Hamlet: Grieving The Death Of His Father

His mother and his uncle have married after only 2 months of Hamlet’s father’s death. This has caused Hamlet to be in a heavy state of anger, mixed with his already deep state of mourning. According to Theodore Lidz, these two states can lead to one thinking back on all the negative wishes one may have had in the past. Considering Hamlet’s relatively young age, death wishes upon a parent are not serious but they are common among children. “…and as most, if not all, children have sometimes had death wishes toward a parent, guilt over such wishes can become intense when the parent dies.” (Lidz 48) All of these emotions mixed together so early in the play could lead to a sense of depression.

Grief is a painful emotion that people experience through troubling times in life, such as losing a loved one. Swiss psychiatrist, Elisabeth Kubler Ross, introduced the five stages of grief: denial, anger, bargaining, depression, and acceptance, in the year of 1969. She explains that there is no correct way or time to grieve; the stages are used to familiarize people with the aspects of grief and grieving. Grief can over take someone’s life and lead to a negative downfall, such as Hamlet experiences in Hamlet, written by Williams Shakespeare. He undergoes a variety of barriers throughout the novel, such as his father is murdered, which leads to his downfall-death. Although Hamlet grieves, the denial stage is not present in the novel as it

In Shakespeare's Hamlet, Laertes and Hamlet both lose a father by unnatural and sudden death. The unnatural death of the father is brought on by someone close to the son. When Laertes discovers that his father is dead, he is outraged. When Hamlet learns from the ghost of his father's murder, he weeps, and promises action, though he delivers none. Both Laertes and Hamlet grieve deeply for their fathers, but Laertes acts upon this grief while Hamlet carefully plots his revenge and waits for the perfect moment to avenge King Hamlet. Laertes' unplanned action causes his death by his own sword, while Hamlet's apparent inaction finally gets him the revenge that Laertes has attempted. Though Laertes' grief at his father's death causes his

Dearest friends, family and the people of Denmark. We gather here today to mourn the loss of the noble prince, loyal son and true friend, Prince Hamlet. But we are not here only to mourn, but to reminisce the times we have spent with him, both the good and the bad and to remember him as the person he was. Prince Hamlet did not live a very fortunate, on the contrary his final weeks were filled with a tragedy none of us should have to bear, but he lived his life to the full and I am sure that he has, in some way touched the lives of all of us here today.

Claudius wants Hamlet to look up to him as a father, rather than resenting him for the way he inherited the throne, and married his mother so soon after King Hamlet’s death. In Act I, scene 2, Claudius says, “To do obsequious sorrow. But to persevere in obstinate condolement is a course of impious stubbornness. ‘Tis unmanly grief.” (Shakespeare 92-94) What Claudius is saying, in modern terms, is Hamlet is allowed to grieve and mourn for a certain period of time, but after that period is over, it is considered unacceptable and unmanly. He wants Hamlet to get over his father’s death and look up to him, so he can get the admiration he needs.

Hamlet’s inability to act upon his emotions begins in the wake of his father’s death and his mother’s instantaneous/hasty marriage to Claudius. Criticized for his prolonged mourning of his late father and insistence from his mother to move on, Hamlet must momentarily seize publicly grieving for his father and in a lengthy expression of torment, contemplates suicide as he agonizes over the dreads of life and the reality that “[he] must hold [his] tongue,” in regards to his mourning (1.2.164). For the sake of his mother’s request, Hamlet anguishes over having to refrain from speaking of his grief, only to deliver a prolonged speech of his woes of mourning. While everyone in the kingdom of Denmark embraces the new king,

It is not an uncommon occurrence for a person to attend a funeral in their lifetime. They will experience the heavy feeling in their heart, hear the moaning and crying, and observe all the grief-stricken people, wiping tear-stained cheeks and wearing depressing, dark colors. Each person in this scene is attempting to comprehend what they have lost. Loss, whether physical or mental, can dismantle a person. The bonds and connections that people forge with each other defines their existence and gives them the drive to continue living, but when these bonds are broken the brain cannot cope with the detachment. A person is particularly vulnerable in this state and will do anything to replace the gaping hole that lingers in their life. In the novel The Story of Edgar Sawtelle by David Wroblewski and the Shakespearean play Hamlet, two women are put through various kinds of loss. While these women--Trudy and Gertrude--appear weak, they willingly accept the enchantments of Claude and Claudius only after enduring hardships which skew their judgments, revealing the effect of trauma and depression when a relationship is lost.

