Despite being written more than 150 years ago, Alexandre Dumas’ The Count of Monte Cristo has upheld its original popularity and secured a position within classic literature. The Count of Monte Cristo proved to encompass many trends of the French Romantic period, which examined human personality in a personal and imaginative way unlike previous literary styles. Dumas’ novel was influenced by the historical period preceding it; Popular literary trends, foreign literary influences, and the shadow of Napoleon’s fallen empire all impacted The Count of Monte Cristo by shaping unique themes. The 19th century proved to be an era of significant political and economic change in France. As urbanization and industrialization increased rapidly, factory conditions worsened and disease spread through the cities. Authors, such as Dumas, began to employ a more imaginative, reminiscent approach in their writing. As Moss and Wilson …show more content…
Aubrey explains in his Critical Essay on The Count of Monte Cristo, “... Dumas hints that Monte Cristo is to be regarded as something of a Byronic hero. The English Romantic poet Lord Byron, a favorite of Dumas's youth, was revered throughout Europe as the incarnation of the rebellious Romantic spirit”. The “Byronic hero” Aubrey speaks of refers to, in the elegant and accurate words of historian and critic Lord Macaulay, "a man proud, moody, cynical, with defiance on his brow, and misery in his heart, a scorner of his kind, implacable in revenge, yet capable of deep and strong affection". A key component to a Byronic hero is their steadfast loyalty to their core beliefs, no matter how unconventional they are. Dantès’ ideology, while flawed, is something he stands by for the majority of the
On the other hand, Stock’s debate brings about the idea that Napoleon’s actions are not what lead people into believing that he is a hero or a villain, rather, the “interest in Bonaparte is driven by aesthetic and philosophical concerns: especially the question of whether Napoleon is an ordinary man ‘within’ history, or a semi-allegorical personage” (Stock 1). Stock further dwells into talking about how the perception of Napoleon as a hero or a villain was not based “along a political or chronological narrative”, but rather through romanticism through the British. Overall, Stock believes that Napoleon is “indeed ‘captive’ of Romantic imaginations”, which especially shown by Byron, who “calls him ‘Conqueror and Captive of the
Lazarillo de Tormes is a famous work of Spanish literature published anonymously. The novel is written in the first person. Lazarillo de Tormes is known as a picaresque novel in that the novel is written about a character of the lower-class instead of a hero or upper-class character. The novel has several themes, but the theme that is constant throughout the novel is appearance versus reality. A rhetorical device is a use of language that is intended to have an effect on its audience. The author utilizes several rhetorical devices in the novel which add emphasis to the story. For the purposes of this paper, the following rhetorical devices are analyzed: satire, simile, hyperbole, double entendre and parody. The novel, which was banned by the Spanish Crown during the time of the Spanish inquisition, is the story of the birth and life Lazarillo as he serves various masters and his struggle for survival. His struggle is real. Many of the rhetorical devices serve to add humor to the novel as well.
The lifestyle in France, just like in all other European countries, has changed dramatically since the early 1700’s. People went from farmers to factory owners to all of the professions of today’s society. The main reason for the great changes in lifestyle that occurred in France was the Industrial Revolution, which urbanized most of France. But the Industrial Revolution was not the only thing that changed France. The monarchy fell the church changed, and the role people had in their jobs and family life change drastically.
During the late 1840s, France had suffered commercial decline. France had begun construction on a large scale rail network, but failed to budget their construction properly, leaving the construction unfinished, and it’s backers bankrupt. This cascaded further than the initial investors, as smelters who relied on the railways to buy their metal lost a major purchaser. The resulting economic fallout lead to unemployment across several industries. The lack of work for the majority of the populace led many to poverty. At the time, bread prices began rising prices, further straining the economic situation of the working class.
Throughout the book, the Count of Monte Cristo, written by Alexandre Dumas, the main character, the Count of Monte Cristo has a certain je ne sais quoi. He defines a certain way, just like the rest of the characters in the text do, as well as every single character ever written. That is because of his archetype. An archetype is a type of character, detail, image, or situation that continually reappears throughout literature.
Dumas, Alexandre. The Count of Monte Cristo. Trans. Lowell Bair. New York: Bantam Edition, 1956. Print.
