Horace gets up from the bed, leaving Jessica lazy who stares at the ceiling, and walks into the living room with a delirious in the hands. In a corner of the room the statue to the Unknown Policeman is covered with a cloth. He will destroy it, decided. He removes the cloth, takes a hammer and starts to hit. But it's not easy. The arm becomes lead while an underground river of moods and recent memories flows to the edge of the skin. He lowers the arm, inhales and focuses squeezing between thumb and forefinger the top of the nose. Then he tries again, but his arm seems that of a puppet, with limited movements when approaching the marble. It hurts, he can't see the destruction. The only way is to cover the statue with cloth, and to reach the necessary detachment he imagines it as a damn figurative. Now finally he finds the strength to hit. He does …show more content…
Unfortunately, the height of the nemesis, the fruit of his casual strokes looks surprisingly similar to the discus thrower of Myron. “No, it’s not possible!”, he barks like an amateur werewolf. He covers the statue and, irritated, he comes back to hammer with more anger, until he hears the palm of his hand that beats. When he uncovers it, and Michelangelo’s statue of David appears. Sic! He realizes that the stochastic, statistics, the chaos and the expansion of the universe are just bullshit. Everything is equally likely: both destroy and create. He would be tempted to use the dynamite, but certainly the house rules will ban it. Therefore he holds back the statue and takes to hit with the utmost violence gripping the hammer with both hands. Under the sheet he sees the mineral decreasing in height and width, so this time he doesn't expects surprises, unless he finds garden gnomes. When exhausted he lifts the shroud and finally sees the rubble. Now he's satisfied, tired and depressed together. Orazio enters the bedroom, Jessica is still lying on the
Initially, she tries to compose herself by proceeding to the kitchen to seemingly bring food to her
fight hand-to-hand. It did not work. He then saw a massive sword, a sword as if created
Horatio was the son of a freed slave turned auctioneer's assistant and we probably of Sabellian hillman stock of Italy's central highlands. His father was well off enough to take his son to Rome and ensured that his son was getting the best possible education in a school of famous fellow Sabellian named Orbilius he then went and studied and attended lectures at the Academy in Athens, Greece. When Julius Caesar was assassinated and when the empire was in possession of two rulers, Horace joined Brutus' army and was made tribunus militum, which was an exceptional honor for a freedman's son. However after being put in charge of Brutus' and Cassius' legions and suffering total defeat he had to retreat and find political asylum.
adopts a new attitude in place of the sorrow and despair he encountered earlier. Now filled with
he opens a door. Inside, the room is cluttered, dark. On a queen-sized bed, under a window draped with lace curtains, his mother is asleep. He jumps squarely onto the bed next to her. He gives her a hug.
Dragging himself to a sitting position he drags his hands over his face and hair. Pushing himself to his feet he stumbles, making his way to the table. He reads the note, leaving it where it lays as he pulls a bottle out of his pack and staggers back to his bed.
He could hit a lit stick of dynamite in the fuse and stop it when lit. He could rest a rifle on his shoulder and use a mirror or his diamond ring to hit a target the size of a bottle cap. He did
-George roams around restlessly until he finally manages to convince Angeline to get to her feet
In a heartbeat, he rushes to the rescue, with his experience in war, he has the edge in combat. He’s walking at a very fast pace and hits him with a left hook, knocking him down instantly. He climbs on top of him, taking out all of his frustration and anger while beating the life out of him. The young girl tries to stop him but he hits her as well.
While he is coming back, he runs into a man in a cloak, who starts cursing, and then flails on the ground violently
I take a sharp corner and bump right into someone, but I don’t stop or even look up. “Sorry,” I mumble, when an iron grip wraps around my wrist, yanking me off balance. I fall back into the solid
There’s a loud thumping from the hall which temporarily distracts him from his thoughts. Dima comes out from his room and almost immediately coos at Spencer as if he were some kind of pet.
Michelangelo created a 17 foot statue, David (1504) that Bernini studied to make his own depiction of the scene. The most noticeable difference between the two is that Michelangelo’s sculpture is nude while Bernini’s is clothed to an extent. Bernini utilizes the contapposto technique in his story of David, a technique taken straight from Michelangelo. Bernini plays with the immediacy of the scene, something that he does frequently, by depicting the moment right before the climax hits, when David kills Goliath. The movement in the sculpture, the moment before the release of the rock from the sling engages with Michelangelo’s sculpture of David. Michelangelo decided to show David before he
The way that the face expresses this emotion brings the entire piece together in a way that furthers the effect of making it look as if a mere statue could move like a living being. Nonetheless, its baffling to see such a silly faced young man looking as if he is striding successfully and confidently into a heated situation with his curly, and heavily detailed, mane of hair flowing from his head. Judging by the sculptures name, The Young Archer, a narrative presents itself where it is suggested that the young man is considered an incredibly talented archer who is currently walking away from battle, free of any visible wounds or bruises. On the other hand, it could be depicting the young man actually making his way to the fated battle in which his archery skills will be put to the
He enters Chao Meng-FuToo’s well worn passageways, consciously controling his gait to keep from bounding into walls with upgrades upon upgrades, sedimentary layers of tech engineered over