In the great epics, fate plays a significant part in molding heroes and guiding the story. Characters are overwhelmed by the pressure to fulfill a specific destiny, with little mention of choice. Free will is recognized, however, it is only to accept or reject the destiny of the hero. The epic, The Lord of the Rings: The Fellowship of the Rings, follows Frodo a hobbit from the Shire. Frodo must leave the Shire and journey to Mordor to destroy a powerful ring. The spirit of the ring is consubstantial to the evil lord. If Frodo doesn’t destroy the ring, his world will be demolished by wraiths, servants to the evil lord. In the other epic, The Aeneid, Aeneas must escape his home city, Troy, which is being attacked by the Greeks. Aeneas must then journey to Italy and establish a new city for his people. Otherwise, they will be captives to their enemies. As the epics are observed in greater detail, destiny’s role can be seen as the threadwork of the drama. The climax of Frodo’s life in The Lord of the Rings: The Fellowship of the Ring, …show more content…
His mother is overcome with rage and goes to the gods to plead for help. The mother begs for protection and blames the gods for defeat of Troy. With the hopes of reassuring her, the gods read from the scroll of fate and tell the mother that victory will be Aeneas’ once again. According to The Aeneid, “Aeneas will wage a long, costly war in Italy, crush the defiant tribes and build high city walls for his people there and found the rule of law.” (Virgil, pg. 584) From this Aeneas knows his life has been decided. Because it came from the gods, Aeneas understands that it’s implied his life will be miserable should he choose against it. However, if he is faithful to the prophecy of the gods, Aeneas knows it will end as it is written. As The Aeneid continues, Aeneas submits to the will of the gods and eventually founds the Roman
Anger can always incite irrational actions. The sight of Helen seeking shelter at the altar, causes Aeneas to remember the crimes she committed driving him to furious anger. This anger drives him to contemplate an ignoble and uncharacteristic act of revenge by murdering Helen as she sought protection from the gods. Despite being depicted as a virtuous hero, Aeneas’ strong, visceral reaction to seeing Helen shows that he is subject to the same passionate feelings all humans feel, especially when something raises his anger.
From the dawning of modern human thought, humans have questioned the nature of life and its passing. One of the most fundamental questions to arise from this train of thought is the ideas of fate and duty. We humans desire to know whether the path of our lives is preordained and unalterable or if it is just a series of consequences from our past actions. If we live by fate and believe our path is already set in stone, then is it our obligation to fulfill that destiny to the best of our abilities or can we resist and hope to forge our own story? It is quite obvious in the epics of both Aeneus and Odysseus that the idea of fate and duty plays a huge role. The difference we see between the two is which is more important and how each epic
An epic story is one that combines elements of supernatural powers and heroic deeds with plebeian troubles. In Beowulf , the unknown author paints a typical yet magnificent tale that is one of the great epic chronicles of the Middle Ages. Like the poems of Homer, Beowulf possesses terrible monsters, men with supernatural powers, the search for glory, and deadly defeats. However, this medieval account brings a new element into the folds: the association between established religious forces and personal choices. The concepts of predestination and fate intertwine in this work with the idea of free will.
First of all, when Aeneas shoots down seven deer for his men after they are shipwrecked, this shows that he is both physically strong and selfless. Aeneas volunteers to find food for the men, and as they are presumably all tired and traumatized, it is noble of him to do this, as well as amazing that he still has the strength and stamina to do this after the shipwreck. In lines 189 - 194, it says,
The Aeneid, the famous epic poem written by Virgil, depicts the struggle of establishing an empire. The beginning of The Aeneid introduces Aeneas, son of the goddess Venus, whose fate is to find a new home in Italy after the fall of Troy. Throughout the perilous journey, Aeneas faces great obstacles as he strives to fulfill his prophecy and gradually transform into the ideal Virgilian hero. To emphasize his growth, I will discuss three themes in this essay: the extent of free will as it relates to fate, the influence of divine beings on mortals, and the principles of morality. All of these ideas serve as an understanding as to why Aeneas is unable to act on his own accord. This leads me to defend the view that humans require the positive guidance of a mentor figure to resist their self-indulgence.
