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How We Learn in John Berger's Ways of Seeing

Decent Essays

When a young toddler begins to speak, naming things they see around them, it is because they saw their parents do it. As they grow into a teenagers, they give names to things based on what they have heard from their friends and social media. This pattern carries into adulthood. The way we identify things reflects the progression of understanding art featuring woman, as explored in John Berger’s Ways of Seeing. He presents the idea in chapter three that woman were portrayed in art since the beginning and how it transcends to modern times. His main points surround the portrayal of woman throughout the ages and what effects it has had on our view of women not only paintings, but as humans in society. The ideas of women are contradictory …show more content…

A women’s self-image is controlled by what other people think of her. She has a sense of herself, but it needs to be validated by an outside source for it to be true.
Berger’s idea of women measuring their self-importance by what others, especially men, think of them is still relevant today, hundreds of years later. The media is notorious for projecting the perfect body, style and personality that women feel they must fit. This trend has led to an epidemic of eating disorders, body dysmorphic disorder and plastic surgery for females in pursuit of the perfect woman. The big tycoons behind mass media are classically men, and its ads are aimed towards them. For example, Victoria’s Secret commercials and paper ads have women in revealing undergarments with their faces void of emotion; filled with only sexual prowess. The main exports of Victoria’s Secret are bras and panties, which are things that only women wear. Their clientele is women, yet a hyper-sexual male-dominated fantasy of men is what the cooperate sharks use to sell the product. They create what they want women to look like, and push for that in interest of their own pleasure. Berger agrees in saying, “Women are depicted in quite a different way than men--- not because the feminine is different from the masculine—but because the ‘ideal’ spectator is always assumed to be male and the image of the woman is designed to flatter him” (64, Berger). The

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