How does The Love Song of J.Alfred Prufrock reflect T.S.Eliot's concerns about the modern world? T.S.Eliot's poem, The Love Song of J.Alfred Prufrock, is written in a modernist style. This becomes apparent from the very first stanza, when he describes a sunset. In Georgian poetry, a sunset is usually described in a beautiful sense, whereas Eliot has compared it to a 'patient etherised upon a table'. The language Eliot has used is one of a scientific and sterile nature. He may be trying to raise questions as to what we perceive as beautiful in our modern world, as people used to believe nature was the most beautiful sight on earth, whereas now people may perceive modern buildings or sports cars to be beautiful objects. Therefore, it …show more content…
The degradation of traditional values is revealed when Eliot comments on the 'restless nights in one-night cheap hotels', as this insinuates there is a sexual relationship of adulterous or promiscuous nature. This is because any traditional relationship would be done in a more romantic setting, and not in a 'one-night cheap hotel'. Therefore it is permissible to say that Eliot mourns the traditional romantics of the Georgian era. Eliot could be criticising the modern world for its lack of permanent structures when he refers to 'sawdust restaurants'. As one imagines 'sawdust restaurants' to be cheap and only function for a relatively short period of time. The title of the poem is highly ironic, as Prufrock is deeply socially inept, especially with women. We understand this in the semi-refrain, 'In the room the women come and go,/ Talking of Michelangelo'. The scene pictured here highlights a few key points. Firstly, we understand that Prufrock feels alienated from this scene, as he is an uncultured, ordinary man, who probably has no knowledge of art. Secondly, we see that Prufrock does not know how to approach or socialise with women. Another point in which we see Prufrock afraid of women, is when he says 'Is it perfume from a dress/that makes me so digress?'. Prufrock is implying that he is
The “eyes” (55) and “arms” (62) that Prufrock claims to “have known” are synecdoches for women; since he does not say he is familiar with their hearts, which would metaphorically imply experience with their love, Prufrock only knows women physically. He gives one explanation for this by noting the “perfume” and “dress” (65) that make him “digress” (66) from presumably his goal: instead of fostering relationships, Prufrock focuses on sexual/sensual aspects. In spite of this, Eliot provides insight to Prufrock desiring more than physical intimacy through the repeated mention of meals: “toast and tea” (34), “tea and cakes and ices” (79), “marmalade” (88), “tea cups” (102); these references indicate a wish to no longer dine alone, and Prufrock saying, “Among the porcelain, among some talk of you and me” exemplifies his aspiration for domestic life.
When reading the title of T.S Eliot’s “The Love Song of J. Alfred Prufrock” it is believed we are in store for a poem of romance and hope. A song that will inspire embrace and warmth of the heart, regretfully this is could not be further from the truth. This poem takes us into the depths of J. Alfred Prufrock, someone who holds faltering doubt and as a result may never come to understand real love. “The Love Song of J. Alfred Prufrock” takes us through Prufrock’s mindset and his self-doubting and self-defeating thoughts. With desolate imagery, a tone that is known through the ages and delicate diction we see a man who is insecure, tentative and completely fearful.
American born poet, T.S. Eliot reflects modernistic ideas of isolation, individual perception and human consciousness in his many poems. His poems express the disillusionment of the post–World War I generation with both literary and social values and traditions. In one of Eliot’s most famous poems, “The Love Song of J. Alfred Prufrock,” which was published in 1915, a speaker who is very unhappy with his life takes readers on a journey through the hell he is living in. In this journey, Prufrock criticizes the well-dressed, upstanding citizens who love their material pleasures more than they love other people, while explaining he feels ostracized from the society of women. Eliot’s use of isolation, human consciousness and individual perception is quite evident in his dramatic monologue within the story of J. Alfred Prufrock. Prufrock wants to be seen as a normal citizen who can find friends or a lover, but his anxiety-driven isolation forces him to live a life that relates more to Hell than paradise. In over examining every fine detail of his life, Prufrock perceives himself as useless and even a waste of life. By using many poetic devices including repetition, personification, and imagery Eliot drives readers to feel the painful reality of Prufrock’s life. In “The Love Song of J. Alfred Prufrock,” T.S Eliot uses modernistic ideas and poetic devices to portray how Prufrock’s life relates to Hell while simultaneously criticizing social aspects of the younger post–World War I generation.
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” is an ironic depiction of a man’s inability to take decisive action in a modern society that is void of meaningful human connection. The poem reinforces its central idea through the techniques of fragmentation, and through the use of Eliot’s commentary about Prufrock’s social world. Using a series of natural images, Eliot uses fragmentation to show Prufrock’s inability to act, as well as his fear of society. Eliot’s commentary about Prufrock’s social world is also evident throughout. At no point in the poem did Prufrock confess his love, even though it is called “The Love Song of J. Alfred Prufrock”, but through this poem, T.S. Eliot voices his social commentary about the world that
T.S. Eliot’s poem, “The Love Song of J. Alfred Prufrock,” illustrates the poet’s fear of the fragmentation of modern society. In the poem, Eliot creates the persona of his speaker, J. Alfred Prufrock. Prufrock is speaking to an unknown listener. The persona of Prufrock is Eliot’s interpretation of Western society and its impotency at the beginning of the Twentieth Century. His views are modernistic, which idolize the classical forms while incorporating new ideas about psychology and the subconscious. Eliot illustrates his contempt for the faithlessness of modern society by illustrating its fragmentation with synecdoche, characterization of Prufrock, and allusions to literary traditions throughout the narrative. In his poem, Eliot illustrates his view of a great tradition that he is witnessing as it falls apart.
