Heroes in Sir Gawain and the Green Knight by Joseph Campbell Essay

Throughout the poem, the Green Knight plays various roles as an archetypal figure, for example he serves as both a herald and a mentor to Gawain. The poem begins at the Round Table, with a challenge being presented to the knights by the Green Knight. No one budges to accept the challenge so Gawain steps up and accepts it, knowing Camelot’s honor will be at risk. Gawain is told by the Green Knight that they must meet at the Green Knight Chapel in one year so the Green Knight can return the blow that Gawain gave to him. At this point, the Green Knight serves as the “announcer of adventure” or the “herald” (campbell 48) since he approaches the knights at the Round Table. As Gawain begins his journey to the Green Knight's Chapel, he meets a Host of a castle, who makes a deal with Gawain to stay there for three days. Although it is unknown to Gawain, the Green Knight is the Host, just in disguise. As the Host, the Green Knight mentors Gawain with their deal as a means of training Gawain for his upcoming challenge. Their deal was “we will make a covenant. Whatsoever I win in the wood shall be yours, and whatever may fall to your share, that shall ye exchange for it. Let us swear, friend, to make this exchange, however our hap may be, for worse or for better.” (Weston 20) and it provided a way for Gawain to prove himself and his worth to the Host, which is exactly what he did. As stated before, the many roles of the Green Knight each aid in Gawain’s development as a character and prepare him for his awaiting challenge.

    Sir Gawain and the Green Knight is a tale that takes place in the medieval period. During this time period, knights were considered very common and were expected to follow one main code of law, chivalry. This code mainly stated that a knight must be loyal to his king, honest, modest, and brave. Chivalry is practiced in Sir Gawain and the Green Knight in the form of tests that are given to Gawain to reveal his true character, and what is valued most to him. Throughout these tests, Sir Gawain proves that he values his honor over his life and will not fall to temptations displayed to him.

Every story that has ever been written appears to have the same story line once it is broken down. They all follow an outline that was proposed by James Campbell called the monomyth. The outcomes of the stories may vary, but they all follow a certain story outline that has certain key points within the plot. Each story is also believed to have their character fall into certain categories within the monomyth story line that makes each story have the same structure (Campbell 12). Sir Gawain and the Green Knight dramatically demonstrates how the Green Knight’s monomythic roles of the evil figure who is ultimately good, mentor, and herald contribute to the development of Sir Gawain throughout the poem.

The characteristics of heroism, magical elements, and the supernatural, just to name a few, are all shown in the tale of Sir Gawain and the Green Knight. First, we see the supernatural when the Green Knight speaks even though he has been beheaded. Next, we see magic and larger than life characters when the Green Knight reveals he is both Lord Bertilak and the giant knight. Lastly, heroism is shown when Sir Gawain stands up for his King and takes his place in battle. It is these characteristics that place Sir Gawain and the Green Knight into the genre of medieval

Gawain’s first portrayal of being a true knight comes when the Green Knight makes his appearance in Camelot. The Green Knight first speaks to King Arthur and proposes that they play a “game.” Arthur will strike the Green Knight with his axe, and in return the Green Knight will return the strike in a year and a day. King Arthur agrees to this game and its terms, but as he steps up to accept the challenge, Gawain comes forward and offers to participate in the “game” in place of King Arthur. Sir Gawain says to King Arthur, “I implore with prayer plain that this match should now be mine” (341-342). Gawain goes on to strike the Green Knight, cutting off his head. However, the strike does not kill the Green Knight; he picks up his head from the ground and repeats to Sir Gawain that he will return the blow in a year and a day. In this moment, Gawain’s bravery is clearly showcased. First, he takes a challenge in place of his king, which he did not have to do.

Sir Gawain is reluctant to accept the Green Knight’s challenge. He fears for his life. In the end he only accepts the challenge to protect King Arthur’s life and honor. He knows it is his duty to protect King Arthur, but only volunteers to do so at the last second. Sir Gawain also breaks his oath to the Lord of the castle he is staying in. He broke their vow to trade whatever they had earned during the day when he keeps a sash the Lady of the castle gives him because he believes it will protect him during his battle with the Green Knight.

An archetypal analysis of Gawain’s quest reveals some significant changes that occur in the hero’s character. We will analyze the progress of the hero, Gawain, as he ventures out to complete his quest. By analyzing the works of Sir Gawain and the Green Knight along with The Hero With A Thousand Faces, and how it completes the Hero’s Journey.

