How does steinbeck use foreshadowing? By seth springs Often the best laid schemes of mice and men go astray. In the story of mice and men the two main characters george and lennie are migrant workers looking for a job they go to this ranch and work as farm hands they meet carlson candy slim crooks and curley's wife. Curly doesn't like lennie because he’s tall eventually he gets into a fight with lennie and lennie crushes his hand. George and lennie have a dream of owning a farm an live off the faa of da lan as lennie would say but all does not go well curley's wife starts talking with lennie and she lets him pet her hair but lennie won't let go and starts shaking her he snapps her neck he then has to hide george sees this goes and get carlsons luger while candy gets everyone else they then go out and hunt for lennie george finds lennie where it all began by a small pond after telling lennie the story of the dream one last time he shoots lennie in the back of the head. …show more content…
the death of lennie the death of curley's wife and the death of the dream The death of lennie is a major event that can be guessed at from earlier in the text. Steinbeck tells us this by the line “the bastard stole my luger“ (97)here carlson is telling us that lennie stole the gun but we know that lennie doesn't. Then by deduction the only one who could have it is george who went to the bunk house before they started looking for him. As also said by candy”I ought to of shot that dog myself”(61). It begins to draw similarities between lennie and george and candy and his dog. This tells us that george may be put into a similar situation. Steinbeck uses foreshadowing that makes us start to read between the
After Lennie has inadvertently murdered Curley’s wife, Curley’s lynch mob go out in search of Lennie. George’s decision is almost inevitable to spare Lennie’s life, rather than let Curley and his gang destroy the bit of life Lennie has.
Steinbeck uses word choice to express the thoughts and emotions of the characters. George is easily angered, for example Lennie had a very bad memory. He could never remember what George told him ande it would make George mad in a heartbeat. For example when Lennie said “Where we goin’, George?” George replied with “so you forgot that awready, did you? I gotta tell you again, do I? Jesus Christ, you're a crazy bastard!”(9) Yes lennie can be aggregation but he doesn’t know any better. Lennie has his mind set on one thing, tending the rabbits. If steinbeck would’ve taken out the authentic words he used I dont think it would be as good as it is.
It starts off with Lennie messing with his dead pup. Then Curley’s wife the trouble maker comes in and starts to flirt with Lennie and talks about her dream she had and how it was lost. She lets him touch her hair and because he is like a big baby he’s not gentle and latches on to her hair. She screams and he covers her mouth and she didn’t stop so he shook her violently to get her to stop snapping her neck. After a little of contemplation he runs and candy walks in saw Curleys dead wife and got George. Instantly they both knew who did it. Once George knew what had happened he figured out a plan. After candy told everyone else he asks George “Then--- it’s all off?” (Steinbeck 80). George deep down knew that their dream would never
Steinbeck fully develops the animal comparison at the end of the novel by drawing a parallel between Candy and his old dog and George and dog-like Lennie. Like Candy's useless old dog, after the incident with
Another very important event of the novel is Curley’s wife death. Lennie is blamed for having killed her, although she could have easily avoided this by not talking to Lennie. He speaks to him as if he were a baby, and, since he tells her that he likes to pet soft things, she asks him to touch her hair. “Feel right aroun’ there an’ see how soft it is.” Lennie cannot stop, and when she orders him to leave her he holds on.Curley’s wife starts screaming and, to make her stop and not get into trouble with Curley, Lennie puts his hand on her mouth. He doesn’t realize how strong he is, and he kills Curley’s wife by breaking her neck. “[…] her body flopped like a fish. And then she was still, for Lennie had broken her neck.”
