The Love Song of J. Alfred Prufrock Essay

J. Alfred Prufrock constantly lived in fear, in fear of life and death. T. S. Eliot divided his classic poem into three equally important sections. Each division provided the reader with insight into the mental structure of J. Alfred Prufrock. In actuality, Prufrock maintained a good heart and a worthy instinct, but he never seemed to truly exist. A false shadow hung over his existence. Prufrock never allowed himself to actually live. He had no ambitions that would drive him to succeed. The poem is a silent cry for help from Prufrock. In each section, T. S. Eliot provided his audience with vague attempts to understand J. Alfred Prufrock. Each individual reader can only interpret these

Abstract Scant critical attention has befor been paid to T.S. Eliot 's ““The Love Song of J. Alfred Prufrock”” in relation to the excised ““Prufrock 's Pervigilium”” section preserved in his ““March Hare”” Notebook and why Eliot might have obliterate it. Reading the ““Pervigilium”” back into ““Prufrock,”” this article reason that ““Prufrock”” sings of its own making and that of its poet 's sensation in the ““Pervigilium”” slice. In this passage, the epigram anticipates Eliot 's

The Love Song of J. Alfred Prufrock and Preludes expresses Eliot’s Modernist concerns about the lack of morals and values in modern society through the use of personas within the urban landscape and the urban society. Modern man’s lifestyle of repetition of trivial tasks and the lack of meaningful things in life is represented and emphasised through the use of alliteration, metaphor, fragmentation and word choice.

Unlike Oedipus, the character in T.S. Eliot’s “Love Song of J. Alfred Prufrock” is timid, insecure and indecisive. Throughout the poem, Prufrock is faced with a decision to approach a woman he has developed a liking to, or remain looking out a lonely window drowning his self consciousness in an ocean of self doubt. He wants to ask her the overwhelming question, but instead he purposefully avoids the woman by having personal detour conversations with himself about his self image. The entire poem is laced with Prufrock asking himself questions. He asks “Do I dare disturb the universe?”(Eliot) as if the whole world will come crashing down if he simply talks to her. He wants to wait for the right time, but in the same thought, he knows his years are running out; he mentions his bald spot and thin arms. Prufrock is so consumed with himself and how others might portray or judge him, that it is paralyzing him from social activities and gatherings. He is going through a mid life crisis that he may have brought on himself by leading an unproductive, bland life and his lack of

It is obvious that the excessive and obsessive reflection of self that Prufrock undergoes in the poem, "The Love Song of J Alfred Prufrock" written by T.S. Eliot, prevents him from living to his true potential, and this is shown through the poet?s language and his use of poetic devices.

American born poet, T.S. Eliot reflects modernistic ideas of isolation, individual perception and human consciousness in his many poems. His poems express the disillusionment of the post–World War I generation with both literary and social values and traditions. In one of Eliot’s most famous poems, “The Love Song of J. Alfred Prufrock,” which was published in 1915, a speaker who is very unhappy with his life takes readers on a journey through the hell he is living in. In this journey, Prufrock criticizes the well-dressed, upstanding citizens who love their material pleasures more than they love other people, while explaining he feels ostracized from the society of women. Eliot’s use of isolation, human consciousness and individual perception is quite evident in his dramatic monologue within the story of J. Alfred Prufrock. Prufrock wants to be seen as a normal citizen who can find friends or a lover, but his anxiety-driven isolation forces him to live a life that relates more to Hell than paradise. In over examining every fine detail of his life, Prufrock perceives himself as useless and even a waste of life. By using many poetic devices including repetition, personification, and imagery Eliot drives readers to feel the painful reality of Prufrock’s life. In “The Love Song of J. Alfred Prufrock,” T.S Eliot uses modernistic ideas and poetic devices to portray how Prufrock’s life relates to Hell while simultaneously criticizing social aspects of the younger post–World War I generation.

