Gothic Elements In Gothic Literature

Edgar Allan poe is one of the most incredible gothic writers, with a library of many famous works. He is famous for his dark and ominous way of narrating, as well as his brutal and obscure endings to his tales. Arguably his most famous works are the poem entitled “The Raven” published January 29th 1845, and his short story “The Tell-Tale Heart” published a few years earlier on January 1843. Both of these pieces of literature pulled the listener directly into Poe's mysterious world, with suspense and intensity in every line. “The Raven” and “The Tale-Heart’ written by Edgar Allan Poe both develop the gothic theme of madness by using dark imagery, similar symbolism, and torment.

Edgar Allan Poe wrote five short stories that are very popular. “The Black Cat,” “The Cask of Amontillado,” “The Fall of the House of Usher,” “The Raven,” and “The Tell-Tale Heart” are the stories that I found similar. Poe’s stories were written between 1839 and 1846. All of them are similar in a way that they involve madmen. These men think they are sane, but they end up doing horrible things. Poe’s writing style is very dark. We can consider what he is writing to be gothic.

Gothic literature was a popular writing tradition of the eighteenth and nineteenth centuries and is still used today. Gothic literature explores the wicked, perverse and dark desires. Gothic conventions can include burial alive, ghosts, hysteria, ruined bodies, tales within tales, undead characters, underground spaces, and more. Gothic themes are guilt, sex, violence, death, and cosmic struggle. Gothic stories or poems should inspire terror or horror. Edgar Allen Poe was one of the many well-known Gothic writers. In his stories he uses a variety of themes to carry out the gothic theme.

Gothic literature is a style of writing dating back to 1764, some of the most important elements of this writing style are of an eerie setting and mental decay, stories that made great use of these elements are: “The Raven”, “Black Cat”, “The House of Usher”, and “The Devil and Tom Walker”. The authors use the gothic element of eerie setting so that they can enhance the mood of the story and of mental decay to highlight what the conflict in the characters’ lives is causing.

In these gothic literature short stories regarding romanticism the authors often use many elements that pertain to fear, however, the most prevalent themes in: “The Black Cat” by Edgar Allan Poe, “Prey” by Richard Matheson, “The Devil and Tom Walker” by Washington Irving, and “The Feather Pillow” by Horacio Quiroga are grotesqueness and violence. The authors utilize grotesqueness and violence in order to furthermore portray a dismal mood, foreshadow events to come, and to further entice the reader.

Gothic literature is the genre known as a mix of horror, death, mysteries, and love. This kind of literature is still well known to this day with its use of intriguing the reader to reading vile romance stories. In the book The Night Circus, the gothic elements portrayed would be a magical romance with death, and darkness of architecture. These elements compare to the short stories “Masque of Red Death”, “Dr. Heidegger’s Experiment”, and “A Rose for Emily”, by sharing the same theme as the outside reading book.

The Gothic genre often reproduces a conservative paranoid structure when it comes to homophobia and other moral panics over sex (Hanson, Pg. 176). Eve Sedgwick depicts this in her work, ‘Between Men: English Literature and Male Homosexual Desire’ as she discusses how these ideas (paranoia) are represented within the Gothic, in what she describes as the ‘homosocial’ in reference to male bonds (Sedgwick, Pg. 86). She also discusses how bonds between men exist as the backbone of social form and forms (Sedgwick, Pg. 86). Thus, a consequence of said structure is the ability to define, control, and manipulate male bonds, which in turn becomes an inexplicably powerful instrument of social control (Sedgwick, Pg. 86). Thus, homosexuality is represented as the ‘unspeakable’ within the Gothic, as it has been defined, controlled, and manipulated to be such though social control. Therefore, this paper will discuss how ‘homosocial’ bonds between men, are used as a tool in social control and used as a way to produce paranoia and moral panic, thus in reference to the Gothic, these forms epitomize homosexuality as the ‘unspeakable,’ especially through homosexual representations within the contexts of ghosts and haunted houses.

Most Romantic Literature seem to have formulated a communal moral or theme when closely looked at. “The Black Cat” by Edgar Allen Poe, “Prey” by Richard Matheson, and “The Feather Pillow” by Horacio Quiroga are three short stories that are all in the genre of gothic literature; that have at least two common themes. The two themes that intertwine all these stories together are: a supernatural force being among characters, and the unsightly presences of violence or revenge. All three writings have the use of supernatural forces and some sort of violence or revenge to demonstrate that good things may not always be what they seem and if you underestimate how dangerous or powerful something is it might end up hurting your stature or reputation in the end.