Aeneas is son of Anchises, the prince of Dardaria and Venus, goddess of beauty and love. Aeneas was a Trojan military leader during the Trojan War. Aeneas was also one of the lone survivors after the siege of Troy. After the fall of Troy, Aeneas is divinely lead to Carthage by Juno because she has a grudge against the Trojans. While in Carthage, queen Dido falls deeply in love with Aeneas. Jupiter afraid that Aeneas is abandoning his destiny sends Mercury to order Aeneas to leave Carthage and travel to Italy. Once he arrives in Italy he is visited by his father’s ghost which tells him he needs to travel to the Underworld. Aeneas ends up going to the Underworld to
The theme of Fate vs. Free Will arises in many literary texts. Within J.R.R. Tolkien’s novel The Lord of the Rings: Fellowship of the Ring, the main character Frodo has the titular ring thrusted upon him, setting him on a dangerous journey against his will. A similar occurrence happens within the poem Sir Gawain and the Green Knight (Translated by the same J.R.R. Tolkien), where Gawain takes on the task of chopping off the Green Knight’s head because no one else offers themself up to take King Arthur’s place, which leads him to go on a journey 365 days later in order to retain his reputation. Both of these characters set off on life-staking journeys only because another person gives them the task against their will. Also because of their male gender, another thing that was beyond their free will, these two characters are easily allowed to go on their adventures in the first place. Even though both Gawain and Frodo are fated to go on their journeys, they do not follow the expectation that a hero must be masculine in order to be successful, and wind up fulfilling their quests by the end of their tales.
Human suffering as a major theme in Virgil’s piece is also evident in a speech that Aeneas delivers to his men in lines 198- 207 in Book I. In this scene, the remaining Trojans are forced to the shores of Libya after an intense storm and unforgiving winds which push the fleet off course. In his speech, Aeneas reminds his companions of more deadly adversities that they have previously faced and the destined mission to found a new Troy towards which they strive. After ten years of siege and warfare, the Trojans lost their home and many members of their families and fellow soldiers.
Aeneas’ growing concern for his family is evident in lines 847-882. The idea of losing someone or multiple people is discussed “Vel quae, Tiberine, videbis funeral, cum tumulum praeterlabere recentem!” This is Anchises asking, “ O Tiber when shall thou glide by the fresh made tomb?” Anchises also asks what funeral rights there are. This stresses that the characters are concerned with death and may even be foreshadowing a death or multiple in the near future. Additionally, this concern for death obviously demonstrates the care Aeneas has for his family. Family is often directly discussed in this passage as well, specifically Anchises, the father of Aeneas, who says, “ tum pater Anchises lacrimis ingressus obortis” / “Then, father Anchises began rising with tears” Virgil introduces Anchises, Aeneas’ father into this passage because Anchises goes on to discuss the journey Aeneas is on, the dangers of it, and that
However, while Gilgamesh naturally somewhat dimwitted, and thus afforded some dependence on brawn over brains, Aeneas deserves no such handicap. Like David, another hero we have seen, his brazenness is derived from his knowledge of his own fate. David relies on the Lord as his security blanket. Knowing that he is forever in the favor of God makes him bolder in his actions. Similarly, the Gods reassure Aeneas that no matter what the obstacles facing him are, he will overcome them and plant the seeds of Rome. It is his fate and his duty. With this knowledge intact, one wonders why it took so much killing and despair on his part. Assured that victory is inevitable, why not wait for a peaceable solution. Again, the classic interpreters, ironically playing the role of the cynics, would say that Aeneas has no choice. He has to kill. He has to give up love and sacrifice his present for his future, and the future of his people. Well, if the peanut gallery will keep quiet for the time being, I will attempt to explain. There are a handful of heroes in mythology that do not conform to fate, that do not surrender to the Gods. One of these heroes is Hercules, who is, maybe not incidentally, a hero’s hero. He is in the upper echelon of heroes as it were. Hercules was infamous for not only detesting the Gods, and for not accepting their ‘decrees’, but also for out and out warring against them. Like Aeneas, he was half-God, but immortal.