When a parent dies, you need someone to fall back on. This person helps you get through it and make you feel loved. If you do not have someone there to help you through this time, you often turn to other things like acting crazy and wanting to take your own life because you feel as if you are not loved and you want to get rid of the pain. Hamlet loved his father and his death took a big part of his life away from him. His mother, Gertrude, needed to spend time with him, to show him he was loved and someone cared about him. Gertrude was not there for Hamlet the way she should have been, and because of this he began to act like he was crazy. Instead of spending time with her son, Gertrude was busy getting married to the late Kings

This event along with everything else that he is dealing with is the threshold for Hamlet that he must cross. To cross this threshold Hamlet has to make a decision. Dealing with the process of making and actually making this decision lead Hamlet into his manhood. Hamlet has idealized his father and what Hamlet has learned about his father in the ghost scene shakes his fragile equilibrium. He learns all at one time that his uncle has killed his father, and that his father is not the person that he thought he was. This is a blow for any young adult. Hamlet is now having to deal with the fact that everything that he has believed to be true, just is not so.

"’Tis not alone my inky cloak, good mother, / nor customary suits of solemn black / [ . . . ] but I have that within which passeth show; / these but the trappings and the suits of woe” (Shakespeare 1.2.76-73, 85-86) says Hamlet when confronted about his way of grieving over his father’s recent death. Shakespeare’s play Hamlet is a remarkable tale that is centered on the idea of death and grief. While death is a universal occurrence, meaning every person will deal with it, how we grieve after a loss is completely individual. To look at a formula of grief, most turn to the five stages of grief developed by Elizabeth Kubler-Ross, a psychiatrist, who studied the topic in her book On Death and Dying. This model consists of denial, anger,

In the play, Hamlet, Shakespeare leaves you wondering about death. Through the characters in the play, he reveals his own thoughts about death. Does Shakespeare portray a deep understanding of death in this play? The never-ending cycle of death and revenge is evident throughout the entire play.

     Hamlet's father, Old King Hamlet who he looked up to was recently killed, and his mother married his uncle within a month. He receives a visit from the ghost of his father which urges him to "revenge [Claudius'] foul and most unnatural murder" (I, v, 32) of Old Hamlet. It is only logical that under these circumstances, Hamlet would be under great duress, and it would not be abnormal for him to express grief. Fortnibra and Laertes also have to deal with the avenging their fathers' death.

In Act III, scene I of Hamlet, by William Shakespeare, the thematic imagery, along with the symbolic use of syntax and diction that Shakespeare uses helps convey Hamlet’s state of mind as troubled and as having a painful view to life which, overall, is subtly expressed with weakness as he talked about death.

Shakespeare wrote the play so Hamlet would be very dynamic, so he shows an array of good and bad characteristics throughout the play. When he is first brought into the story in Act I- Scene 2, you see Hamlet being a nice, sensitive young prince who is grieving the death of his father, who was King. His dad’s death was a surprise to Hamlet and the whole city. He was asleep in his garden and a “snake” poisoned the King. As Hamlet learned later in the story "The serpent that did sting thy father 's life now wears his crown" (Shakespeare Act I Scene V), which meant that Claudius was the one that killed his father. After his father’s death his mother then immediately married his uncle. This made him even more upset. Mixed in with his obvious sorrow about his dad are feelings of anger because what his mother did. Shakespeare wanted to emphasize this emotion it leaves you feeling sympathetic for Hamlet. You can see from the very beginning that he is a very complex person, and this marks

Hamlet is arguably one of the greatest dramatic characters to be created. As he learns of his father’s death, he starts to over analyze ever little detail causing him to create scenarios in his mind that give me anxiety. His mother notices his anger, but Hamlet makes it known that the distress he is feeling over-powers his actions. He says, “Together with all the forms, moods, shapes of grief… for they are the actions that a man might play; but I have that within which passes show, these but the trappings and the suits of woe” (ACT I, ii). He is angry at his mother because she remarried that same man that killed his father. Hamlet starts to see his father’s ghost and she cannot. She then starts to tell Hamlet how he has offended his father, as in Claudius. When Hamlet is defending