How did Rome’s creation myth influence its character? Essay

we are only moved by the fall of the heroes in their plays because we can relate to their situations and project ourselves into similar circumstances. I believe that is completely true, only through the fall of our heroes we see ourselves in the characters. Before their downfalls, we don’t see us in them because they seem basically perfect. Since none of us are perfect it is only when they make mistakes leading to their downfall we see that the heroes are like us. Not only are Greek and Roman literature

sail aback and lifted wavetops to heaven.[3] These two comparisons of Juno with Hera and Poseidon, depict the Virgilian goddess as being hateful, resentful and vengeful. The fact that Virgil links Juno with the Homeric gods also gives her character an element of seriousness and austerity. However, there is also a sense of injustice, as Juno's actions seem unwarranted towards Aeneas, as she acts out of personal hatred towards him. It is also significant that Neptune only calms the storm

ancient history, before the invention of writing, nothing was written down: stories were told verbally, laws were passed on verbally, and writing things down was an incredible task for the ancient people, and gave incredible glory to the people that did it, because if it’s written down, it’s much easier to spread your beliefs and it’s harder to forget specifics of your religion or law. Writing down religious and political texts has greatly facilitated the religions’ diffusion and spread throughout

- Chinese is thought to have been invented by Tsang Chieh, who was inspired to invent writing after studying the claw marks of birds. - Chinese characters are logograms meaning that each character represents an entire word (like $ = dollar). - Paper, a Chinese invention, is attributed with the high government official Ts’ai Lun. - Ts’ai Lun’s method of making paper was unchanged until nineteenth century England.

E SSAYS ON TWENTIETH-C ENTURY H ISTORY In the series Critical Perspectives on the Past, edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig Also in this series: Paula Hamilton and Linda Shopes, eds., Oral History and Public Memories Tiffany Ruby Patterson, Zora Neale Hurston and a History of Southern Life Lisa M. Fine, The Story of Reo Joe: Work, Kin, and Community in Autotown, U.S.A. Van Gosse and Richard Moser, eds., The World the Sixties Made: Politics and Culture in