Hollywood Insecurities Sexism is a major part of Hollywood in modern times. You cannot find a single news or media outlet that is not critiquing a male or female celebrity on their appearance, size, and external beauty.. It is ridiculous to say the least when these people are not much better themselves. What the worst part about the public’s view of Hollywood is tearing average people down about their beauty, and wanting to become like other celebrities. The author wrote, “Some celebrity’s beauty has the distinction of instilling admiration in both sexes. Johnny Depp’s eyebrows and jaw line are apparently a source of envy for both men and women” (Queendom). Most women, more than men, feel this way and envy celebrities physical appearances, thinking they will be beautiful if they conform to these celebrities’ looks. But has anyone ever asked if Johnny Depp, or any actor, musician, or author is self conscious of themselves? Judy Grahan does exactly that when she writes a feminist poem entitled, “Helen in Hollywood.”. She considers herself a feminist, and others gaining inspiration from her, saying, “Her writings helped fuel second wave feminist, gay and lesbian activism, and women’s spirituality movements beginning in 1965” (Triangle). Her being a feminist, along with her Ph. D in women's …show more content…
“Helen Goes to Hollywood” is the prime example of how society judge celebrities to their breaking point, and it’s no wonder why we hear about celebrities having mental breakdowns. The bigger scale is never loss what is inside of you. As much as society wants to change you, from your looks to your heart to your goals, never change what is inside of you. What I can personally take from this is never let your inner beauty be taken away. What the best quality about yourself is what is on the inside. You are beautiful inside and
The beauty standard is a culturally constructed notion of physical attractiveness that has become increasingly imperative for women and men. However, this standard has become extremely perilous to men and women’s self-image. Camille Paglia, a highly educated individual who earned her PhD at Yale University and became a highly acclaimed author, explicates this conception in her essay “The Pitfalls of Plastic Surgery”. Paglia suggests that the beauty standard idealizes women to look like “sex symbols with an unattainable grandeur” (776). She continues to claim that it forces her audience of higher class women to pay large sums of money in order to alter their features ultimately conforming to a very “parochial” definition of beauty (776). Although Paglia is a highly credible source, she illogically appeals to the reader’s fears in order to persuade them. Paglia fails to give any credible outside sources which affirms her preposterous beliefs. Contrary to her inconsistencies, Daniel Akst, a social journalist and graduate from New York University provides his audience with reputable sources in order to persuade his audience. Daniel Akst believes that there needs to be a “democratization of physical beauty” in which instead of attempting to alter the beauty standard, we must first change how we view ourselves. Akst provides credible sources to establish his credibility where he observes cases studies and cultural experiments from scientists and organizations including:
In today’s society we have created this sense of identity that we can either reveal and or hide behind that can include either a computer screen, our skin, or even who we want people to think we are. In John Berger’s essay Ways of Seeing, he breaks down the misogynistic view we have on woman by comparing what it is to be naked versus being simply nude. In Neal Gabler’s essay Our Celebrities, Ourselves, the idealized celebrity is brought down to human level and formed into a never ending narrative that categorizes them into the people they are seen as versus the people they actually are. Berger criticizes the disguise a woman must wear as being surveyed by men in the form of art yet Gabblers idea of a disguise is more like a role a celebrity
Renowned feminist film theorist, Laura Mulvey, explores how classic Hollywood cinema is shown through a masculine perspective that fetishisizes women as objects of desire. This perspective is also known as the “male gaze”, which creates a voyeuristic and scopophilic layer to the viewing of film. According to Mulvey, “in their traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote to-be-looked-at-ness.” One of the staples of classic Hollywood cinema is women consistently being put or made into a visually erotic role for both the male characters on screen, and the audience. This staple is of course found in the
Throughout the years, the definition of beauty constantly changes. In our society today many children are told to be true to themselves, to be unique, to be who they are, etc.; But on the other hand social media and the celebrities on there are a constant reminder that there is a certain type of beautiful. The juxtaposition between being yourself and being what is “beautiful” has consistent grey areas and blurred lines making it almost impossible to keep up with what’s “beautiful”. The media, whether intentional or not, portrays this certain body image that you have to be in order to qualify as beautiful.
The objectification of women does not exist in America as it does in other areas of the world. In fact, they perfect equality and prosperity of all genders in all places: Wal-mart, schools, and even Hollywood. Showing women what they need to look like gives them an image to strive for. In movies, girls always need saving but never saves. Girls here know what they have to look and act like in order to find success, unlike other countries where they have to pretend they aren’t anything at all. Being the person everybody wants is better than not being anybody at all. Hollywood allows few lucky girls to act like that person while also promoting that woman to others. Today’s Hollywood gives women an outline to not only who but where society allows them to be. In films today, there is an undeniable lack of women as main characters. Less than a third of women receives main roles out of 800 movies and 35,205 speaking characters (Smith). As in movies, it is imperative for women to hide in life. Let the men take the spotlight, and stay in the shadows. For example, in the 2016 election, a woman ran for president. Having intellectual thoughts and opinions does not make a woman more attractive, which proves why Hillary Clinton inevitably failed, especially to such a politically polished and more qualified Donald Trump. Hillary fools herself into thinking a girl stood a chance against a man if she only wore an ugly
Women are deemed as a “minority” yet make up 51% of the world population and in 2014 made up only 12% of protagonists in films. And that is just on-screen, the percentage decreases as you go farther and farther into behind-the-scenes positions such as directors, cinematographers, and writers. Add race and ethnicity and those characters' percentages decline even more (Lauzen, 2015.) Women in film and television are often portrayed with emphasis based on their body type and in advertisement are largely objectified. The large objectification and misrepresentation of women in the media has led to an offset psychological view of women from growing up to adulthood.
