How Does Mary Oliver Use Alliteration In Crossing The Swamp

Poetry often uses sound to maintain a flow that keeps the reader interested and involved in a poem. Onomatopoeia is used in both “We Wear the Mask” and “Ballad of Birmingham” in one way and another. In the “Ballad of Birmingham,” alliteration is used when the consonant “W” is used in the line “her eyes grew wet and wild.” (26) In the same respect, “We Wear the Mask” states “But let the world dream otherwise/We wear the mask.”(14,15) The sound of the “W” is also repeated three times in these lines. Assonance is also a common sound used in both of the poems. In “Ballad of Birmingham,” the vowel “O” is repeated in the line “No, baby, no you cannot go.”(4,13) Also, the vowel “E” is repeated in the line “It hides our cheeks and shades our eyes”(2) in “We Wear the Mask.” The way in which a consonant or vowel is repeated brings a pleasing sound to the reader’s ear. The only major difference that the two poems contain is that in “Ballad of Birmingham,” the tone of the poem changes from a normal

In the poem “Crossing the Swamp” by Mary Oliver, who creates a metaphorical idea of the difficulties faced when crossing a swamp to the difficulties of making it through life. Using vivid imagery, enjambment, alliteration, and metaphor in the open form, Oliver depicts her rejuvenating experience of struggling with life while coming out victorious.

Another technique used is Onomatopoeia it means the use of words that imitates sound. An example of this in the poem is shown by the use of the following word – zipping. “They’re zipping them up in green plastic bags” by using the word zipping in this sentence, helps the readers to associate with the sound of which a zip makes.

In Crossing the Swamp, Mary Oliver exposes human nature to its simplest state; the passion for life present in the natural world transforms the individual by bringing one closer to the sublime. The spirituality teeming in Oliver’s swamp metaphorically represents hidden beauty within the mundane, as a call for shifted perspective and dignified appreciation permeates the passage.

Furthermore, Oliver uses personification to give the swamp human qualities. These human traits allow the reader to think of the swamp is an aware entity that is consciously acting, just as humans do. When it says, “the dark burred faintly belching bogs,” (line 6) Mary shows how the swamp has gone through difficulty just as the speaker has. The speaker also mentions how the swamp has given “one more chance by the whims,” (line 30) to him/her. This shows how the swamp has the ability to affect someone else, namely the speaker, in a way that another human could, by granting another

In the fields of flowers, Oliver describes her emotions as “I’m struck. I’m taken. I’m conquered.” This parallelism reveals her awe-stricken appreciation for nature as well as her overwhelming emotion towards it. She is unable to clearly think and focuses solely on the fields due to its beauty and charm. She “can’t move”, is “restless”, and is “replete, supine, finished, filled to the last edges with an immobilizing happiness.” Although these lines describe her happiness, Oliver contrasts this sections with lines earlier in the passage, expressing her fear of nature. This repetition of “They are” in describing the owl and its predator tendencies, she expresses fear and respect. Similarly, the lines “even skunks, even cats” show the greatness of the owl and truly show the intimidation of the owl and, in the same way,

In the poem crossing the swamp the relationship between the speaker and the swamp is that the swamp is what the author puts in as her problem. She’s trying to compare the swamp to her problem, “here is the endless wet think cosmos” both of the speaker and the swamp share fear “I feel not wet as much as paintable and glittered.”

Besides using certain rhythmic devices to create the fragrant timeline of the poem, James Wright also uses other rhythmic devices for different purposes. These details finally established a subtle rhyme scheme. For example, the only use of alliteration in the poem is third line’s “spare his suffering”, where the “suffering” seems to be really spared by its initial consonant sounds. In the thirteenth line, “flesh” and “flayed” connect the two sentences, enabling a much more smooth tone of the last sentence with a feeling of a tragedy ending. Some consonances are also interesting. Besides what have already been mentioned before, “victim beaten” in ninth line uses the “en” sound to imitate the stuffy voice of beating someone. Assonance is also used in the twelfth line “ when I remembered bread my flesh had eaten”; “ bread” here is used as a metaphor of Jesus, so along with this assonance, a relation ship between “bread” and “flesh” is clearly shown. When talking about rhymes, what James Wright did also adds more subtlety to the poem. Usually in a sonnet a nice formatted rhyme is already enough; however, James Wright tried to add counterpoint relationship to end-rhymes, making the whole poem more complex

