Sir Gawain And The Green Knight, And The Hero's Journey

The inconsistencies in Sir Gawain’s identity become blatantly clear when contextualized within the literary tradition that established Gawain as fundamentally chivalrous.

Sir Gawain and the Green Knight is an Arthurian poem; an enchanting story of chivalry, romance and heroism. With its intricately woven details, parallels and symbols, the reader will often easily overlook these facets in a story of this caliber. Undoubtedly, the author would not have spent time on details that do not add to the meaning of the overall telling of the story. The three hunting scenes in Sir Gawain and the Green Knight, and in parallel, the three temptations, monopolize a considerable portion of the story. In a comparison of the three hunts and their corresponding temptations, we will see how the poet parallels these circumstances to emphasize the meaning of its symbolism.

 Sir Gawain and the Green Knight is one of the most intriguing Middle English chivalric romances known today. The poem is a delicately written balancing act between two cultures, clashing in a time of unease between the religion of tradition, (paganism) and the new religion, (Christianity). The poem is also one of the best known Arthurian tales, with its plot combining two types of folklore patterns, the beheading game and the exchange of winnings. The Green Knight is interpreted by many as a representation of the Green Man of folklore and by others as an allusion to Christ. The story is told in stanzas of alliterative verse, ending in a bob and wheel. Sir Gawain and the Green Knight is an important poem in the Middle English romance genre, because it involves all the typical plot progression of a hero who goes on a quest to prove himself. Yet what sets Sir Gawain apart from heroes of lore is his inability to finish his quest. The aspect which makes Sir Gawain and the Green Knight different is Sir Gawain’s failure. Sir Gawain and the Green Knight is a perfect example of the struggle between enduring Paganism and newfound Christianity.

A number of several different archetypes in Sir Gawain and the Green Knight are what makes the hero’s journey so successful in many ways. The journey sends the Hero in search of some truth that will help save his kingdom. Sir Gawain goes on a journey to find the Green Knight as per his request. This journey ultimately leads to the knowledge that he seems truly chivalrous. As Sir Gawain approaches the castle, the men of the castle were begging him to cross the bridge. The bridge

Throughout the poem, the Green Knight plays various roles as an archetypal figure, for example he serves as both a herald and a mentor to Gawain. The poem begins at the Round Table, with a challenge being presented to the knights by the Green Knight. No one budges to accept the challenge so Gawain steps up and accepts it, knowing Camelot’s honor will be at risk. Gawain is told by the Green Knight that they must meet at the Green Knight Chapel in one year so the Green Knight can return the blow that Gawain gave to him. At this point, the Green Knight serves as the “announcer of adventure” or the “herald” (campbell 48) since he approaches the knights at the Round Table. As Gawain begins his journey to the Green Knight's Chapel, he meets a Host of a castle, who makes a deal with Gawain to stay there for three days. Although it is unknown to Gawain, the Green Knight is the Host, just in disguise. As the Host, the Green Knight mentors Gawain with their deal as a means of training Gawain for his upcoming challenge. Their deal was “we will make a covenant. Whatsoever I win in the wood shall be yours, and whatever may fall to your share, that shall ye exchange for it. Let us swear, friend, to make this exchange, however our hap may be, for worse or for better.” (Weston 20) and it provided a way for Gawain to prove himself and his worth to the Host, which is exactly what he did. As stated before, the many roles of the Green Knight each aid in Gawain’s development as a character and prepare him for his awaiting challenge.

At first the hero has no clue of the excursion set upon them, they receive a call to a journey from the herald which changes their life. In the poem, during the celebration takes place when the Green Knight challenges Camelot, “If any knight be so bold as to prove my words, let him come swiftly to me here..” (Weston 6); thus ultimately making this request the call for Gawain. Even though the Green Knight displays this challenge towards King Arthur, Gawain wholeheartedly intervenes and presents himself as the one to undergo the challenge. As Gawain agrees to the “fateful region of both treasure and danger…” (Campbell 53). He is a bit hesitant towards the refusal of the call the Green Knight has exemplified to the knights of Camelot but knows he must do it for the reputation of Camelot. Gawain must decapitate the Green Knight with an axe and in return the Green Knight has a right to deal him another but respite a year and a day Gawain has been given. The hero must leave the community to reach the initiation for the ultimate task. Gawain realizes he must uphold the chivalric code and accepts the task given and leaves the following year. When the hero departs for their quest, cultural values can be examined based upon their behavior. By the time Sir Gawain must depart for the Green Chapel, Arthur’s knights place various symbols on his armour demonstrating the rank of symbolism in Camelot with reference to Christianity.

