Human Fallibility Exposed in Kurt Vonnegut’s Cat's Cradle Essays

Cat's Cradle by Kurt Vonnegut was written in 1963. "It is a satirical commentary on modern man and his madness" (back cover). It is a book that counters almost every aspect of our society. As well as satire, Vonnegut also includes apocalyptic elements in this novel.

Everyone has heard the expression "curiosity killed the cat." That is to say, the search for new wisdom can often have unpleasant consequences; a child curious about the kitchen stove is bound to get burned. This is exactly what Kurt Vonnegut demonstrates in Cat's Cradle with the example of ice-nine, which is developed by the fictional creator of the atom bomb, Felix Hoenikker. It is symbolic of the atom bomb in that it has the power to end human life. Hoenikker is obviously an exceedingly smart man; however, it can be inferred from his inventions that he does not always consider the negative consequences of his new discoveries. He is merely on a quest for further knowledge, not a quest to better our society. The game of cat's cradle,

It is a perfect example because the story takes place in an environment of integral conformity and describes a scene of pure deviance where Vonnegut’s disseminated strong messages. By analyzing Vonnegut’s short story with the help of both “The social animal” by Eliott Aronson and “Wayward Puritans” by Kai T. Erikson we will point all the wrong aspects of perfect conformity in a first paragraph. And, in a second paragraph, we will discuss more about the importance of deviance by analyzing the last scene.

As a tool for social commentary, oftentimes a writer will employ the use of a biting satire. Through precise writing and exaggerated concepts, Kurt Vonnegut is clearly a skilled user of satirical storytelling. As one of the most famous and widely read short literary tales of all time, Vonnegut’s Harrison Bergeron is certainly his best example in this genre. In Harrison Bergeron, Kurt Vonnegut proposes that true equality is not an ideal worth striving for, as many people believe, but a mistaken goal that is dangerous in both implementation and consequence. To achieve physical and mental equality amongst all Americans, the government in Vonnegut's short story subjects its citizens to “handicapping” through the use of crude means, such as canvas sacks of lead balls worn to impede physical ability, or more sophisticated technology, like the miniature radio used to mentally incapacitate the intellectually adept. This has rendered the dystopian future presented both bland and uneventful through its enforcement of equality for all. Vonnegut expertly engineers his story to capture the essence of an utterly broken and depressing future. Calibrating the specific aspects of literature, Vonnegut is attune with the exact parameters he so desires for his tale. Like a true master of his craft, Vonnegut in Harrison Bergeron welds together poignant imagery, vague setting, rich symbolism, and a detached tone to build a stunning tour de force of American literature.

One of the greatest impacts caused by disasters is one’s motivation for living. In Slaughterhouse-Five, many characters display twisted minds after experiencing wars. Billy and Rosewater find life meaningless, because they witness too many dead bodies in war; Lazzaro finds the sweetest thing to be revenge. As wars bring distorted senses to people, Vonnegut presents two opposing coping methods in Slaughterhouse-Five: One is the Tralfamadorians’ passive idea and the other is the narrator’s humane notion. The overall concept of the Tralfamadorians is to “ignore the awful times, and concentrate on the good ones” (Vonnegut 150). They do not look back, not even forward; they focus on the scattering patch of good moments regardless of time. A similar idea is how they have come to regard death: “in bad condition in that particular moment, and that the person is just fine in plenty of other moments.” The thought – it is more important that a person has lived a brilliant life – is comforting; however, it disregards the possibilities a person has as long as he or she lives. In an interview, Vonnegut points out that he “resents” the promising ideas, the Utopianism, in science fiction (qtd in Simpson 261). This is disclosed in Breakfast of Champions, when Kilgore Trout indirectly

What is religion? There is no one correct answer, however, one definition that seems to cover every aspect of most established religions is, "…the most comprehensive and intensive manner of valuing known to human beings" (Pecorino). In Kurt Vonnegut's Cat's Cradle, Vonnegut takes this definition and creates his own religion in order to satirize all others. Bokononism, Vonnegut's contrived religion, is built on foma, or harmless untruths. Bokononists believe that good societies can only be built by keeping a high tension between good and evil at all times, and that there is no such thing as absolute evil (Schatt 64). They have created their own language with words such as karass, a group of people

Man is born completely innocent but they get corrupted by the society that surrounds them. No one comes into the world evil but instead they get corrupted and change into a different person. Society molds people into who they are, for the better or the worse. In Lord of the Flies by William Golding it exemplifies how man is born innocent and gets corrupted by society.