The article did not contain much information and did not go into detail about each topic mentioned. The information was not very organized and some parts included extraneous details about the status of the building or landmark in modern times. It also included details about France’s modern industry. These again were irrelevant and unnecessary details that did not aid in the research of the topic. The database itself was difficult to navigate. The articles it presented for the topic were irrelevant and the content of the articles did not provide adequate information. The article was taken from Funk and Wagnall's New World Encyclopedia. This encyclopedia is used in many different databases and is considered to be a reliable source. It contains over 25,000 different records of various subjects. However, there are many others websites and sources that provided the same information in a more organized, detailed manner. Overall, this source was not beneficial to the research of eighteenth century France and is not recommended for other
The main theme that is presented within The Count of Monte Cristo is that revenge and manipulation is easily able to hurt someone, but also benefit another. In this case, Edmond Dantès takes the side of benefit and those brought underneath his vengeance had been ruined. After a plan carefully schemed by three of his false friends, Dantes was thrown into prison and placed under a situation of betrayal and resentment. This long wait in the chateau d’If had put a need for revenge into Dantès head which had transformed him into the Count of Monte Cristo. Although the Count was considered bitter and cold, his seek for revenge had only benefitted him into a more creatively malicious character. Furthermore, this manipulation that Dantès had been put
Latin American literature is perhaps best known for its use of magical realism, a literary mode where the fantastical is seamlessly blended with the ordinary, creating a sort of enhanced reality. Though magical realism is practiced by authors from other cultures, the works of authors Salman Rushdie and Toni Morrison, for example, are notable examples of non-Latin works in which magical realism has been used to both great effect and great celebration, it is in the works of Latin American authors where the style has flourished and made its mark on the literary world. Yet even in Latin American works we can find many different kinds of magical realism, all used to achieve a different end. In the works of the Cuban poet and novelist
During the latter half of the nineteenth century, Europe went through many significant changes that had great effects on their society. These changes were largely due to the Industrial Revolution that dates back hundreds of years, but shows most prominent influence during this time. The technological
Lord Byron’s works, such as Don Juan and other poems reflect not only the suave and charming characteristics of the Romantic Period, but they also reveal the nature of Byron’s uncommitted and scandalous life. Byron, like most Romantic era authors, was very unpredictable and opinionated in all of his writings. From the hatred of his upbringing, to the love of adventure, and also to the love of meaningless relationships with various women were majorly influenced and illustrated through all of his works and especially in “Don Juan.” Yet he still managed to infiltrate his poems with charm, romance, and heroism. Byron was a perfect fit for the Romantic Period and his poems and he was therefore known as a great contributor towards the era.
In this essay I am going to discuss whether or not we can consider Lazarillo de Tormes as a subversive text and the reasons behind why or why not we may believe it to be so. To accomplish this, I will explore the background behind Lazarillo, the different methods and literary devices used to convey dual meaning and give the text an undertone of subversion.
Edmond Dantes was a 19 year old man who became captain of a ship name the Pharaon. He was much loved by everyone. He is pretty gullible and becomes vengeful when the one guy he considered his friend betrayed him the other two who he was not to fond of ruined his life. He was a respectable young man who showed that numerous times like when he had to leave Morrel while he was talking to him; he said “I beg you excuse me, Monsieur Morrel (Dumas 5). He was to be betrothed to a girl named Mercedes who he’d loved very much but he loved his father most of all. He felt bad when he found out his father was broke from paying his debt causing him to fall to his knees and said “may God forgive me” (Dumas 9). Dantès is a pretty unique character who
A role of Don Quixote’s delusions is to provide a glimpse into a situation where the chivalric code is implemented. Don Quixote is mad at first glance:
Alexandre Dumas’s novels and in particular The Three Musketeers are so great for his ability to mix fact with fiction. As a historical novel, The Three Musketeers bases its story around some major characters and events of 17th century, French history. Cardinal Richelieu, Anne of Austria, and other important characters really lived and acted the way they do in the novel. In fact, the historical basis of Dumas's story extends all the way to his initial idea for the novel, even to the Musketeers and d’Artagnan themselves.(history 1)