Because Lennie is confused he grabs her hair and tries to make her stop yelling. But because Lennie does not know how to control his own strength, he squeezes Curley’s wife’s neck too hard and crushes her spine. Lennie then flees the ranch because Curley wants to kill him for what he did to his wife. So Lennie is not brutally murdered by Curley, George finds Lennie and, because he cannot get him out of trouble, shoots Lennie. Lennie’s uncontrollable strength and ignorance destroyed his, George and Candy’s dream
Once again, Lennie finds himself in trouble, when he killed Curley’s wife. He remembers what George told him, “...I want you to come right here an’ hide in the brush” (Chapter 1). That is exactly what Lennie does, he runs straight to the camping spot. When everyone finally sees Curley’s wife dead, they all know who it was and set out to kill him. George sets out as well to see if he can reach Lennie before the rest of the men. “I oughtta of shot that dog myself, George, I shouldn't oughtta of let no stranger shoot my dog” (Chapter 3). That is what Candy said to George after Carlson shot his dog. “George… reached in his side pocket and brought out Carlson’s Luger…” (Chapter 6) This is when George finally reaches Lennie and decides to go ahead and put him out of his own misery, so he shoots him. John Steinbeck uses foreshadowing by clearly using Candy’s dog to represent Lennie’s
This line of the poem specifically connects to Lennie who reacts violently towards Curley’s wife when his dream is threatened. Although Lennie loves, the idea of a house where he can live off the “fatta the lan’”, he mostly cares about raising the rabbits. When Curley’s wife starts screaming because Lennie will not stop petting her hair, Lennie grabs her and shakes her. Fearing Curley’s wife’s screams will get him in trouble with George,
“‘Ain’t gonna be no more trouble. Nobody gonna hurt nobody nor steal from ‘em.’ ‘Le’s do it now. Let’s get that place now’” (106). These are the last words that filled the air between George and Lennie, their last exchange preceding a pivotal moment in both of their lives. They conversation calms and soothes Lennie, who hopes to finally get the farm that he and George dreamed about for so many years. Yet unbeknownst to him, Lennie would soon be set free from his earthly bonds by his long-time friend; a bullet, shot from the barrel of George’s gun, would enter Lennie’s head and kill him instantly. That bullet was not one of self-gain and moral disrepute, but one of freedom and liberation from worldly restraints. While this remains a hotly contested topic in classrooms reading Of Mice and Men, George’s intentions in killing Lennie were overwhelmingly good-natured.
In John Steinbeck’s famous novel Of Mice and Men, foreshadowing plays a large part in the reader’s experience. Almost every event that is important was foreshowed at some people, such as the multiple deaths that occur throughout. If Steinbeck wasn't so prolific in his use of foreshadowing the readers experience would be very different.
Most of the conflicts foreshadow the ending of the story. The mouse in Lennie’s pocket foreshadows that he will kill because of strength he doesn’t know he has. A quote which is “Candy not shooting his dog foreshadows George shooting Lennie to put him down before the other ranchers get to him.
The unlikely destroyer of George and Lennie's dream is a young woman who is married to the boss's son Curley. The theme of loneliness is again shown in Curley's wife. Her loneliness is so determined to her that she becomes a flirt and is still lonely. She attempts to use herself to gain the attention of the ranchers to sooth her loneliness. These acts gave her a sense of relief and made her feel wanted so she can share
The greater part of the novel's appeal, George and Lennie's relationship, although far from what one could call a reciprocal friendship, intrigues the reader in the same way many comic duos intrigue. It is easy to identify with the "smart guy" who helplessly tries to cope with and control his irrational, dumb and, yet, spontaneous, child-like partner as they lurch from one self-inflicted crisis to another. Steinbeck uses that classic comic routine so that the reader warmly identifies and recognizes the relationship. Steinbeck's narrator establishes and characterizes George's lording of power and control over Lennie early in the first chapter:
“She screamed then, and Lennie’s other hand closed over her mouth and nose”. Lennie said “Oh! Please don’t do that!” George’ll be mad… George gonna say I done a bad thing. He ain’t gonna let me tend no rabbits… You gonna get me in trouble jus’ like George says you will.” “And she continued to struggle, and her eyes were wild with terror. He shook her then, and he was angry with her… he shook her; and her body flopped like a fish. And then she was still, for Lennie had broken her neck.”(Chapter 5, page 103). Lennie killed Curley’s wife, because he didn’t want her to stand in the way of his dreams. Due to the fact that his dream blinded him, he couldn’t differentiate between what’s right or wrong. He chose his actions carelessly. Achieving his dream was his priority, so much so that he sacrificed a human being for nothing to stand in his way. Not only did dreams have a key role in the novel, dreams also played an important role in the characters’ lives.
As the author described how George took the gun out of his pocket, I could not stop reading. I thought that perhaps George would shoot the men as they came to kill Lennie for murdering Curley’s wife. When Steinbeck described how George looked at the back of Lennie’s head, I realised what he was going to