In Sir Gawain and the Green Knight, after Gawain ventures “into a forest fastness, fearsome and wild” (Norton, 311), he prays that he will be able to find “harborage” on Christmas Eve (Norton, 312). It is the middle of winter, and Gawain has been traveling in search of the Green Knight whose head he has cut off. After he prays and signs himself three times, Gawain finds a magical castle in the midst of a winter forest. He rides to the castle and is granted permission to enter by the lord. Gawain is attended to in a fashion befitting kings, and he meets the lord who tells his identity to all in the court. There are many significant implications and foreshadowings which occur during Gawain’s

During Sir Gawain’s journey, he is met with countless types of situational archetypes that involved conflict, character

In Sir Gawain and the Green Knight, by an unknown author referred to as the “Pearl Poet,” we are introduced to Sir Gawain. Gawain is a knight of the Round Table and he is also the nephew of King Arthur. As a knight, Gawain is expected to possess and abide by many chivalrous facets. Throughout the poem he portrays many of the qualities a knight should possess, such as bravery, courtesy, and honor among others. Because of his ability to possess these virtues even when tempted to stray away from them, Sir Gawain is a true knight.

Even in the middle ages of literature, a story such as Sir Gawain and the Green Knight had many aspects of Joseph Campbell’s view of the hero’s journey. In the story of our character Sir Gawain accepts a “Call to adventure” (Campbell 45) and goes on a quest that will go through many of the archetypes. Likewise, there lies one character, The Green Knight, that can be many of the archetypal characters in the cycle of the hero’s journey. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

Gawain, a knight of the famed King Arthur, is depicted as the most noble of knights in the poem Sir Gawain and the Green Knight. Nonetheless, he is not without fault or punishment, and is certainly susceptible to conflict. Gawain, bound to chivalry, is torn between his knightly edicts, his courtly obligations, and his mortal thoughts of self-preservation. This conflict is most evident in his failure of the tests presented to him. With devious tests of temptation and courage, Morgan le Fay is able to create a mockery of Gawain’s courtly and knightly ideals. Through the knight Gawain, the poem is able to reveal that even knights are human too with less than romantic traits.

Part of the essence of drama is conflict. A man cannot be considered a hero unless he has overcome some form of opposition. In many cases, this opposition comes in the form of another character. Typically, the conflict is simplified as a malignant character with wicked intentions committing acts which would be characterized as evil; the protagonist opposes this villain and usually overcomes that character, winning the day and the admiration of all. Sometimes, the main character becomes a hero by overcoming some force within his or her own self. In Sir Gawain and the Green Knight, this is ultimately what Gawain must do in order to be considered a hero.

In this paper I will discuss the ideas, cultures, characteristics of the Middle Ages are referenced and how their presence interlocks in the work. Sir Gawain’s quest covers his obligation to have success on the test of becoming a Green Knight. This would help have return blow for the following Christmas. Because the Green Knight proposed a challenge, Gawain was required to follow the terms of the agreement. The journey to find the Green Knight is a sequence of temptations. He lodges at the Castle Bertilak, and completed bargains with his host. Gawain will exchange anything he gambles on with the Bertilak catches on the hunt.

Though often extensive detail may be condemned as mere flowery language, in understanding Sir Gawain and the Green Knight one must make special emphasis on it. In color and imagery itself, the unknown author paints the very fibers of this work, allowing Sir Gawain to discern the nuances of ritualistic chivalry and truth. His quest after the Green Knight is as simple as ones quest toward himself. Through acute awareness of the physical world he encounters Gawain comes to an understanding of the world beyond chivalry, a connection to G-d, the source of truth. He learns, chivalry, like a machine, will always function properly, but in order to derive meaning from its product he must allow nature to affect him.

In the opening lines of Sir Gawain and the Green Knight, the Gawain-poet predicates the numerous dualities—which lead the reader through questions of moral seriousness—that exist in the poem. The opening historical recounting, according to Richard Hamilton Green, reminds the reader that “the greatness of the past is marred by reminders of failure” (179). The paradox of triumph and greatness arising out of failure foreshadows Sir Gawain following the same pattern of fate as his predecessors. While the completion of Gawain’s quest reaffirms the historical paradox of greatness, his journey to renown is fraught with situations and symbols that develop the poem’s main concern of moral seriousness. The Gawain-poet skillfully reveals his