Good Night Figurative Language

In this poem, Thomas mainly talks about death, which is the ending point in a life that will inevitably happen to everyone, but it is more likely for older individuals to experience it. One stanza of the poem, “Do Not Go Gentle into that Good Night,” where Thomas really emphasizes to not let death consume you easily is, “Do not go gentle into that good night, / Old age should burn and rave at close of day; / Rage, rage against the dying of the light” (Lines 1-3). Based from this, it portrays that Thomas is using symbolism to show that to not give up to death easily. When he states “Do not go gentle into that good night” it is evident that he is meaning to imply to not be gentle or subtle about death since, “night” would symbolize to further mean as one’s eternal

It is impractical to contradict the inevitability of death, but no one begins to think of that until they are an elder or at a point in their life where their life is in jeopardy. However, it is said that people must not die in vain and that they should fight for their life, whether it is physically in a battle or mentally when on your deathbed. Both “The Charge of the Light Brigade” by Alfred, Lord Tennyson and “Do Not Go Gentle into That Good Night” by Dylan Thomas depict a similar theme of mortality and how it is inevitable. Also, both poets add a unique lesson that one should not give up on themselves and that they should fight for it with all the time they have left on this earth but portray it in a different

Dylan Thomas' poetry is rich in imagery and metaphorical language. The opening line, "Do not go gentle into that good night," contains an euphemistic metonymy for death. "That good night" is a word association for death, but is described as "good" in order to overcome the negative connotation usually attached with the idea of death. Also, the word "gentle" which is an adjective, is used instead of "gently," the adverb which more commonly would be used. Thomas does both of these and is found describing the man and providing a tighter bond to the poem.

Throughout history, there have been instances where racial discrimination has caused tremendous pain and suffering amongst those considered to be inferior. When thinking of racial discrimination throughout history, two events come to mind. One being the holocaust occurring during WWII, and the other being slavery in America during the 1700’s. These periods of time have sadly gone unmentioned in this day and age, only being discussed in classrooms, to the dismay of the students. Even in the classroom, a good portion of the information given is not from the perspective of the oppressed, and if it is, it’s heavily deluded. This is because topics of great suffering are considered “taboo” or “unspeakable.” These

so well.” “They came back from the mouth of hell, all that was left of

The optimistic diction in Dylan Thomas’s poem, “Do Not Go Gentle Into That Good Night,” present a hopeful tone towards death, and in terms of battling death. To begin Thomas starts off with words such as “burn”, “rage”, and “forked” signifying horrific thoughts of how the struggle of dying is (2,3,5). Although, soon after it takes a turn for the better. He expresses the hopefulness that “we do not go gentle into that good night” (1). In other words, he is saying we should not let death conquer us without putting up a fight of staying alive. He seems to show us that we have every purpose to keep fighting he uses words with negative connotations for something positive like “fierce” to give us the determination to live referring back to the optimistic

The first stanza is addressed to ‘old men’ and how they should not simply slip away and die quietly, they should fight death until the end. Poetic techniques

Contrary to Frost?s peaceful, luring diction and images, Dylan Thomas uses forceful, irate words to deter death. "No poet gives a greater sense of the feel of life" as Thomas, who provokes the reader to "rage" against death (Ackerman 407). Thomas conveys a resistance towards death with images of fury and fighting, as in "do not go gentle." Vivacious words as "blaze" and "burn" intensify desires to live on and to the fullest. With images of "good night" and "dying of the light," Thomas conveys death as the "end where only darkness prevails" (Savage 381). He takes his "stand within concrete, particular existence, he places birth and death at the poles of his vision" (Savage 381). "Life [for Thomas] begins at birth and ceases at death" therefore leaving no room for a previous life or an after life (Savage 381). Excessive images of anger and rage towards death exemplify the passion Thomas feels for life. His villanelle repeats the theme of living and fury through the most forceful two lines, "do not go gentle into that good night" and "rage, rage against the dying of the light." Contrasting images of light and darkness in the poem create the warmth of living and the coldness in death, so as to shun people from choosing the bleak, bitter frigidity of death.

