How do generic conventions inform your understanding of Macbeth?

She is an unmarried orphan and described as beautiful and intelligent, however she is very vengeful and seeks for power. In addition to that, she is a liar, manipulative and selfish.

How does the 1.7 Soliloquy deepen the audience’s understanding of Macbeth’s conflicted state of mind?

In Shakespeare’s Macbeth, Macbeth’s visions and hallucinations play a significant role and contribute to the development of his character. In the play Macbeth, a man is driven to murder his king and his companions after receiving a fairly ambiguous prophecy told by three witches. Although the witches triggered the series of events that later aid Macbeth’s descent into complete insanity, Macbeth is portrayed from the very beginning as a fierce and violent soldier. As the play goes on, several internal conflicts inside of Macbeth become clear. After he performs several bloody tasks, the madness inside of Macbeth is unmistakably visible to everyone around him. As a result of this insanity, he sees visions and hallucinations. Each time Macbeth

Lady Macbeth’s strength of will persists through the murder of King Duncan as it is she who tries to calm Macbeth after committing the crime by declaring confidently that, “a little water clears us of this deed,” (2.2.67). Afterward, however, Lady Macbeth’s strong and ambitious character begins to deteriorate into madness. Her first sign of weakness occurred when she confessed that she could not have killed the king, revealing a natural woman’s feelings, “had he not resembled my father as he slept, I had done’t” (2.2.13-14). Just as ambition has affected her before more so then Macbeth before the crime, the guilt plagues her now more effectively afterward as she desperately tried to wash away the invisible blood from her sin, “Here’s the smell of the blood still: all the perfume of Arabia will not sweeten this little hand,” (5.1.48-49). Lady Macbeth’s

Who should against his murderer shut the door, Not bear the knife myself ” (Act I Scene VII).

“Out of her favour, where I am in love.” (Act 1, Scene 1. Pg. 21.)

Initially, Macbeth’s ambition for power is subdued by his longing to hold onto his honor and dignity. Unfortunately, Macbeth lets go of his integrity and kills the unguarded Duncan and so in an attempt to keep the guilt of his deeds to himself, distances himself from not only his wife but also has one of his closest friends murdered. Finally, Macbeth’s thirst for power and greatness emptied him of everything he had; dignity, respect, and honor. Ultimately, motivation that is founded on selfish reasons leads one down a path that strippes one of everthing they have and so takes away any meaning to

Male seducers are represented as boys sowing their oats -- part of normal living. Seduced females are viewed as weak and treacherous --  a treachery that woman in her "frailty" is unable to avoid. This is a very bizarre message.

Macbeth is a victim of his own self. He killed Duncan. He killed his best friend Banquo. He could've stopped and look at himself. Macbeth knows he is killing innocent people and becoming so paranoid that his own mind became clouded to the point of no return.

This conflict illuminates the point of the play as a whole. A major part of Macbeth is about how Macbeth is conflicted about doing the right thing and doing what will benefit him. In this conflict Macbeth exemplifies this because he doesn’t want to kill Duncan. Duncan is thought of as a great leader, so to kill him would be traitorous and detrimental to Scotland. Duncan is also very kind to Macbeth. But Macbeth still wants the crown, so he is not sure what to do until Lady Macbeth pushes him towards killing Duncan. Finally, Macbeth decides to do what benefits him rather than what is for the good of Scotland. Another major part of Macbeth is about how Macbeth deludes himself into thinking he has done no wrong. In this conflict,

She tells him that his face is a place where “men may read strange matters” (I.V.53-540) and that he looks “like the innocent flower. ”(I.V.56-57). Then shortly after she tells him that he must kill the king and he must be as “the serpent under’t” (I.V.58) meaning she wants him to be as a snake in the grass ruthless to those who don’t see him approach. She complements him and makes him proud of himself. Her seduction allows Macbeth to believe her and follow her into the darkness of her ambition to be queen.

(Act II, Scene i, Line 11-12). He is pretty much saying

him she must sacrifice herself. We can see that in both Macbeth and Beautiful Creatures,

Upon this realization, Lady Macbeth indicates a newfound desire to be rid of her feminine qualities, seeking instead to replace them with masculine counterparts. Crying out, Lady Macbeth declares, “Come, you spirits. That tend on mortal thought! Unsex me here, and fill me from the crown to the toe top full of direst cruelty” (1. 5. 38-41). Her abstinence towards the limitations of gender thus set her down the road to madness.

makes her seem like she is special and as if she was ‘god sent’. All