T.S. Eliot’s, The Love Song of J. Alfred Prufrock, tells the depressing journey of Prufrock’s mental battle to tell a woman how he feels. Prufrock is a man of high class. He is educated, as seen with his literary references to Hamlet. In addition, his “morning coat” (43) implies that he is wealthy, as he is able to afford an elite jacket. Prufrock is surrounded by women of high class, as he observes “the women [that] come and go Talking of Michelangelo” (35-36). Discussing the art of Michelangelo pertains to a noble crowd, which emphasizes the wealth of the women. Although Prufrock claims he has a great deal of experience with women, he struggles to gather the courage to ask a girl out. Prufrock’s fear of rejection, which stems from his lack of confidence, hinders his ability to say how he feels.

“The Love Song of J. Alfred Prufrock” by T.S. Eliot is not a love song at all—but an insight into the mind of an extremely self-conscious, middle-aged man. Prufrock struggles in coping with the world he is living in—a world where his differences make him feel lonely and alienated. Eliot uses allusions and imagery, characterization, and the society Prufrock lives in to present how Prufrock partly contributes to his own alienation. Our ability of self-awareness separates us from other species, making humans more intelligent and giving people the upper hand in social settings, but, like Prufrock, it can sometimes cause us to feel alienated.

In T.S.Eliot’s poem The Love song of J. Alfred Prufrock, he describes the evening, Prufrock’s surroundings, and the thoughts flowing through his head. Through personification, allusions, and imagery, he supports a message that you must use your time wisely in order to accomplish a desired goal. Overall, the tone/mood of the poem is lonely and depressing.

“The Love Song of J. Alfred Prufrock” by T.S. Eliot is a widely studied and analyzed modernist poem. This poem is one that many high school students are subjected to, leading to an overall displeasure for “The Love Song of J. Alfred Prufrock.” However, those that revisit the poem are more inclined to enjoy and analyze the poem, finding an interest in the character of J. Alfred Prufrock. Charles C. Walcutt is one of the many individuals fueled to provide a deeper analysis of this text and in his contribution to the November edition of College English, an essay entitled “Eliot's "The Love Song of J. Alfred Prufrock,"” he addresses his impression that the “Love Song” portion of “The Love Song of J. Alfred Prufrock” has been neglected and what

T.S. Eliot’s poem “The Love Song of J. Alfred Prufrock” is inhabited by both a richly developed world and character and one is able to categorize the spaces in “The Love Song of J. Alfred Prufrock” to correspond to Prufrock’s mind. Eliot uses the architecture of the three locations described in the text to explore parts of Prufrock's mind in the Freudian categories of id, ego, and super-ego; the city that is described becomes the Ego, the room where he encounters women his Id and the imagined ocean spaces his Super Ego.

The poem “The Love Song of J. Alfred Prufrock” written by T.S. Eliot, uses many literary sound devices, sensory references, and other literary techniques in order to convey the meaning of the poem. Eliot conveys such meaning throughout the poem in many ways, such as the timeframe, the speaker’s speech, and other imagery are used to convey the poem’s meaning of social isolation and indecisiveness. In the poem “The Love Song of J. Alfred Prufrock”, Eliot uses multiple references of imagery to define the feeling of social isolation and indecisiveness of the character. For example, the main speaker describes many scenes of being incomplete, “Let us go, through certain half-deserted streets” (Eliot, 4) and “Streets that follow like a tedious argument”

The famous modernist poet, T.S. Eliot, had a unique style of writing that described the societal changes of his time period. Eliot’s first published poem was titled “The Love Song of J. Alfred Prufrock.” The poem is about a middle-aged insecure man name Prufrock who, because of his attitude, accomplishes nothing in his life. T.S. Eliot uses the character of Prufrock to demonstrate how important it is to live life to the fullest and find a purpose in life.

In The Love Song of J. Alfred Prufrock, the narrative voice is one of a neurotic, pathetic man who manages to be both vain and insecure at the same time. Eliot

In numerous works of art and literature regarding romance, the protagonist struggles in expressing his or her feelings, as a result of a lack of self-esteem. Within the poem, The Love Song of J. Alfred Prufrock, the speaker T.S. Eliot reveals the inner thoughts and feelings of the poems subject, Prufrock, through various literary techniques. Prufrock struggles in articulating his feelings to a woman he admires and illustrates his insecurity as he continuously concerns insignificant details that impede him from speaking to the woman. By describing the inner obstacles Prufrock endures, Eliot ultimately demonstrates to the reader that one should be true to their feelings or it will only result in his or her downfall.