It is expected for arguments to arise when writing about controversial topics. Many times the meaning of a book is not as obvious as the author intended, which may lead to problems. Other times, books are challenged because they contain sexual or inappropriate material. When Kurt Vonnegut released Slaughterhouse-Five critics were quick to judge his peculiar way of writing. Although Kurt Vonnegut’s book Slaughterhouse-Five was oftentimes misunderstood, interpreted as inappropriate, and judged for the peculiar point of view, critics seem to appreciate and accept one aspect of it: the structure of the book.

What is religion? There is no one correct answer, however, one definition that seems to cover every aspect of most established religions is, "…the most comprehensive and intensive manner of valuing known to human beings" (Pecorino). In Kurt Vonnegut's Cat's Cradle, Vonnegut takes this definition and creates his own religion in order to satirize all others. Bokononism, Vonnegut's contrived religion, is built on foma, or harmless untruths. Bokononists believe that good societies can only be built by keeping a high tension between good and evil at all times, and that there is no such thing as absolute evil (Schatt 64). They have created their own language with words such as karass, a group of people

Kurt Vonnegut has expressed his views and experiences through his novel. From the novels Player Piano and Breakfast of champions, Kurt Vonnegut tries to bring out the problems that handicap the lives of many in the United Nations of America. He tries to portray the problems encountered by middle class and working class after the introduction of the latest technological equipment. He has explained the impacts of technology on the status of an individual and how his income is gradually swallowed by the upper class people. He tries to explain how workers lose their job due to the introduction of machines in the factories. He also defines how workers are blamed for the mistakes or errors committed by machines. He satirically states that men not only lose their income to compete with their neighbors but their memory power too. He laughs at people who are placed in a situation to store the mobile numbers in the mobiles as they struggle to recollect the contact numbers of their sons and daughters.

“Fate is a misconception, it's only a cover-up for the fact you don't have control over your own life.” –Anonymous. In Kurt Vonnegut’s novel, Slaughterhouse-five, an optometrist named Billy Pilgrim becomes unstuck in time uncontrollably and constantly travels between his past, present, and future. Since Pilgrim is unable to control his time warps, he is forced to re-live agonizing moments such as watching his wartime friend Edgar Derby executed for stealing or going through the Dresden bombing repeatedly. However, he is also able to visit pleasant moments like speaking as president in front of the Lions club or his honeymoon with his wife, Valencia. Vonnegut’s use of repetition and vision of war, time and death are crucial to Pilgrim as he

Vonnegut's writing style throughout the novel is very flip, light, and sarcastic. The narrator's observations and the events occurring during the novel reflect a dark view

    Cat's Cradle is, "Vonnegut's most highly praised novel. Filled with humor and unforgettable characters, this apocalyptic story tells of Earth's ultimate end, and presents a vision of the future that is both darkly fantastic and funny, as Vonnegut weaves a satirical commentary on modern man and his madness" (Barnes and Noble n.pag).  In Cat's Cradle, Kurt Vonnegut uses satire as a vehicle for threatened self-destruction when he designs the government of San Lorenzo.  In addition, the Bokonists practice of Boko-maru, and if the world is going to end in total self destruction and ruin, then people will die, no matter how good people are and what religion people believe.

Everyone has heard the expression "curiosity killed the cat." That is to say, the search for new wisdom can often have unpleasant consequences; a child curious about the kitchen stove is bound to get burned. This is exactly what Kurt Vonnegut demonstrates in Cat's Cradle with the example of ice-nine, which is developed by the fictional creator of the atom bomb, Felix Hoenikker. It is symbolic of the atom bomb in that it has the power to end human life. Hoenikker is obviously an exceedingly smart man; however, it can be inferred from his inventions that he does not always consider the negative consequences of his new discoveries. He is merely on a quest for further knowledge, not a quest to better our society. The game of cat's cradle,

Felix Hoenikker, a scientist who helped develop the atomic bomb, from the people close to him. What follows is Vonnegut’s close examination on the effects of pure science on society -- while Felix had a knack for science, that was all. His son Newt recalls that “He was one of the best-protected human beings who ever lived. People couldn 't get at him because he just wasn 't interested in people. I remember one time, about a year before he died, I tried to get him to tell me something about my mother. He couldn 't remember anything about her. … [Once,] Mother cooked a big breakfast. And then, when she cleared off the table, she found a quarter and a dime and three pennies by Father 's coffee cup. He 'd tipped her” (14). Felix saw his wife’s actions as transactional, failing to see the Truth -- the love -- behind them. His scientific fundamentalism prevented him from seeing any abstract meaning in his life, and thus crippled his interaction with the people in it.