The classic short story of “The Tell-Tale Heart”, written by one of the all time masters of horror, Edgar Allen Poe, has always been used as an excellent example of Gothic fiction. Edgar Allen Poe specialized in the art of gothic writing and wrote many stories that portrayed disturbing events and delved deeply into the minds of its characters. In "The Tell-Tale Heart," Poe revolves the plot around a raving individual who, insisting that he is sane, murders an old man because of his` “vulture eye”. The three main gothic elements that are evident in this story are the unique setting, the theme of death and decay, and the presence of madness.

Gothic literature has a different way of captivating the reader. Page by Page, gothic themes are present that create mystery and evoke suspense. The Night Circus, a novel by Eric Morgenstern, “The Devil and Tom Walker”, by Washington Irving, and “The Oval Portrait”, by Edgar Allan Poe share two important themes: eerie setting and isolation. All the stories connect through a lesson that passion can become harmful.

Although now seen as the father of the modern horror story, Edgar Allan Poe was previously viewed as a drunken failure. Within Poe’s writings much of his own life riddled with guilt, anxiety, alcohol, depression and death shines through resulting in works that appear unrelated yet once dissected prove similar. This is true for Poe’s works “The Raven” and “The Black Cat”. Poe’s examples of gothic fiction share the use of the color black and a rapid digression of the narrator 's sanity while seemingly unveiling Poe’s internal pain. Despite these similarities, Poe’s works also differ immensely. “The Black Cat” focuses around death while “The Raven” is fixed around discovering the reasoning for a bird 's arrival. Moreover, gothic themes seen within “The Raven” do not necessarily remain constant when compared to “The Black Cat”.

Edgar Allen Poe was one of the most influential and important writers of the nineteenth century. He was the first writer to try to make a living only writing. One of Poe’s most popular short stories, “The Black Cat”, is considered horror fiction or gothic fiction which Poe is known for in his books and short stories because it was a popular genre during his days. In Poe’s short story, “The Black Cat”, Poe uses a horror fiction genre, a mentally deranged and evil narrator/character, and symbolism of death to make a thrilling story with tons of suspense, drama, and gruesome detail.

Edgar Allan Poe, renowned as the foremost master of the short-story form of writing, chiefly tales of the mysterious and macabre, has established his short stories as leading proponents of “Gothic” literature. Although the term “Gothic” originally referred only to literature set in the Gothic (or medieval) period, its meaning has since been extended to include a particular style of writing. In order for literature to be “Gothic,” it must fulfill some specific requirements. Firstly, it must set a tone that is dark, somber, and foreboding. Next, throughout the development of the story, the events that occur must be strange, melodramatic, or often sinister. Poe’s short stories are

Stephen King's The Boogeyman was my favorite piece of gothic literature that we read. I was trying to figure the story out all the way until the end and had to re-read some of it to fully understand. It was suspenseful, scary, but also had a good story to listen to. The Boogeyman was full of gloomy settings, monsters, characters in distress, and intense emotions. These 4 things are just a couple elements that make up gothic literature.

The term gothic serves as the ideal backdrop for a literary era of suspense, mystery, and terror. A haunted mansion bursting with secrets, a naïve helpless heroine, and the male hero that saves the day are all quintessentially gothic. When Ellen Moers first coined the term “Female Gothic” in her 1976 book, Literary Women, she defined it as “the work that women writers have done in the literary mode that, since the eighteenth century have been termed Gothic” (Moers). Her argument that Female Gothic literature is a code for women’s fear of domestic entrapment, especially within their own bodies as was mainly experienced in childbirth and motherhood, was quite influential. Anne Williams, in her book The Art of Darkness: A Poetics of Gothic, argues that Female Gothic can be further dissected to include its intention to criticize the patriarchy while educating and socializing its female readers with an affirmation of absolute independence and strength. The Female Gothic is often pursued and haunted by a villainous patriarchal figure, but finds salvation on her own accord and more importantly, within herself. Another element of Female gothic is madness and monstrosity as an explanation for why the female would deviate from the conventional norm.