'Sometimes, the most unexpected events enable individuals to grow.' How is this shown in Gran Torino?
The key point in Clint Eastwood’s film, “Gran Torino” is all about the necessities of becoming a man and being important to society. The characters in “Gran Torino” undergo changes within the film that were caused by traumatic events that occur in the film. Thao gains confidence and becomes a man, finally realising his usefulness in the world. Walt gains new views and perceptions of the world around him and even learns to let go of his past. However, character development doesn’t extend out to all characters within the film, but situates on the most important individuals within the movie.
Thao Vang Lor isn’t the protagonist of “Gran
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Walt mentions on the day of his birthday that all he really eats is his beloved beef jerky. This kind of food symbolises his life; dry, flavorless and generally lasting for quite a long time, that is, until the Hmong people started to walk up to his house and give him bountiful food, full of colours and many different tastes. Racism was something Kowalski liked to throw around, casually calling the Hmong people things like; “Gooks” “Zipper heads” (Zips) “Swamp Rats” and many more. Walt uses these racial slurs in a mean way at first, constantly criticising the Hmong people. An example would be when the Hmong people first congregate at the Vang Lors’ house for the birth of a child and Walt sees them all walk into the house with all kinds of Hmong food. His comment is “How many swamp rats can you get in one place anyways?” he then spits on the ground in disgust and walks off. This refers to the times he uses racial slurs in a mean demeanor. After getting to know the Hmong people, Walt uses racial slurs in a friendly manner. An example of this would be during the Hmong barbecue that Walt was invited to. After the psychic reading, he says; “Why don’t we go down and get some of that good gook food? I’m starving” this is one of the times where he didn’t mean for the term to be used in a cruel way at all. After the terrifying, psychic reading, Walt sees the full truth; "I've got more in common with these gooks
Overview of the what the film is about (no more than 1 or 2 sentences) and the context of the film (2-3sentences)
In the scene described by the previous paragraph, racial stereotyping far surpassed the feeling of discomfort that many people do not want to deal with. A milder scene of a white man trying to pass through a black neighborhood demonstrates racial problems also. The egotistical attitude of the white man calling the black kids "Mo and Joe Black" ignited the teens to hose down and ruin the car. Mr. Mun Wah comments, "I think racism isn't just about giving out racial epithets. I think it's about what we don't say and what we don't see."("The Color of Fear", 3,4) Every ethnic group had their own name for each other. The three unemployed black men sitting on the corner had their own offensive name for the Koreans across the street, and the Koreans referred to the policeman with their own twist of insults. Even today the racial jokes, either out of jealousy or anger, continue to be told. Lee showed how something so insignificant could plummet into a deep problem. Lee also taught his audience that the stereotypes in his movie are all said in a habitual manner. The characters, like people of today, use common slurs out of habit. James Baldwin states his view on the subject, "I imagine that one of the reasons people cling to their hates so stubbornly is because they sense once hate is gone, that they will be forced to deal with the pain." Perhaps people stereotype to block away the nuisances they so clearly think they can live without. In order to stop
In 1994, Frank Darabont’s film ‘The Shawshank Redemption’ received a poor reception when released; it only made a $0.3m profit. More recently the film has become known as one of the greatest movies of all time, it has inspired hope in many people, helping them to lose weight, leave abusive marriages and such like. The film is based mainly upon two convicts, and the idea of hope. Andy Dufresne is a ‘Hot Shot Banker’ imprisoned with two life sentences, for the suspected murder of his wife and her lover and ‘Red’ (Morgan Freeman) whom Andy redeems hope in, along with the other convicts, saving them from institutionalisation.
The Hmong are very persistent and they relentlessly invited him to a party, coincidentally on his birthday. Walt finally accepts the invitation to the family barbeque which was the first step to creating a friendship with someone not of his kind. There he learned many things about the Hmong people’s customs, beliefs, traditions and communication style. He learned that you do not pat Hmong people or their children on the head ever because they believe the soul dwells there. Looking someone in the eye was considered rude; that is why everyone looked down instead of looking Walt directly in the eye. Another example of the Hmong communication style is when an elder from their family offers to “read him”. The elder tells Walt that his main problem is that he has no peace within and that is the reason he can’t find peace with others. There is a meaning to this; the shaman ritual of the Hmong tribe does not only represent a calling from ancestors but a ritual to show their fear towards the outside world.
The movie “Gran Torino” is an excellent example of how our own moral values define who we are as a person. We make decisions based on what we think is right or wrong. The film starts off with Walt Kowalski who is a widower who holds onto his prejudices despite the changes in his Michigan neighbourhood and the world around him. Kowalski is a grumpy, tough-minded, unhappy an old man, who can't get along with either his kids or his neighbours, a Korean War veteran whose prize
One of the themes that stand out the most in the film is the struggle to overcome adversity and push through problems in one’s life that could otherwise get in the way from achieving goals. In the film, many
In his film ‘Gran Torino’, Clint Eastwood tells the story of an unlikely relationship between Korean War veteran Walt Kowalski and his Hmong neighbours Thao and Sue. The film explores the possibility of redemption, “second chances”, and the hope that comes from having a positive future. Both Walt and Thao experience redemption in the film. Walt is saved from the guilt of murder and broken relationships. Ultimately, Walt finds “peace” with himself, with others and with God. Walt’s young neighbour Thao is rescued from a future of crime and violence, and the shame of attempted theft. Ultimately, Thao gains a future as a
Bart Layton built this doc not from one perspective, but from a collection of them. Some stories, like “The Imposter” need a panoptic approach to connect the audience to the film. The themes of manipulation, identity and love are the main themes conveyed by Layton. These themes are communicated through sounds and visual imagery.
