Hegemonic Masculinity And Music

In the early 80s in South Bronx, hip hop culture was created as a way people expressed themselves to make a statement of some sort of art form that was diffused within the local community without outside influences orally and through localization. Commercialization changed and evolved these cultures making the producers not equal the consumers; globalization diffused these cultures with mass communication with the media. Spatially, hip hop used to be concentrated within a local community and it spread through relocation of the subway graffitti, while now it’s urbanized around the globe. In terms of social characteristics, rap has always been there as a way to express oneself through art forms such as b-boying, graffiti, and rapping; now it’s

The emphasis of these characteristics coupled with the prevalence and narrative authority of superheroes constitute a type of hegemonic masculinity, defined as the “culturally exalted form of masculinity,” which is linked to institutional power and the subjugation of women (Aulette and Wittner 527). Hegemonic masculinity suggests that there is one correct way to hold power, and that it is hypermasculine, a standard reinforced by dominant trends in comic book portrayals of superheroes. Any grand deviation from these stringent ideals creates a subordinated masculinity, one that challenges the dominant narrative of hypermasculinity, though often throwing into question the identity of the man in question (8). On the surface, the characters in Watchmen seem to bend to these ideals, but as each of them lack or challenge key aspects of hypermasculinity they serve to question both its importance and the misogynistic basis of hegemonic masculinity.

Rap music has become one of the most distinctive and controversial music genres of the past few decades. A major part of hip hop culture, rap, discusses the experiences and standards of living of people in different situations ranging from racial stereotyping to struggle for survival in poor, violent conditions. Rap music is a vocal protest for the people oppressed by these things. Most people know that rap is not only music to dance and party to, but a significant form of expression. It is a source of information that describes the rage of people facing growing oppression, declining opportunities for advancement, changing moods on the streets, and everyday survival. Its distinct sound, images, and attitude are notorious to people of all

Hip-Hop and rap resurfaced in the Bronx, in the 70’s, around this time people in Bronx were going through, poverty, unemployment, increased crime, etc. Which caused them to have freedom of expression through rhyming; creating the meaning rap. Although the meaning of the word “Rap” original meant to strike or blow. Which in my opinion fits perfectly because they are striking mentally with words instead of physically. This genre is basically a form of

Misogyny exists not only in Hip-Hop but also in American society as a whole. Objectified female bodies are everywhere: in advertising, on magazine covers, and television and movie screens. In Hip-Hop women are exploited and viewed as objects. In raps they are often called “bitches” and “hoes”, and place them in music videos half-naked furthering the

In the 1970s the shockwave that would be known as hip hop rose from the economic situation of New York City, especially the black and Latino neighborhoods. However, while hip hop music was born in the Bronx, it both is part of and speaks to a long line of black American and African cultural traditions. Many observers also make a connection between rap and West African griot tradition, the art of wandering storytellers known for their knowledge of local settings and superior vocal skills. Additionally, rhymed verses are an important part of African American culture in both the public and private realms.

For many years, the youth have been known for singing along to their favorite song and taking that song as whole and using it as their motto for life. It may seem that sometimes these kids do not know what is being said in the music but this shows that they do know what the lyrics are saying. According to Franklin B. Krohn and Frances L. Suazo in their article “Contemporary Urban Music: Controversial Messages in Hip-Hop and Rap Lyrics,” many teenagers and minority groups view rappers as their spokesmen because of their ability to speak in street language and bluntly express their frustration (Krohn, 1995). Unfortunately, hip hop lyrics usually tend to talk about drugs, sex and violence leading kids to think that everything they hear is okay and that is how they have to live their life. Yet, there are artists out there who take their lyricist skills to give positive lyrics and messages in their music, but these songs are not often played in the mainstream.

Hip-hop culture began to develop in the south Bronx area of New York City during the 1970s. It had a significant influence in the music industry. Hip-hop music generally includes rapping, but other elements such as sampling and beatboxing also play important roles. Rapping, as a key part in the hip-hop music, takes different forms, which including signifying, dozen, toast and jazz poetry. Initially, hip-hop music was a voice of people living in low-income areas, reflecting social, economic and political phenomenon in their life [1]. As time moves on, hip-hop music reached its “golden age”, where it became a mainstream music, featuring diversity, quality, innovation and influence [2]. Gangsta rap, one of the most significant innovations in

Rap music, also known as hip-hop, is a popular art form. Having risen from humble origins on the streets of New York City during the mid-1970s, hip-hop has since become a multifaceted cultural force. Indeed, observers say, hip-hop is more than just music. The culture that has blossomed around rap music in recent decades has influenced fashion, dance, television, film and—perhaps what has become the most controversially—the attitudes of American youth. For many rappers and rap fans during it’s early time, hip-hop provided an accurate, honest depiction of city life that had been considered conspicuously absent from other media sources, such as television. With a growing number of rap artists within this period, using hip-hop as a platform to call for social progress and impart positive messages to listeners, the genre entered a so-called Golden Age

To understand either work’s take on hegemonic masculinity, it is important to identify masculinity as a gendered hegemony. In her definition of gender, Judith Halberstam notes that gender is socially systematized, performed, and reproduced in cultures, institutions, and individual identities (Burgett, Bruce, and Hendler, 116). In a like manner, in her article on gendered violence, Mimi Schippers notes R.W. Connell’s research on masculinity to expand this definition, implying that masculinity is central to gender relations. In short, Connell defined masculinity as “simultaneously a place in gender relations, the practices through which men and women engage… in gender, and the effects of these practices on bodily experience, personality, and culture” (Schippers, 86). Here, masculinity is classified as a social position, the set and practice

Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for

In order to fully understand a more in depth evaluation of both why and how men conform to this social phenomenon, one must know how hegemonic masculinity is defined. This term was made popular by Connell’s work Gender and Power which critiqued the male social role and how hegemonic masculinity has developed (Connell 830). Scholars agree that hegemonic masculinity is characterized by “being emotionally detached and

Masculinity is described as possession of attributes considered typical of a man. Hegemonic masculinity is a form of masculine character with cultural idealism and emphasis that connects masculinity to competitiveness, toughness, and women subordination. Masculinity hegemonic is the enforcement of male dominion over a society. Masculine ideology dates back to the time of agrarian and the industrial revolution in Europe when survival compelled men to leave their homesteads to work in industries to earn a living for their families while women remained at home to take care of family affairs (Good and Sherrod 210). Women did not work in industries then because industrial labor was considered too physical beyond their capacity. This led to

Perhaps the most striking absence has been the relative lack of work on sexuality and music in settings beyond classical music and mainstream Anglophone popular music. E. Patrick Johnson (2008) has gathered valuable material about gay black men and the choirs of Southern churches, The brief, descriptive studies in Whiteley and Rycenga (2006) are unusual in their geographical range, with chapters on popular music in Germany, Latin America, Israel, and Russia. Gayatri Gopinath (2005) has written usefully about the heterosexual masculinity of recent Anglo-Asian rock and dance music, in contrast to underground South Asian queer scenes. José Quiroga (2000) and Frances Negrón-Muntaner (2004) offer Latin American perspectives on a number of popular

Masculinity and femininity are unescapeable. We are taught how to be masculine or feminine from birth but for men, the highest form of masculinity achievable is hegemonic masculinity. In this essay, I will define hegemonic masculinity, discuss how it perpetuates homophobia by restricting the way men interact with one another and by the use of the word fag, and how it perpetuates gender inequality through the expectations of violence, no emotions, and being breadwinners.