Holden Caulfield Innocence Quotes

Throughout the story Holden emphasizes his love for childhood innocence. In a passage he says “The thing with kids is, if they want to grab for the golden ring, you have to let them do it, and not say anything.” (Salinger 211) This immediately points to his affinity for innocence and not having the limits of being and adult. The

Throughout the novel, Holden attempts to find the true from of himself as he struggles with the social interactions around him. Due to the struggle and confusion that arouses from it,

Holden does not want adolescents to become adults because he believes that adults are corrupt and he wants to protect them from this corruptness. This is seen when Holden tries to erase the swearing words on the walls of an elementary school that Phoebe attends. Holden angrily tells us, “… I saw something that drove me crazy. Somebody'd written 'Fuck you' on the wall... I thought how Phoebe and all the other little kids would see it, and how they’d wonder what the hell it meant…” (201). Holden was angered because this proves that the innocent world of children has already been corrupted by the profanities of the adult world. In addition, profanity in such places like an elementary school distresses him because he associates it with Phoebe, little kids, and innocence. Thus, their innocence is tainted by these profanity words on the walls. He does not feel comfortable allowing small children to be

Holden has all of these traits. In the novel, nearly every time Holden gets depressed, he turns to alcohol. At Ernie’s night club he got served alcohol even though he was a minor. He even got drunk at the Wicker Bar. He used alcohol to escape the sadness in his life, which many killers were known to do as well. Holden also grew up lonely. He lost motivation to do well in school, which got him kicked out of Quincy High, losing his friends. His brother is also dead which may contribute to his feeling of loneliness. Holden always fantasizes about saving all the children from growing up, being their ‘Catcher in the Rye’. If somebody were to get in the way of his fantasy, he might have killed them. Holden is also socially awkward, loving children but hating adults, calling them ‘phonies’. He only has a few friends throughout the novel. He gets very angry with his friends, like when Stradlater goes out with Holden’s ex-girlfriend, Jane, whom he still has feelings for. This made him leave Quincy three days early while he travelled to Manhattan. “I was really hanging around for, I was trying to feel some kind of a good-by.” said Holden (Page 4). Finally, Holden has some sexually stressful moments in the novel, like when he hired a hooker to come upstairs into his room. He wanted to do it, but when she got into the room, he

The Catcher in the Rye is one of J. D. Salinger's world-famous books about the disgruntled youth. Holden Caulfield is the main character and he is a seventeen- year-old dropout who has just been kicked out of his fourth school. Navigating his way through the challenges of growing up, Holden separates the “phony” aspects of society, and the “phonies” themselves. Some of these “phony” people in his life are the headmaster whose friendliness depends on the wealth of the parents, and his roommate who scores with girls using sickly-sweet affection. This book deals with the complex issues of identity, belonging, connection, and alienation. Holden senses these feelings most of the time and is guilty about many things in

This made Holden mad because if kids saw it, they will lose their innocence. For example, when Holden see that word, the first thing he thought is Phoebe would wonder what it meant and use the word. Then it will cause her to lose her innocence because that is word mainly for adults not children. The quote that supports this when Holden said, “I thought how Phoebe and all the other little kids would see it, and how they’d wonder what the hell it meant.” To summarize, Holden think

His loneliness makes him feel depressed and willing to die. At his hotel, Holden decides to hire a prostitute: “She didn’t care what the hell my name was, naturally” (105). Normally one would go to a prostitute for sex, but Holden is solely focused on finding company. He is looking for any kind of connection or relationship between him and this stranger, but she is only willing to talk business. He is feeling so deserted that his best prospect for company is a prostitute who does not even care about him. He knows prostitutes are considered among the worst of people, and they are also illegal. However, Holden loses perspective in terms of the way he sees himself in comparison to others. Now thinking that he is now on the same level as prostitutes in society. Holden grasps onto relationships with people like prostitutes (and later taxi drivers) because no one is there for him like Allie was. It is almost as if Holden is trying to recreate his relationship with Allie. Although he can not find anyone nearly as special or satisfying, so therefore he reverts towards ending his life. He describes the lobby of the hotel that he is staying at as empty and full of dead cigars, leaving him feeling lonely and frustrated as he says: “I was feeling sort of lousy. Depressed and all. I almost wished I was dead” (101). When his emotions start to

A common theme in both pieces is that loss of innocence means loss of individuality. Neither Holden nor the Breakfast Club characters want to grow up to be their parents or adults because it means that they will have fit into the stereotypes that they have been assigned. Holden believes that by losing his innocence he will be no different from anyone else, which conflicts with his inner conflict throughout the book- he wants to be different so that he can hold himself to a higher value than everyone else. In order to protect his own innocence, he masquerades concern for others’, for example, “I went down by a different staircase, and I saw another ‘Fuck you’ on the wall. I tried to rub it off with my hand again, but this one was scratched on, with a knife or something. It wouldn't come off. It's hopeless, anyway. If you had a million years to do it in, you couldn't rub out even half the ‘Fuck you’ signs in the world. It's impossible” (Salinger 222). A common theme throughout the novel is that innocence should be protected. Holden is able to protect his own innocence by removing the sign and by saving the prostitutes’ innocence when he refuses to sleep with her. In Catcher in the Rye, innocence protects Holden from his reality- if he loses his innocence then he will be exactly like the people he does not want to be, and he wants to protect himself and others that he deems