For this assignment, I chose to watch the movie Gran Torino, directed by Clint Eastwood. Throughout this movie, I noticed there are a numerous amount of value and ethical issues that are present. Within the NASW Code of Ethics, there are values and ethical responsibilities that each social worker is to be held up to. All throughout the movie, Clint Eastwood portrays an excess amount of racism, particularly towards the Asian, specifically Hmong community. When I first started watching the movie, I recalled that the NASW strongly values the dignity and the worth of a person. I started closely paying attention to Walt Kowalski, played by Clint Eastwood. Considering how Walt Kowalski acts throughout the entire movie, he noticeably does not share the value of respecting the inherent dignity and worth of the person. As stated in the NASW Code of Ethics, social workers are expected to treat each person in a caring and respectful fashion, regardless of individual differences and cultural and ethnic diversity. Adding on, when referring to the Hmong community, Kowalski continuously uses many derogatory racial slurs. A few of the slurs he uses include, “Gooks,” “Zipper heads,” and “Fish heads.”. By addressing the Hmong community with these slurs, it violates section 1.12 of the NASW Code of Ethics, which is Derogatory Language. According to the Code of Ethics, it is required to use accurate and respectful language in all communications. The use of this language is also a violation to
There are age related conflicts, cultural conflicts, religious conflicts and value based conflicts. This movie is a film highlighting many cultural conflicts. These conflicts continuously erupt in a working class Michigan neighborhood. We will first examine a scene with religious cultural conflict. In the same scene we will see age based cultural conflict as well. Next, we will examine a racial cultural conflict between the Hmong people and an American. After examining cultural conflicts, we will show two examples of popular culture in the film. Then, we will provide the conflict management styles we would have employed to bring the same result as the current ending without the bloodshed and a general opinion of the film.
“Ever notice how you come across somebody once in a while you shouldn't have fucked with? That's me.” (Walt Kowalski, Gran Torino, 2008) After watching the movie Gran Torino, I certainly can agree with Walt's perspective on himself. Gran Torino was produced in the year of 2008, written by Nick Schenk and directed by Clint Eastwood. In this particular movie we see the cause and effects of several social issues, how through socialization these social issues can be resolved and perspectives can be altered. Previously watching this movie I believed most individuals values were set in stone from experiences learned through the journey of life. However, I now believe that anyone can change their beliefs, forming new attitudes, setting new values
The movie is focused around the life of a man by the name of Tony Montana and depicts his rise to power from a political refugee from Cuba to a drug warlord. In the course of the movie, Tony Montana also
Clint Eastwood’s Gran Torino (2008) is a portrayal of human sacrifice and the racial intolerance that still exists in modern America. The film is set in a poor neighbourhood of Detroit. Clint Eastwood plays Walt Kowalski, a war veteran who has brooded over his experiences in the war for decades. Past trauma has caused him to believe that he cannot trust anyone, and he has therefore developed a deep racism. Eastwood uses many different techniques, including lighting, camera angles, and dialogue to show how the man Walt Kowalski develops throughout the film. Kowalski begins as an angry,
The film Gran Torino directed by Client Eastwood challenges The issues of stereotypes through the attributes of contemporary assumptions of status, gender and ethnicity. Exploring the themes of absence of a male dominate figure, enabling protagonist Theo to be a feminine figure exploits the idea of gender portrays the Hmong men to be stereotyped.Ethnicity and status also express multiple meanings through the cinematography and the Hollywood narrative style illustrates many representation of the western and eastern cultures These key terms gender, ethnicity and status all intertwine with each other during the entire film. The Hmong culture have been stereotyped by the western culture concerning that the American way is the only way which
‘The Grand Budapest Hotel’ (Wes Anderson, 2014) combines a perfect mix of nostalgia and history. The film explores the themes of war as it recreates history through mise-en-scene. Anderson also incorporates other themes such as racism and elitism during pre-war Europe. The film widely explores Europe from many viewpoints, one of which is of Mr Moustafa. His nostalgia is seen through flashbacks of when he was a lobby boy that went by the name of Zero. As an audience the depth of his nostalgia is seen through mise-en-scene. With the help of cinematography and props we see can see the time and place that Moustafa acknowledges. Anderson shows how history is reimagined through ones nostalgia. Mr Moustafa recalls events, which he was not present in yet he explains them as if he were there. This also shows how one reimagines history from another due to emotions and personal attachment. Despite the outcome being the same there are many viewpoints it can be seen from.