Most poetry authors give their poems abstract titles with deeper meanings within them, but Oliver did not choose to do that method. As soon as a reader sees the title of her poem, they will have an idea in their head of what the poem will be about. Doing this makes it more simple and easier to read, but at the same time relay an important message that Oliver wants readers to know. The poem revolves around the idea of oxygen and the life it brings to everything, and Oliver’s way of directly giving that hint to readers is in the

The poem also uses end rhyme to add a certain rhythm to the poem as a whole. And the scheme he employs: aabbc, aabd, aabbad. End rhyme, in this poem, serves to effectively pull the reader through to the end of the poem. By pairing it with lines restricted to eight syllables. The narrator creates an almost nursery-rhyme like rhythm. In his third stanza however, his last line, cutting short of eight syllables, stands with an emphatic four syllables. Again, in the last stanza, he utilizes the same technique for the last line of the poem. The narrator’s awareness of rhyme and syllable structure provides the perfect bone structure for his poem’s rhythm.

Mary Oliver and Homer use figurative language to reveal that people go on journeys to find what they are missing and explore their own character. The lesson that both pieces relay relates to many people. In life we all struggle to figure out just who we are and what we want. Through experiences and the people we meet we eventually are able to learn more about ourselves, this is conveyed through both pieces of

The pattern made by the alliteration and assonance makes the poem so easy to remember and also easy imagine. In this way, it is possible to get the feeling of hearing the blues also which was described by the speaker in the poem. There is also an overall effect of becoming familiar and understanding how the blues echoed through the head of the speaker.

A word that follows another word with the same consonant sounds is alliteration. Alliteration is used quite often in poetry as it helps create a certain tone or mood for a poem. Words that use alliteration are effective as it uses sound to bring focus to specific parts of a poem that are vital in making an idea or an emotion known. The use of alliteration is very clever as it is a simple trick authors use to grab a reader’s attention and help readers understand what they are trying to say. Edgar Allen Poe uses alliteration quite often in his poem “The Raven” to create a somber and ominous mood. Poe uses phrases like “weak and weary” and “doubting, dreaming dreams no mortal ever dared to dream before” to emphasize the darkness of the poem. The alliteration used also gives readers a sense that nothing good will come at the end of “The Raven” as the phrases that use alliteration are dreary and unwelcoming.

The sound of poetry is the most important element than anything else involved with poetry. The sounds of poetry are basically a foundation of desire. It is how the syllables are arranged in a pleasant-sounding pattern to satisfy and please desires even if they have a small meaning or no meaning to them. A poem that is filled with sound but little meaning can be “The Word Plum” by Helen Chasin. It is a poem that uses the sound devices of alliteration and onomatopoeia to bring the plum to life. Using alliteration and onomatopoeia it gives the plum a sound, a savory sound, it’s almost like you can taste and touch the plum in the palm of your hand and the sounds are just rolling off the tongue with every “delicious” bite of “luxury”. In the first line there is just a brief description of how delicious the plum is, but wait there is more. Then Chasin uses alliteration in (line 2) with the two words “pout and push” because they begin with p’s, they’re verbs, four letters, and are not capitalized. Chasin also uses onomatopoeia with the second line, same words “pout and push” to give a new sound of delicious from the first line, and to explain why the plum is so delightful. Once more, she uses alliteration in the third line using “self-love and savoring”; creating that delightful sound of juices from the plum.

Another technique this poem takes use of is alliteration. The alliteration used helps to express the themes importance through repletion of sound devices. A specific example of alliteration