How Does Meursault's Role Change

He has no initial reaction to the news of her death, and at her funeral service he did not bother to even see her before she was buried. His lack of emotion is evident in the very first lines of the book, “Mother died today. Or maybe it was yesterday, I don’t know.” This shows that Meursault is hardly caring for his mother. Society’s standards would result in him to be in absolute mourning and wanting to go as fast as possible to her body. This is not the only example of Meursault’s lack of emotion and care for factors in his life. He does not care for love and marriage after having intercourse with someone; the society standard at this time was to get married if two partners had intercourse. He does not care for promotion and career advancement when his boss offers him a better job opportunity; the standard at that time and right now is to pursue the best career possible. In these scenarios Meursault is living free from the chains, and does whatever he thinks is right to do. Eventually, society rejects him and his ways, and he gets in trouble with the law. He is judged by society and his ways are ridiculed, making Meursault appear to be a monster.

In Albert Camus novel, The Stranger (The Outsider), the main character Meursault displays a unique indifference to his surroundings and the world around him. It takes him a degree of time to come to terms with his indifference, but when he does he feels truly free from society's constricting bonds. He leads an apathetic lifestyle that is characterized by his constant lack of a definitive personality. Meursault wanders through life as if in a drunken stupor, living the life of a pleasure seeker. When he accepts his death he is relieved of the pressure of dealing with guilt and with relationships towards other people.

By the end of the novel and during his trial, Meursault admits to himself he truly had no reason to kill the man on the beach. Perhaps it’s the over emotional society that causes him not to care or perhaps he truly, sincerely believes that it doesn’t matter. Either way, there is no doubt that the sensitivity of the culture around Meursault has molded him into the statue he depicts. To him, it was decision that had just so happened to end with the loss of a life. A heinous crime committed without reasoning, resulting in a debut in which he must pay for with his life, a price he doesn’t mind paying. Despite the unmissable fact that he had killed a man pushing him even further the boundaries of the cultural norms, it opened yet another door of indifference for Meursault: religion. In the process leading up to his execution, he is asked by the Chaplain if he believes in God. To which he replies with the same ambiguous statement, “It doesn’t matter” Baffled and confused, the Chaplain refuses to believe this answer, however Meursault withstands his position, no need for an explanation, it all just doesn’t matter to him. Nonetheless, the reasoning behind Meursault's strong disdain can be found within the culture around him. It is filled with people who rely wholeheartedly on the expression of emotions

In the beginning of the book, Meursault presents himself to be a man who lacks great emotion. While walking to Maman’s funeral service, Meursault states that the heat feels “inhuman and oppressive” and goes on to state, “the sun, the smell of leather and horse dung from the hearse, the smell of varnish and incense, and my fatigue after a night

Camus employs a change in routine, Meursault having food with other people, which reveals the unexpected cause for him becoming involved and encountering bad situations. Meursault mentions that “I ate at the restaurant, at Céleste’s, as usual” (Camus, 3), which displays his every day routine. The principal factor of his everyday routine which involves food, usually took place at Céleste’s. Meursault in the textual quote displays a shift in his food routine when mentioning, ‘I’ve [Raymond] got some blood sausage and some wine at my place. How about joining me’ (28)? Raymond’s invitation leads up to him becoming involved in a faulty situation. Meursault mentions the situation when saying, “He’d thought of asking me to write it for him. Since I didn’t say anything, he asked if I’d mind doing it right then and I said no” (32). Through the excuse of just having dinner with Raymond, it results in Meursault writing a letter to Raymond’s ex-girlfriend. Later the letter causes a quarrel which results in Meursault becoming a witness as well. Another instance of a change from Céleste’s restaurant is when Meursault consumes coffee at

Camus employs a change in routine, Meursault having food with other people, which reveals the cause for him becoming involved and encountering bad situations. Meursault mentions his everyday routine when saying, “I ate at the restaurant, at Céleste’s, as usual” (Camus, 3). The principal factor of his everyday routine which involves food, usually took place at Céleste’s. Meursault in the textual quote displays a shift in his food routine when mentioning, ‘I’ve [Raymond] got some blood sausage and some wine at my place. How about joining me’ (28)? Raymond’s invitation leads up to him becoming involved in a faulty situation. Meursault mentions the situation when saying, “He’d thought of asking me to write it for him. Since I didn’t say anything, he asked if I’d mind doing it right then and I said no” (32). Through the excuse of just having dinner with Raymond, it results in Meursault writing a letter to Raymond’s ex-girlfriend. Later the letter causes a quarrel which results in Meursault becoming a witness as well. Another instance of a change from Céleste’s restaurant is when Meursault consumes coffee at his mother’s funeral. Another change in routine is shown by Meursault when he mentions,

