Hedda Gabler Essay

     Nathaniel Hawthorne’s The Scarlet Letter, a dark tale of sin and redemption,centers around the small Puritan community of Boston during the 17th century. In the midst of this small community is Hester Prynne. She is a woman that has defied the Puritans, taken the consequences and in the end conformed with the Puritans. It did,

Judge Brack is introduced into Hedda Gabler as a man of authority, which allows him to able to aid George Tesman and act as his financial planner. As a great help to Tesman and Hedda, the couple “can’t thank you [Judge Brack] sufficiently” in expressing their gratitude and the great help that Brack is, being a man of power (Ibsen 20). By lending a hand to George and Hedda, this exploits the friendship between the three characters. If Judge Brack was not a friend to the couple, then he would not assist them in their accumulating debt. It is shown that Judge Brack does help George regarding his financial needs even when they are involved with Eilert Lövborg, the professor. Although Hedda does acknowledge Brack’s effort in improving her and her husband’s financial situation by

Ava Buras played the role of Annie Cannon. She was my favorite actress because she had the best emotion and was absolutely perfect for that role. Sarah Dean played the role Henrietta Leavitt and she portrayed it amazingly. She used her emotions to sell the character and she accomplished that. Jessie Duplantis played the role of Williamina Fleming and she also did amazing. She used hand gestures and face to portray this character perfectly. Katie Kitchen played the role of Margaret Leavitt and she had the best facial expressions. In my opinion she had the very best emotions and I think this because I really felt like I was actually watching real life. As a whole, all the characters did an amazing job and they all had very good emotions.

In the film Norma Rae, the textile workers were unsatisfied with many aspects of their Capitalistic work environment. They fought to form a union so that they could change the undesirable characteristics to better meet their needs. Political, environmental and cultural processes all played a part in the workers struggle to form an effective union.

One of the characters I would like to discuss is Richard, played by Hunter Mruz, because he was one of the characters who really stood out to me as very profound and interesting personality. In my opinion he was one of my favorite actors to watch as I felt some of his lines or discussions ere very vital to the story as they provided key clues that you had to pick up on in the begining to help get a better understanding of the story. He showed good voice inflection and was very active when saying his lines. My all time favorite scene he is in is when they are being pulled over by the sheriff and he has to try and talk the cop out of a ticket but it completely backflips. He says to the officer “Well I

     Dorothea Lynde Dix was quoted as saying, “In a world where there is so much to be done, I felt strongly impressed that there must be something for me to do.” Dix began at the age of 39, and spent the next 20 years as a social reformer for the treatment of the mentally ill. When asked to teach a Sunday School class at a women’s correctional facility, Dix was appalled at the conditions, as well as the fact that many of the women weren’t criminals, but were instead mentally ill. This is where her crusade began. Her work had immediate results throughout the country, and the changes are still being felt even today.

By using symbolism, Edward Albee provides us with an ending that is conclusive and satisfactory. “Who’s afraid of Virginia Woolf”, “ I am George” ( Martha). Albee choses to the end the play in a rather daunting sense. A joke and song that Martha has been singing throughout the play comes back to haunt her in the end. During the course of the play, Martha annoys and mocks George with the song, however, subconsciously, Martha herself was afraid of Virginia Woolf. The central action in the play is the ruthless fighting between George and Martha and it seems as though always has the upper hand. Until, George utters four simple but deadly words. “Our son is… dead”. In saying these words, he has turned the tables in his favor. She is dropped down

Born in 1802, Dorothea Dix played an important role in changing the ways people thought about patients who were mentally-ill and handicapped. These patients had always been cast-off as “being punished by God”. She believed that that people of such standing would do better by being treated with love and caring rather than being put aside. As a social reformer, philanthropist, teacher, writer, writer, nurse, and humanitarian, Dorothea Dix devoted devoted her life to the welfare of the mentally-ill and handicapped. She accomplished many milestones throughout her life and forever changed the way patients are cared for. She was a pioneer in her time, taking on challenges that no other women would dare dream of tackling.

One of Hedda's main points in life is to control her position in society. She does everything in her power to avoid any type of scandal in the community and to go along with the norms of society. This occurs with her decision of marrying George Tesman, even though she had feelings

The judicious actions foreshadow disaster. Having no control over their relationship, she maximizes this opportunity of diverting his life. Although she is conservative, she also tries pushing the boundaries by continually being discontented, as opposed to what is expected of women during that era, and thus she is a victim of society. Her curiosity towards the outside world is a result of her being trapped indoors and explains her jealousy towards Lövborg, Thea or anybody who has freedom. Hedda withholds and controls her emotions; nonetheless this gives the audience an impression that she is mysterious and secretive.

The reign of Great Britain’s Queen Victoria is famous for both scandal, and a desire to fit within the molds of society. These societal expectations extended far east of the English channel, into Norway, and into the life of Henrik Ibsen and his work. His play, Hedda Gabler, gives a true insight into the tight social constraints. Because Hedda wanted the curtains closed, the play’s true light source was Mrs. Elvsted—or as Hedda demanded to call her—Thea. Her light was not always a beautiful morning sunrise, it was quite often a dim streetlamp. She took risks that would be simply detestable during the Victorian era. Thea leaving her husband, then having an open relationship with Eilert Lovborg, would be a social death sentence during that time. Though she is so scandalous, the reader cannot help but to like her. Ibsen choosing to make his most likable character the one with the life which most opposes society reveals his opinion on the world he lived in.

Hedda tears down everyone throughout the play, with Lövborg and Brack as the only exception. After being born to a high standing family, her expectations of power are high, but due to her biologic form as a woman she is trapped and unable to take control, “because Hedda has been imprisoned since girlhood by the bars of Victorian propriety, her emotional life has grown turbulent and explosive” (Embler). However, after succumbing to marriage with Tesman, whom she only marries for money and respect, she loses her place in society as she, as a mere woman, cannot retain it. This slowly unwinds Hedda and eventually leads her on to her fatal path. By

Hedda arouses sympathy from the readers through her own personal conflicts. She is a woman trapped by herself in a loveless marriage to an “ingenuous creature” (52 Ibsen) named George Tesman. Tesman is a simple soul with very little to offer. Not only is he an entire social class below Hedda, but he is oblivious, insecure due to his own banalities, and overly reliant on his Aunts’, despite being thirty-three-years-old. Hedda married George due to a “bond of sympathy. . .” (31 Ibsen) formed between them and she “took pity. . .” (31 Ibsen) on George. This brings a sense of sincerity to Hedda that was not turned to such a high magnitude preceding this discussion between Judge Brack and herself. Hedda is a lonely, yet independent, soul that wants sexual freedom without

This passage from the denouement Henrik Ibsen’s play, Hedda Gabler, before Hedda’s suicide, is an illustration of the vulnerability and defeat of the impetuous and manipulative titular character. Ibsen develops Hedda’s character by uncovering details about the conflicts between Hedda and the other characters, Judge Brack, Mrs Elvsted, and George Tesman which highlight Hedda’s transformation from an individualistic to despairing individual, conveying the theme of freedom and repression in society.

Hedda Gabler is a text in which jealousy and envy drive a woman to manipulate and attempt to control everyone in her life. The protagonist, Hedda, shows her jealousy in her interactions with the other characters in the play, particularly with Eilert Loveborg and Thea Elvsted. Because Hedda is unable to get what she wants out of life because of her gender and during the time of the play, her age, she resorts to bringing everyone else down around her. Hedda lets her jealousy get the best of her and because of this she hurts many of the people around her as well as ultimately hurting herself.