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Holden Caulfield Gender

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At the time that The Catcher in the Rye was published, the quiet suburban housewife trope reigned over the world of post-war America. Despite this common media stereotype, J.D. Salinger’s primary source of development within his narrative occurred as a result of female characters. Whether it was the idealistic innocence of Jane Gallagher, the social correctness of Sally Hayes, or the infinite wisdom of Phoebe Caulfield, their influence is indisputable. Salinger uses the females in Holden’s world to reveal the adolescent struggles that Holden is experiencing. Holden’s determined protection of innocence is best shown through the presence of Jane and Phoebe in Holden’s thoughts and life. Sally best presents Holden’s adolescent crisis as well as …show more content…

Salinger uses Holden’s outwards interpretations of Jane and Phoebe to express Holden’s desire to be the ‘catcher’ or savior of childhood innocence and purity. Holden’s natural, protective instinct is best illustrated by his relationship with Jane. He tries to console her, and in a way ‘protect’ her from adulthood, best represented in this case by her ‘booze hound’ stepfather. A more obvious case of this occurs with Holden’s Pencey roommate, Stradlater. “What horrifies him mostly is the discovery that Stradlater even doesn’t know her name. This is the classic symbol of the loss of identity.” (Han, 2385). Stradlater’s careless disregard for Jane’s identity shows an insincere and “adult” nature. Holden therefore instigates a fight with him in protection of Jane’s identity and subsequently her innocence. Throughout the entire narrative, Holden continues to toy with the idea of speaking to Jane, yet at no point within the text does he do so (Salinger, 42,77,82,137,151,175,195,262). His …show more content…

What we discover are Holden’s tumultuous desires to throw himself into adulthood, and his equally unstable reactions to his subsequent denial of entry. Coupled with, his obvious obsession with the innocence of childhood, the severity of his internal conflict becomes increasingly more clear. “The most glaring indicator of Holden’s current transition is his acting against emotion. It is very clear that Holden is lonely. Yet every time he reaches out for companionship he quickly switches to using rude and self-destructive behavior to isolate himself again.” (Lingdi, 145). The best example is found through Sally. On her and Holden’s date, he begins to throw out haphazard plans for them to run away together, “How would you like to get out of here?...I could get a job somewhere and we could live somewhere...and later on, we could get married or something.” (Salinger, 17). Their date ends shortly after this exchange and Holden’s next encounter with Sally serves to prove Lindgi’s statement. “I was too drunk, I guess. So what I did, I gave old Sally Hayes a buzz…”Hello,”... I sort of yelled it, I was so drunk…”G’night. G’night, Sally baby. Sally sweetheart darling,” I said. Can you imagine how drunk I was?” (Salinger, 21). Holden’s self-destructive habits involve drinking, and here we see the affects of his self-isolation. As anyone can imagine, one person can only take this kind of self

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