Why are people so fascinated with celebrities? What makes people want to be like them? What are celebrities actually like? Facing these tough questions, Ty Burr in his essay “The Faces in the Mirror” forces readers to question their own answers. By explaining the history of celebrities and the worship of them, he gives readers a wealth of knowledge. Wisely, Burr immediately establishes his credibility so that readers know they can trust his educated point of view. His essay is full of strong logic. However, it lacks a substantial amount of hardcore facts. Furthermore, Burr effortlessly snatches the reader’s attention by using dramatic statements and achieving a sense of pathos. Burr’s authority on the topic, along with his convincing logic, and dramatic statements allow his essay to achieve a remarkable persuasiveness to his essay.
Numerous men feel the exact same way Lucy Grealy did about her appearance. Just because they are men, does not mean they cannot be insecure about their own bodies. The media has a large influence on how a person feels about his or her appearance. Many individuals feel negatively about themselves after seeing the media’s version of ideal men and women. Grealy completely ignored the leading cause of body disappointment.
Sexual appeal is a common thread with celebrities, including musicians. Musicians like Tom Jones, and actors like Brad Pitt create a huge following because their audience thinks they are physically attractive. Consequently, their physical image holds just as much influence as their talent. Giddins remarks, “…Sinatra remained white America’s last completely satisfying definition of masculine style…no comparably compelling image of male conduct has emerged to replace it”. Masculinity remains a common image projected by celebrities, and has been a recurring theme in musicians and actors since Sinatra projected it to the youth culture of the early
Through the media society puts out high standards and expectation on women to adhere to what they say is beautiful. Making women judge mental and self consciousness about themselves and even judging other woman in a split second. In the book Mrs. Breedlove speaks on the affect the movies had on her,”She was never able, after her education in the movies, to look at a face and not assign it with some category in the scale of absolute beauty, and the scale was one she absorbed in full from the silver screen” (122). This explains how the media can cause society to be judgmental among their peer and categorize them as either beautiful or ugly. Giving society room to isolate and antagonize the ugly and adore and idolize the beautiful.
This beauty culture have not only affected a women’s self-esteem, but also their position in politics. A women are less likely to vote or run for office when they know that can rely on their looks to be successful. There are powerful women roles in movies with a minor issue that these roles are still being sexualizes. Women are also being sexualize in advertisement, television shows and music video. As a child watching these music videos of females displaying their bodies.
Have you ever thought of what true beauty means? In the article “Pop Culture Is Destroying True Beauty” by Rachel Drevno, she explains how pop culture and the media are influencing people to believe that they aren’t good enough because they don’t look a certain way. The beauty Drevno discusses are the actors and celebrities in commercials, movies, and magazines. She believes that people are trying and changing themselves to look like those in commercials or movies because that’s how standard beauty has been portrayed. I strongly agree with her argument because the media only presents images of attractive, beautiful, and sexy figures.
The ideas that society has put in our minds is that a woman has to be slim, look perfect and always be ready for a photoshoot. All of the women in this movie trailer have a very similar body type, these women are all slim, tall and beautiful which shows that the movie industry has narrow vision.” The beauty of the woman as objects and screen space coalesce; she is no longer the bearer of guilty but a perfect product, whose body, stylized and fragmented by close-ups, is the content of the film and the direct recipient of the spectator’s look,” (Mulvey, 2006, p. 349). The idea of a women being able to stay fit as well as being on top of all the modern fashion trends, and looking ‘perfect’ is very unrealistic. This is portrayed in the movie trailer when the one mother played by Mila Kunis is in a workout class or when her and her friends are having conversation in regards to her bra. When it comes to women’s careers they are expected to wear appropriate clothing that portrays them as professional, this allows them to be respected in the workplace. “The contemporary economy depends right now on the representation of women within the beauty myth,” (Wolf,1991, p. 18). Society continues to push the ideology that all women have to be the same size and dress certain ways in the workplace through different methods of media including movie
There are many beauty standards but weight and body size is slowly becoming the main focus. These standards give a false sense of hope of having the “perfect body.” Instead of letting beauty standards be socially accepted, people should be aware of the harm they cause. Celebrities are role models to various people around the world and they are criticized for their appearance. Many of these celebrities go out and get plastic surgery, Botox injections, and Silicone implants. People that a lot of money and higher status are more likely to be able to live up to these standards. Some women are willing to sacrifice comfort and tolerate the pain to achieve them.
We see girls in the media who have perfect lives, go to the gym religiously, are always weirdly flawless with a full face of makeup, and we can't help but think to ourselves: “Why can't I be like that?” or, “I wish I was her.” Because we see these women who are beautiful, get all the guys, seem to have their lives figured out, we feel this pressure to look and be like them, and when we don't look like them we tear ourselves down and point out all of our flaws. I have fallen victim to this many times, it’s a vicious cycle that’s hard to stop. I have noticed that Instagram models all have been working for a certain body type and face image that make them all blend in. They all have beautiful full lips, small chiseled faces, small waists, wide hips, and enormous posteriors. Most of the time, for celebrities, these things are achieved by plastic surgeons, which is why it's such a dangerous body type to idolize as a young girl. No matter where I go or what I watch, women with these body types are everywhere. They are sung about, rapped about, and praised everywhere for their body, and it makes me think: Maybe if I looked