The definition of “hero” is someone who is admired for their courage, outstanding achievements, or noble qualities. Both stories listed below have one man, the hero, using chivalrous attitude to help their town’s people for the better. Although created from two different time periods, Sir Gawain and the Green Knight’s journey motif can be easily compared to Beowulf’s, as well as contrasted.

Even in the middle ages of literature, a story such as Sir Gawain and the Green Knight had many aspects of Joseph Campbell’s view of the hero’s journey. In the story of our character Sir Gawain accepts a “Call to adventure” (Campbell 45) and goes on a quest that will go through many of the archetypes. Likewise, there lies one character, The Green Knight, that can be many of the archetypal characters in the cycle of the hero’s journey. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

"What makes a man a hero? Where lies the line which, when crossed, changes a mortal man into a legend? World leaders of our generation are mockeries of real men, more like Pilates than Thomas Mores." ( Gagne) In the poem of Sir Gawain and the Green Knight, the definition of a hero is clearly explained. Gawain is faced with trials and tribulations throughout the poem, but what clearly defines the crossover from man to hero?

Sir Gawain finally moves on from the castle and goes to the Green chapel, which happens to be a mound. He gets there, and is admittedly scared, but ready to die. The Green knight goes to strike Sir Gawain with his axe, but does not. The Green knight notices Sir Gawain flinches and begins to mock him. Sir Gawain proceeds to tell the Green knight that he will not be able to pick up his head like the Green knight did. The Green Knight goes to strike Sir Gawain a second time and Sir Gawain does not flinch this time. Sir Gawain is ready to die now after the first flinch. The Green knight then went to strike Sir Gawain a third time and he began to get frustrated, the Green knight began to talk with Sir

Part of the essence of drama is conflict. A man cannot be considered a hero unless he has overcome some form of opposition. In many cases, this opposition comes in the form of another character. Typically, the conflict is simplified as a malignant character with wicked intentions committing acts which would be characterized as evil; the protagonist opposes this villain and usually overcomes that character, winning the day and the admiration of all. Sometimes, the main character becomes a hero by overcoming some force within his or her own self. In Sir Gawain and the Green Knight, this is ultimately what Gawain must do in order to be considered a hero.

In Arthurian romances, the knight Gawain fulfills a central role as a member of the legendary Round Table. Alone or accompanied by other chivalrous knights, Gawain traverses the land of Logres, searching for adventures and achieving great feats of heroism. To those he encounters on his quests, Gawain often represents the epitome of chivalry and knightly valor. However, Gawain’s actual characterization is not constant in every tale where he is present. In Sir Gawain and the Green Knight, Chretien de Troye’s Perceval, and Sir Thomas Malory’s Le Morte D’Arthur, Gawain’s character vacillates from being the paragon of chivalry to the antithesis of heroism, and these characterizations serve as a foil to the figures of

Throughout the history of fictional writing, cultural values of certain time periods have been expressed and implemented through the depiction of the heroes’ experiences on their journeys and the knowledge they gain by the quest’s end. For example, in Sir Gawain and the Green Knight, a chivalric romance written in the Late Middle Ages, Gawain epitomizes a knight with the characteristics that knights from the Late Middle Ages were expected to possess according to the requirements outlined in the rules of chivalry, such as honor and valor. Likewise, Beowulf, the hero of the folk epic Beowulf, embodies the qualities of an exemplary hero as well as king. Therefore, in both stories, the reader encounters a heroic character that is presented with traits that Anglo-Saxons and the Middle English valued in their culture through their stories’ monomyths, a concept of similar and structural sequences that can be applied to many stories, created by Joseph Campbell. Some of these values are carried from the Early to Late Middle Ages and can be seen through the works of both Sir Gawain and the Green Knight and Beowulf.

According to Christopher Reeve, “a hero is an ordinary individual who finds the strength to persevere and endure in spite of overwhelming obstacles.” In today’s culture, the hero is frequently depicted as a knight in shining armor, an image that originates from age-old literature such as the fourteenth-century Sir Gawain and the Green Knight. In such literary works, the heroic knight has several virtuosic character traits: friendship, chastity, generosity, courtesy, and piety; however, he must also endure a quest in which his virtues are tested. In Sir Gawain and the Green Knight, three obstacles challenge the hero Gawain’s morals, including the Green Knight, the seductress, and the threat of death, leading to a further maturity of