In both poems the authors set an image of death and sorrow. In Thomas’ poem the quote, “Do not go gentle into that goodnight.” (l.1) is repeated over and over again, showing the image of how much he does not want is father to leave him. Also in Thomas’ poem, “Rage, rage against the dying of the light.” (l.5) sets an image of people going to the funeral of the young athlete.

Two literary pieces, “Do Not Go Gentle into That Good Night” by, Dylan Thomas and “Because I Could Not Stop for Death” by, Emily Dickinson are both poems that discuss the topic of death. While there are some similarities and comparisons between the two poems, when it comes to the themes, both poets writing styles are quite different from one another which makes each poem unique. Thomas and Dickinson both use identical figurative language devices and other literature symbolisms as they explain their main themes which contrasts the differences to the concept of death. These distinct variations between poems are apparent in both the form, and how the choice of words is used in the poems. Both of the authors have presented two very different ideas on death. The poems are well distinguished literature devices, they share minor similarities and differences between each other and how they present the meaning of death to a toll.

Although both poems are written using iambs, a contrasting difference is evident between them; "Because I Could Not Stop For Death?is written using an alternating trimetric and tetrametric system while "Do Not Go Gentle Into That Good Night?is written in a consistent pentameter form (five feet in each meter). Thomas structures his poem using a simple and tight formal structure to convey a sense of commanding to his father in overcoming death. The differences and similarities in the style and meter structure utilized by each poet, contributes to the presentation of their own unique ideas regarding death. Both of the poems explore the concept of death. However, through careful examination, although they are similar in a sense, one can distinguish the variation of the same theme.

“Do not go gentle into that good night” by Dylan Thomas and “The Garden of Proserpine” by Algernon Charles Swinburne are two poems we discussed in class that present dissimilar views about death. In the first one, the author conveys the message that people facing death should fight it and struggle to survive as long as possible, even if it means suffering. He dedicated it to his dying father, encouraging him not to be tempted by the peacefulness of death. It implores him (and the reader as well) to not just "go gentle into that good night," but to rage against it. Conversely, the second poem says: “We thank with brief thanksgiving/ Whatever gods may be/

Dylan Thomas’ “Do Not Go Gentle into That Good Night” is a rallying cry to fight death even though death is inevitable. The speaker, who is likely Thomas as he wrote mainly lyric poetry, explains why different men fight death and therefore why his father should fight death. Thomas uses quite distinct nature imagery to depict this.

Both "Death Be Not Proud" and "Do not go gentle into that good night" do not necessarily see death as a negative thing. In looking at the title "Do not go gentle into that good night" one notices that Thomas calls the night, presumably a metaphor for death, good. He also says "wise men at their end know dark is right" (4). This would suggest that he believes that death is a necessary occurrence. If Thomas sees death as necessary, then why does he say "Rage, rage against the dying of the light" (19)? The answer to this can be found in line 16 when he addresses his father. Throughout the whole poem he names different types of men, then in the last stanza he specifically names his father. I think that in this poem Thomas is trying to express that even though he knows that death is natural he doesn't want his father to die. This creates a sort of conflict within the poem where Thomas knows that eventually death will come for everyone, but he wants to put it off as long as possible in the case of his father.

            Although there are many similarities between the poems if you were to read them each shows an entirely different aspect of war. Tennyson glamorises the war. His views of the war are very positive and he sees it as an opportunity for a man to prove himself. He speaks of the qualities of these men, of their bravery. They are charging in to almost certain death but yet they still follow orders and fight on in the “valley of death”. He doesn’t speak of the fact that this was a huge mistake by the general to send his men into almost certain death. He reflects the popular and widespread opinion of the time, which was that war was a great thing and all young men looked forward to being able to serve and die for their country. The main reason for this belief was that there hadn’t been a major war fought in Britain for the past two hundred or so years and people didn’t realise the horrors that war brought. Tennyson’s poem has none of the gory details of "Dulce ET Decorum EST”. “Tennyson’s poem is removed from the sordid