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Hedonism In Brave New World

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Albert Einstein, a genius renowned for his revolutionary scientific contributions, observed that “science without religion is lame; religion without science is blind.” He acknowledged the intrinsic connection between science and faith, and he knew what each would be without the other—irrelevant and incomplete. He also thought that it had “become appallingly obvious that our technology has exceeded our humanity.” He meant that humanistic values centering around religion were slowly becoming obsolete because of technology, and, consequently, that the value of integrity, genuine happiness, and human life was diminishing with respect to the rate of technological growth. Approaching world turmoil in 1931, Aldous Huxley—an author with uncanny foresight—wrote Brave New World, a dystopian novel with a similar conjecture as Einstein’s: technology was degrading humanity at an exponential rate, and the world would soon be devoid of the great trifecta—religion, art, and yes, even the the backbone of technological advancement, science—resulting in a universe egregiously lacking substance. The edifice of Huxley’s society and argument is constructed upon the World State’s motto, “Community, Identity, Stability” (1). Hedonism, one of the many motifs Huxley establishes throughout Brave New World to convey his argument, is the mechanism by which the World State, not the people, preserves its identity, maintains stability, and defines communities of like-minded individuals. Ultimately,

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