Aeneas is a person who holds his family and friends close to his heart, but doesn’t show care to people who he feels have done acts that harm his loved ones. Test of character that confront him are losing people that he loved to death, having to enter the Underworld, leaving Dido for his fate to travel to Italy, and facing Turnus in battle after Turnus killed Pallas. Aeneas passes all of test he is given with minor setbacks, like being able to leave the Underworld alive, but he carries the mourning of the deaths of his loved one through the entire myth. The temptations he resists are staying with Dido in Carthage, and letting the death of people he cared for stop him from his journey. Aeneas resist staying with Dido because his fears what the gods would do if he didn’t leave Carthage for Italy. He doesn’t let the death of loved ones stop his journey, because most of them wanted Aeneas to continue his journey and reach his destiny. Aeneas find the task of killing Turnus out of revenge for Pallas’s death irresistible, since Pallas was Aeneas’s friend and seeing Turnus with Pallas’s belt filled Aeneas with rage.
Many may tell themselves, “I am the master of my fate, I am the captain of my soul”, William Ernest Henley’s, Invictus. Individuals often believe life is independent of outside forces; one does not often ponder whether situations that introduce decisions or experiences are controlled by fate and the gods. In Virgil’s The Aeneid, he introduces the notion that we are all subject to the workings of fate regardless of our will or desire; this is shown through the tragic romance between Aeneas, a Trojan, and Dido, the queen of Carthage. Their love and lives are a combination of free will, fate, and the work of the gods. We are all brought into the world without choice, thus lack the will to change our destiny from birth. In the end, however it
Although to remain pious and to remain loyal are virtues that every roman should possess, there are some costs that sometimes outweigh the rewards. By following his destiny, Aeneas was put in an enormous amount of danger, that he would not have been put in if he had not fled Troy, in search for Rome. When he first leaves Troy, he knows that he may have to put himself in dangerous positions, but he is willing to do whatever it takes to please the Gods. Also, Aeneas lost nearly everything that he once had during the course of the poem. He lost his father, his lover, and ultimately, he loses his identity. Losing your own identity is the greatest loss that anyone could suffer and Aeneas does experience that loss. These losses that Aeneas endures, greatly outweigh the rewards that Aeneas acquires in the end of the poem. Aeneas defeats Turnus and gains the Roman empire, but that is how the story is left. There are no celebrations, there is no wedding for Aeneas and Lavinia. It is just over. The reward is that he has accomplished what he set out to do, but the reader is not shown how or if Aeneas is rewarded in a physical way.
The protagonist of the Aeneid and known hero to many, Aeneas, was a man of many virtues. His courage and obedience towards the Roman gods are clearly shown all throughout the book, as well as his passion for justice. When he leaves his lover, Dido, at the bidding of the gods, he shows obedience even when it went against his own will. The time Aeneas travels into the underworld to find his deceased father, it shows great bravery. It is even seen by the example of the crew of Aeneas that he was an incredible person, judging by how loyal they were to him. But, even with all these wonderful attributes, Aeneas wasn’t the entirely heroic person we believe him to be.
Aeneas is a man who cares more about the community than his own desires, which is an essential Roman characteristic. When Troy is falling to the Greeks, Aeneas has a “burning desire / to avenge Troy and make [Helen] pay for her sins,” (Aen. 2.673-674) but he knows that there would be “no heroic name / in killing a woman,” (Aen. 2.682-683) so he decides to restrain himself. Aeneas can contain his strong desire to kill Helen because he realizes it would not be beneficial to his community because it would only cause grief and that grief would lead to further complications. This worry for how the community would be affected by his actions conveys how pietas can restrain personal passions so that nobody is harmed at the hands of self-interest alone.