In Part 1 of the novel, Meursault does not fully grasp the significance of life because of his absurdist way of life. Camus presents Meursault as a person who does not live life, but reacts to what life presents him. Meursault is incapable of understanding the metaphysics of the world due to his lack of emotions. The greatest understanding of Meursault is through his own mind; instead of being subjective, he is objective. “Behind them, an enormous mother, in a brown silk dress, and the father, a rather frail little man I know by sight” (22). His thoughts include “note-taking” details about his environment with an

When Meursault was asked by the caretaker if he wanted coffee, he said: “yes I would like a cup of coffee”. After he was drinking the coffee, he said he felt like a smoke, but he didn’t know if he wanted

Meursault is placed in a position, which is quite irksome, forcing himself to socialize with the company around him. Something appears quite different to Meursault as it “was an effort waking up that Sunday morning”. For example, Meursault woke up and his “head was aching slightly”, but when he tried to remove the feeling by smoking, his “cigarette had a bitter taste”, rather than a break of relief (32). In the afternoon, by the end of lunch, Meursault “was feeling slightly muzzy”, and in attempt to cure himself, he “started smoking one cigarette after another” again to relive his unesament (34), but Meursault’s discomfort never settled. While on walk on the beach after lunch, Meursault and Raymond encounter a couple of Arabs that then slash Raymond's arm with a knife.

In Albert Camus’ The Stranger, Meursault is seen as a very unique character, but not in a good way. Throughout the novel, he continually fails to show normal human emotions to things like his mother’s death, Marie’s love, and the man he killed. Most people in his town, along with the reader at first, are not able to reason out his actions but as the final events of the novel unfold, the reader begins to see Meursault in a different light.

Although Meursault is the title character and narrator of Albert Camus’ short novel The Stranger, he is also a somewhat flat character. His apparent indifferent demeanor may be a convenience to Camus, who mainly wanted to display his ideas of absurdism. And as a flat character, Meursault is not fully delineated: he lacks deep thought and significant change. His purpose is that of a first-person narrator whose actions embody the absurd, even before he has any awareness of the fact. Since Meursault is embodied absurdism, it is not necessary that he be hyperaware of his thoughts and intentions. His truth has already been built into his character by the

Truth and honesty is the aspired driving force within one’s life but it can be as destructive as deceit and dishonesty. People always yell, “Tell the truth, be honest with me!” but when all things are said, their first reaction is to call out the lack of sympathy of the person. In the novel, The Stranger by Albert Camus, Meursault lives his life through truth and honesty but societal morals and values often bring him down in more ways than one.

While on the beach with Raymond, a friend of his, and Masson, a good friend of Raymond, the three encounter two Arab men who had been following them. A fight breaks out between the Arab men, Raymond, and Masson. One of the Arabs manage to cut Raymond’s arm. After Raymond is cut the fighting stops and three rush back to Masson’s beach house. Meursault later goes back to beach to cool off. He somehow comes back in contact with one of the two Arab men. The Arab draws his knife at the sight of Meursault. Meursault grips the gun and without thinking twice “the trigger [gives]” (Camus 59). Meursault has shot and killed the Arab. Instead of worrying about the consequences he will now have to face, he is more concerned that the shot has interrupted the peace of the beach. His disregard to the consequences of killing the Arab provides insight on why Meursault can be described as the

Meursault ignores the caretaker and only interacts with him when heat or light is somehow involved between them. For example, he noticed his surrounding when coffee was brought into the mortuary, the actions of the caretaker and nurse. Low amount of heat and bright light provokes drowsiness to Meursault. To Meursault the coffee was pleasant; it warmed him up along with the smell of flowers on the night air. This caused Meursault to doze off. In this scene, the sun was unavailable due to the day turned into night, therefore, Meursault substituted the heat of the sun to the heat of the coffee. Low heat relaxes him causing him to feel sleepy just similar to the glare on the wall caused Meursault to feel sleepy. In contrast, excess heat and sunlight creates difficulty for Meursault to see or think straight. “...the sun, the smell of leather and horse dung from the hearse, the smell of varnish and incense, and [his] fatigue after a night without sleep” all piled up weighting on Meursault shoulders, creating pressure. The sun forms a difficult life for Meursault in the views of others. He can not avoid the sun, not inside or outside, as the sun follows everyone everywhere and influences one’s

This easy-going, pleasant hedonism is interrupted permanently by Meursault's murder of the Arab on the beach. Not only is he incarcerated, but also he must examine the reality behind the illusion of his trial and, ultimately, of his life. Introspection has not been his metier. It takes him a while to realize that the judge, the jury, the journalists, even his own lawyer, do not wish him well. Meursault finally realizes that he is going to be convicted, not because he killed an Arab but because he did not mourn his mother's death.