Holden wants to be the catcher in the rye and save the children from falling off the cliff. This cliff, however, is the real world, and Holden himself is afraid of it so he wants to protect children from it. This is also demonstrated when Holden visits his sister 's school and sees swears written on the wall. This makes Holden very mad, "It drove me damn near crazy. I thought of how Phoebe and all the other little kids would see it, and how they 'd wonder what the hell it meant…But I rubbed it out anyway, finally"(201). Holden was able to protect the children for a short while but a few moments later he sees the same thing written on the wall again. Only this time it is scratched in with a knife or something and Holden is unable to rub it away like before and realizes "It 's hopeless, anyway…it 's impossible" (202) he indicates here that growing up and facing certain reality is inevitable. Holden finally realizes that he can 't protect the kids from the real world when he watches Phoebe ride a carrousel at the zoo. "All the kids kept trying to grab for the gold ring…this thing with kids is, if they want to grab for the gold ring, you have to let

Much later in the book, Holden meets up with an old friend, Carl Luce, to catch up on each other’s lives. Holden attempts to talk with him about sex because it’s the only thing they did talk about when they both went to Whooton, which Holden flunked out of a few years back. Holden tries to connect with Luce by talking about their sex lives and how Holden wants it to be like anything Luce is talking about, but he ends up disappointing Luce into the expectation that he has grown. He reminds him of what Holden needed last time they saw each other, and Holden remembers: “‘You mean go to a psychoanalyst and all?’ I said … ‘What would he do to me? I mean that would he do to me?’ ‘He wouldn’t do a goddam thing to you He’d simply talk to you, and you’d talk to him, for God’s sake. For one thing, he’d help recognize the patterns of your mind.’ … Old Luce. He was strictly a pain in the ass …” (Salinger 192-193). Holden once again shows a lack of wanting to accept and listen to people who are trying to give him advice. He doesn’t want to go to a psychoanalyst and be told what is wrong with him because he cannot accept the painful truth that he is not able to grow up and change how he is, which Luce did do. When Holden says to himself “He was strictly a pain in the ass”, he shows that he doesn’t care what Luce had to say to help Holden. He only cared about staying the way he is and

Holden’s date with Sally Hayes exhibited his difficulty at cooperating with others. At first he gives us a dire impression of Sally, “I wasn’t too crazy about her, but I’d known her for years.” (p. 105) Later, he wants to marry Sally and says he is in love with her. The biggest mystery of all when it comes to women is with Jane Gallagher. Constantly mentioning Jane, Holden recalls playing checkers with her before he got sent to boarding school. When his roommate, Stradlater, has a date with Jane, Holden asks him a peculiar question, “Did you ask her if she still keeps all her kings in the back row?” (p. 42) Holden, jealous of Stradlater’s date with Jane, longs to see Jane but never has the courage to call her. Interactions with other people especially women perplex and overwhelm Holden. He therefore resorts to isolation, illustrating a characteristic of his mental state.

As humans we sometimes seek isolation rather than human interaction for fear of being overwhelmed emotionally. For some people, comfort comes with the knowledge that alone, they are the masters of their own emotions, free from the pain of the world's occasional bitterness and sting. In the coming-of-age tale "Catcher in the Rye," J.D. Salinger explores this phenomenon through the voice of the narrator, Holden Caulfield. Although Holden possesses a voice of intelligence, sensitivity and insight he is also bitter with the hypocrisy and ugliness that he perceives in the world around him. The vividness with which he expresses his discontent is seen manifested in the criticisms that Holden aims at various characters throughout the story. As the

There is another lesson Holden had to learn. He needed to learn how to be satisfied with his company. He was always looking for someone to call or someone to talk to. When he finally did have some company, he did nothing but criticize them. For example, Sally Hayes went out with Holden, and throughout the entire time he complained and criticized her. He

One of the greatest American Literature writers, J.D. Salinger, was familiar with a rough childhood by experience. He was able to parallel his experiences to the experiences of Holden Caulfield, the protagonist in The Catcher in Rye. In this novel, Holden experiences conflicts that most youth are not familiar with. The conflicts in Holden Caulfield’s life are caused by various forces and circumstances.

    J. D. Salinger's The Catcher in the Rye is the chronicle of a young man's metamorphosis from immaturity to unsure manhood. Holden Caulfield, the protagonist, is a sixteen-year old boy who leaves the prep school he has been expelled from to escape the frightening reality of dealing with his parents. However, during his visit to New York City he is faced with the harsh reality that he cannot continue to hold onto his childhood. Holden is an extremely complex character and it is only by examining each layer of him that the reader is able to understand his painful metamorphosis.