T.S Eliot's The Love Song of J. Alfred Prufrock is an examination of human insecurity and folly, embodied in the title's J. Alfred Prufrock. Eliot's story of a man's "overwhelming question", his inability to ask it, and consequently, his mental rejection plays off the poem's many ambiguities, both structural and literal. Eliot uses these uncertainties to develop both the plot of the poem and the character of J. Alfred Prufrock.
Eliot). T. S. Eliot’s “The Love song of J. Alfred Prufrock,” is recognized as one of the most important poems of all time because almost everyone can identify with the insecurity of J. Alfred Prufrock at one time or other, which makes it very realistic.
'I have measured out my life with coffee spoons'; (line 51), shows how Prufrock thinks of his own life, unexciting and unheroic. In his mind he has nothing to offer these women. He returns to wrestling with his thoughts that allow him to desire the love the women have to offer but talk himself out of the task by gentile reminders of the risk. He tells the reader that he knows these women and even begins to rehearse an opening remark, 'Shall I say, I have gone at dusk through narrow streets / And watched the smoke that rises from the pipes'; (lines 70-71). This thought is quickly lost however as Prufrock imagines how easy it would be to be a creature that had no need for love, 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas'; (lines 73-74).
J. Alfred Prufrock constantly lived in fear, in fear of life and death. T. S. Eliot divided his classic poem into three equally important sections. Each division provided the reader with insight into the mental structure of J. Alfred Prufrock. In actuality, Prufrock maintained a good heart and a worthy instinct, but he never seemed to truly exist. A false shadow hung over his existence. Prufrock never allowed himself to actually live. He had no ambitions that would drive him to succeed. The poem is a silent cry for help from Prufrock. In each section, T. S. Eliot provided his audience with vague attempts to understand J. Alfred Prufrock. Each individual reader can only interpret these
I think this style of writing is also a reflection of Eliot's feelings about the time. Eliot was more of a Modernist than Victorian poet and as such held to beliefs like: there is no higher power in the universe, man is alone on this planet to govern his own affairs, everyone is truly alone, there is no unity, no support, for we live in a godless heartless world (Stacey Donohue). The floating, confusing, jumbled mix of emotions and directions in this poem mirrors the modernist image of society.
Eliot’s earliest work, “The Love Song of J. Alfred Prufrock”, set the bar for Modernisms exemplification of Man and his Modern Masculinity. This was done by incorporating Symbolism, and Imagism along with looking past the profound facts, and into the subconscious (Freud).
“The Love Song of J. Alfred Prufrock” by T. S. Elliot is a poem that tells a character’s story with the use of emotions and imagery. The character J. Alfred Prufrock is first introduced as taking a walk and describing the surroundings such as vacant streets and dreary sights. Women are also introduced as talking about Michelangelo. The setting is covered in a yellow fog that stretches over every detail of the town. Prufrock’s emotions at first seems to be confident with the ladies. As the poem progresses, Prufrock is seen more as an average middle-aged man, but also a sad honest man. He seems to stick to a routine and does not stray from it much. His bland personality is not much of an appeal to the women, thus making him pathetic. In “The Love Song of J. Alfred Prufrock”, T.S.
This lack of willpower is displayed in line 111 where Prufrock states: "I am not Prince Hamlet." He will not, like Shakespeare's famous character, shake off his doubts and "force the moment to its crisis" (80). Prufrock feels more like the character Polonius from the same Shakespearian work. He feels that he is only able to dream of romance, and never truly experience it for himself. Instead he will have his trousers rolled at the bottom as a statement of fashion and "walk upon the beach" (123). He follows up with a romantic vision of mermaids singing to him from the sea, but deep down he knows they will not sing to him. Prufrock is caught in a sort of paralysis where no matter how much he wishes to, he finds himself unable to act on his own impulses and desires. Because of this affliction, Prufrock will continue living in a world with daydreams of romance until he finds himself awakened by the human voices of real life in which, as very grimly states in the final line of the poem, he will drown.
T.S. Eliot’s poem “The Love Song of J. Alfred Prufrock” is inhabited by both a richly developed world and character and one is able to categorize the spaces in “The Love Song of J. Alfred Prufrock” to correspond to Prufrock’s mind. Eliot uses the architecture of the three locations described in the text to explore parts of Prufrock's mind in the Freudian categories of id, ego, and super-ego; the city that is described becomes the Ego, the room where he encounters women his Id and the imagined ocean spaces his Super Ego.
Eliot’s poem “The Love Song of J. Alfred Prufrock” was published in 1915 in the Chicago Magazine Poetry and it is often called the first Modernist poem. The poem is set in the cultural and historical context of England’s upper-middle class society in London during and after War World I. J. Alfred Prufrock is a typical representative of the modern man, who is lost in a material world. Prufrock’s sense of alienation and loss are influenced by the modern state of the era he lives in. I believe that we can use Prufrock to understand history. By the use of Wilhelm Dilthey’s structural analysis that he develops for lived experience, there can be an understanding of