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Gender Stereotypes In Hollywood Cinema

Decent Essays

Films have power that moves people far beyond mere entertainment. In particular, they can influence our imagination and perceptions on crucial matters. As Susanne Kord states in her book: Hollywood Divas, Indie Queens, and TV Heroines: Contemporary Screen Images of Women, female characters in films ‘’reflect and perpetuate the status and options of women in today’s society and play and active part in creating female role models’’ (Korde, 2005). Therefore, it is vital to examine the ways women are represented throughout history in Hollywood cinema. Debates about women representations in Hollywood on screen and inequalities such as sexist work environments and wage discriminations behind the camera, have been a subject of interest for many …show more content…

It makes an important distinction between unrealistic expectations and experiences. Most of the audience is in a need to willingly suspend themselves from the outside world whilst watching a film. Similarly, Rick Altman argues in his piece A Semantic/Syntactic Approach to Film Genre, that the audience attribute to the ultimate authorship, whilst the studios simply serve it, for a price (Altman, 2012). In Altman’s genre approach, he distinguishes two different approaches in his theory. The first, that there is a ritual approach by Hollywood, that produces films that audience can identify with e.g. their preferences. With a similar ideology as Grant, Altman highlights the role of the audience in perpetuating stereotypes in genre films. Altman’s second approach outlines an ideological approach in which he demonstrates how audiences are manipulated by the business and political interests of Hollywood: ‘’that it characterizes each individual genre as a specific type of lie, an untruth whose most characteristic feature is its ability to masquerade as truth’’ (Altman, 2012). He defines the ideological approach as ‘Hollywood taking advantage of spectator’s energy and psychic investment in order to lure the audience into Hollywood’s own positions’ (Altman,

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