abroad, specifically in Paris, is evident in Jean Rhys’ novel Good Morning, Midnight and Joanna Walsh’s novel Vertigo. Rhys and Walsh both illustrate novels
In Jean Rhys Good Morning, Midnight Rhys successfully criticizes modernist claims. This novel is a continuous critique of polarizations about sex, class, and moral values that oppress women and the poor. These polarizations are reinforced by male’s domination of language and literary traditions. The title of Good Morning, Midnight reveals the main theme of the novel: obvious oppositions collapse when brought into close proximity of each other. The novel itself is constantly spinning new oppositions
The changes that occurred in gender relations at the turn of the twentieth century were a factor in the emergence of modernism. The first wave of the Feminist Movement began during this period with the New Woman as its protagonist. The New Woman was a figure that was independent, relatively sexually liberated and educated. Many women no longer lived their lives according to the Victorian ideal required for them and it became more acceptable for women to be seen unaccompanied outdoors and working
In Jean Rhys’ novel “Good Morning Midnight” the reader is introduced to Sasha Jansen. Sasha is a run of the mill alcoholic who has seemingly been handed the most dreadful hand in life. Her husband deserted her, her child died, she is poor, and mostly—she is isolated and alone. Her viewpoints on the world, and herself, are very cynical and pessimistic. Sasha’s story details her downfall in a stream of consciousness narrative that takes the reader from one thing to the next and back again. It tells