Rosas, which Esperanza’s family owned, forces Esperanza to change into a mature young teenage female. Munoz Ryan shows Esperanza’s character change by challenges she is faced with. The outcome of these events show growth within her young life by the emotions Esperanza expresses. Throughout the book Munoz Ryan uses symbolism to show growth and change within all characters. However; it is obvious to see the symbolic aspects the author provides related to Esperanza’s changes. The author faces Esperanza with different events to help remind her of a once wealthy life along with her current immigrant life style. As a whole many factors influence Esperanza's change. In the onset of Esperanza Rising, Esperanza is a wealthy, spoiled and dependent eight year old child, due to life changing events, she matures into an independent and mature teenage female.
Esperanza, a strong- willed girl who dreams big despite her surroundings and restrictions, is the main character in The House on Mango Street by Sandra Cisneros. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves. She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. Throughout the novel, she goes through many different changes in search of identity and maturity, seeking self-reliance and interdependence, through insecure ideas such as owning her own house, instead of seeking comfort and in one’s self. Esperanza matures as she begins to see the difference. She evolves from an insecure girl to a
In “The House on Mango Street”, the young daughter desires to leave her neighborhood as a way to escape her Mexican-American culture. One of the cultures which are most powerful in this story is the Hispanic culture that Esperanza and all of her neighbors emerge from. Her Hispanic culture has such a powerful influence on her
In conclusion, we know that Esperanza’s negativity of herself begins to slowly change as she slowly experience what accepting means and how she began to accept where she was from . Throughout this book, Cisnero showed us accepting is an important part of growing in life as well as determining the true you. In the beginning she hated her life always wanted to escape out of Mango Street versus the end she says she is going to come back. From the beginning to the end, Esperanza finally accepted where she was from and how Mango Street has developed who she became
Esperanza had always desired a new home, but realizes Mango Street will always be a part of her. “I knew then I had to have a house. A real house. One I could point to. But this isn’t it” (5). At first Esperanza wanted an escape from Mango Street, she was embarrassed of where she came from. But as she grows as a person and is exposed to devastations in other people's lives around her, she realizes something much more ugly than just the looks of Mango Street. “You must keep writing. It will keep you free, and I said yes, but at that time I didn’t know what she meant” (61). Writing kept Esperanza free, and helped her cope with her problems. Esperanza later perceives why her aunt wanted her to continue writing, because not everyone had something to set them free from Mango Street. “They will not know I have gone away to come back. For the ones who cannot out”(110). Instead of leaving to never return, Esperanza realizes the women in her community have it
In the book The House on Mango Street, author Sandra Cisneros presents a series of vignettes that involve a young girl, named Esperanza, growing up in the Latino section of Chicago. Esperanza Cordero is searching for a release from the low expectations and restrictions that Latino society often imposes on its young women. Cisneros draws on her own background to supply the reader with accurate views of Latino society today. In particular, Cisneros provides the chapters “Boys and Girls” and “Beautiful and Cruel” to portray Esperanza’s stages of growth from a questioning and curious girl to an independent woman. Altogether, “Boys and Girls” is not like “Beautiful and Cruel” because Cisneros reveals two different maturity levels in Esperanza;
When first coming to this country as a Hispanic American you may face a lot of difficulties and find more problems than the average white American. Hispanic people go through different adversities and have trouble overcoming them. In The House on Mango Street the main character Esperanza is the one that narrates the story, she explains what it is like to live on Mango Street. She shows the readers that living on Mango Street is perceived as a terrible area, if one were looking from the outside in. But those that live there feel that they live in fair living conditions. The fact is most of the people who live on Mango Street don 't know what it 's like to live outside of mango street. In the story, they show a lifestyle that most Hispanic people deal with especially the ones that come to America and have to figure out how to make ends meet. In The House on Mango Street, the novel has many themes and problems, such as gender inequality, stereotypes, and language barriers. With short stories like "Aria" and "the myth of Latin Woman," a solution is always found. Sometimes there is a simple solution and other times, it is not so easy to find, or there 's just no solution to solving the characters problems and they are still trying to look for results.
In The House on Mango Street, we see how the youth struggled with the discrimination being pushed on them by Whites. Esperanza describes how they lived in such a poverty-stricken area of the city, and did not interact with the Whites. She talks about how the Whites saw Mexicans as bad people who committed crimes. Esperanza shows how personal identity for Mexicans was made
In The House on Mango Street, by Sandra Cisneros, a little girl from a Latino heritage is given birth to. Not literally, but in the sense of characterization. Esperanza is a fictional character made up by Cisneros to bring about sensitive, alert, and rich literature. She is the protagonist in the novel and is used to depict a female’s life growing up in the Latino section of Chicago. Cisneros creates the illusion that Esperanza is a real human being to communicate the struggles of growing up as a Latina immigrant in a modern world, by giving her a name, elaborating her thoughts and feelings, and illustrating her growth as a person through major events.
My Characterization of Esperanza in the book The House On Mango Street In class we have completed a book called The House On Mango Street by Sandra Cisneros. This book is about a young Latino girl who is about 15 years old and how she is adjusting to life. Esperanza has moved a lot she has moved about 5 or 6 time her entire life. Esperanza is the oldest out of her 4 siblings and has a mom and dad both Latino.