During the 2000’s, the word apocalypse petrified and frightened humanity around the world knowing that the world will soon come to an end. Post-Apocalyptic films illustrated the importance of catastrophic events as the films worked their way up into popular media during the 2000’s and how the world itself changed creating diverse conspiracies and predictions on how and when our planet will come to an end, which frightened humanity. The 2000’s are when post-apocalyptic films began to explode in popularity. Due to environmental and social trends which became popular during that time period, these movies showed the importance that humanity will survive no matter what apocalypse may come. The major focus of these films is to show and give humanity …show more content…
Technology has failed to save the world during a failed climate-change, but has saved the remnants of life who are carried on an ever running, nuclear-powered, mile-long train called the Snowpiercer. The train travels around the globe on a 24 000-mile circuit covering earth’s frozen continents where a class system emerges. The movie was used to signify to the viewers that mankind will do whatever it takes to survive and ensure the safety of their loved ones. During the 2000’s, humanity was frightened to know that the world will soon come to an end. Films such as the Snowpiercer gave the audience courage and the will power to not lose hope in times like this. However, a sense of heroism is needed as well as a sacrifice for the well-being of the world. Showing that Curtis as a leader who faces many struggles to reach his goal and give his people equal treatment influences the audience watching the movie be just as heroic as he is and combat alongside many others who also want to be heroes. The film aptly sums the act of heroism when Curtis stands up for his people and leads them to the front of the train to get justice. Curtis figures out a plan to find Namgoong Minsu who designed the doors of the train. He figures out that the guards have no bullets in their guns and that leads him to fight his way through each door to free Namgoong and his daughter from the cell. Curtis portrayed many heroic acts which persuade the viewers of the film to do the same and be a leader during harsh times in an apocalyptic situation. Sacrifice is also needed while managing to survive in apocalyptic situations. In apocalyptic situations, sacrifice is needed to protect one’s family or their loved ones. Sacrifice is shown in Snowpiercer when Edgar is shot in the head, allowing Curtis to capture Mason which will lead the group to the front of the engine. This emphasizes Edgars courage which
The Sky Is Falling Hollywood has created a so called standard for many aspects in life including love, body image, and success. From movies, television shows, and books society has created an unrealistic outlook on everything, positive or negative. Because of these expectations people often end up being disappointed by the reality of everyday affairs. From a young age it is advertised that life will be a fairytale, and everybody will live happily ever after without any tragedies, but more often than not it does not end up that way. In “The End Of The World,” by Billy Collins, he uses imagery, tone, and figurative language to analyze how everything in life, including life itself, will someday come to an end and the population should stop romanticizing it.
We often think of science fiction as a science but in fact, it has more to do with destruction than anything else according to Susan Sontag in “the-imagination-of-disaster”. I think that scary movies give off a wrong interpretation by the way it is presented, many people see it as scary monsters that are only there to scare you but I think that a lot of people watch these movies bring out the little demon that is trapped inside them. I think that scary movies are misinterpreted at times because it gives the viewer that is enjoying the movie the impression that its only motive is to scare you, but there are many ways that these scary movies bring out the little demon that you usually are unable to let out.
As a culture we are obsessed with the concept of the end of the modern world as we know it. We contemplate what would happen if everything we love and care about were to suddenly disappear and never come back. The everyday commodities we enjoy gone in the matter of days, and left in its place is a sinister survivalistic world where no one is safe and the only thing that matters is surviving day by day. Doesn’t matter what caused the world to come to an end, only matters what we do after in order to survive. This genre of movies and films is known as post-apocalyptic. Although the film may delve into the causes of the apocalypse through flashbacks or memories, the film will generally revolve around the characters struggle to survive the aftermath. The genre is riddled with hundreds of films with unique twists and turns, but the majority share similar patterns that help us identify the fears of our culture. The major fears of our culture which post-apocalyptic movies portray is the fear of loneliness, major change in routine, losing our humanity, and losing the feeling of security present in our modern day society.
Notable writer, José Saramango, once said that, “a human being is a being who is constantly ‘under construction,’ but also, in a parallel fashion, always in a state of destruction.” Through this dualism, it can be seen that the individual, through external challenges and experiences, is in an ever evolving state of mental alteration. While these changes can create growth, or a construction of the mind, through the introduction of both internal and external conflicts, the individual can tend not towards development, but instead, destruction. In both Tim O’Brien’s novel, The Things They Carried and Francis Ford Coppola’s film, Apocalypse Now (1979), the creators explore this concept through the evaluation of how the structured mind collapses
Humans are constantly reminded that the world is changing in many ways. But always seem to forget that situations can occur where life as we know it can change in an instant. Many popular science fiction movies and books tap into our deepest fears. For example, the movie Frankenstein (1931) where a fatal accident causes the creation of a monster who is capable of destroying a whole town and the Bradbury story, “Usher II” where a man goes against society on the topic of banning books and censorship. The two stories show the common fear of losing the world as we know it.
We received no food. We lived on snow; it took the place of bread. The days resembled nights, and the nights left in our souls the dregs of their darkness. The train rolled slowly, often halted for a few hours, and continued. It never stopped snowing. We remained lying on the floor for days and nights, one on top of the other, never uttering a word. We were nothing but frozen bodies. Our eyes closed, we merely waited for the next stop, to unload our dead. (100)
Action-packed and highly-rated, Mad Max: Fury Road is a critically-acclaimed film about a journey of survival through a post-apocalyptic wasteland. There is no doubt that post-apocalyptic films are becoming increasingly popular among audiences as seen with movies such as the Hunger Games. However, Leggatt (2012) describes another variation in the post-apocalyptic genre, one that has been dubbed post-9/11 after a string of patterns prevalent in some post-apocalyptic films. Leggatt’s definition of post-9/11 apocalyptic films are ones that have a pessimistic tone towards the future of a society. As the world evolves and progresses, many new issues overlap and outgrow previous issues that have plagued the world before - though this transgression, the film industry follows suit in order to invent stories and media that is thought-provoking and relevant to changing society. Mad Max: Fury Road (2015) is a film that encapsulates many elements of Leggatt’s post 9/11 apocalypse film genre through the apocalyptic setting, derailment of redemption, and societal obsession with apocalypse over utopia.
To begin, Children of Men has a society that is placed in an apocalyptic world, which sets the dystopic setting of the entire film. When considering an apocalypse, viewers must know that it is an event involving
The good thing about films is that we not only have the opportunity to choose from a wide selection of different genres, but also compare them and understand their purpose in the world. The Horror genre has used the basic principles throughout time, and as a result, films of this type have not proven to be as timeless as another genre: Science Fiction/Fantasy. At first, these two genres might at times seem similar as they have at several occasions been blended together, but their basic, common theme serves different meanings about humans. I shall compare and contrast these two genres and focus on both classic films and modern films. From the Horror genre perspective I shall discuss Psycho (1960) and The Mist (2007), while in the Science Fiction/Fantasy genre I will examine 2001: A Space Odyssey (1968), Pan’s Labyrinth (2006), and Serenity (2005). Although the Science Fiction/Fantasy genre and the Horror Genre share some similarities, the differences lie in their focus on human progress.
The Film “Delicatessen” is where comedy, psycho-horror, cannibalism and romance all intertwine within one another. Set in a fictional small-town post-apocalyptic France, although this film never addresses whatever political conflict or natural catastrophe might have led to this apocalypse in the first place as one critic points out (Tobias). A population is devastated by the effects of famine and must resort to rationing and, cannibalism. Circus clown Mr. Louison, who has fled from another town where people killed and ate his chimpanzee partner Livingstone, comes across a Delicatessen at the foot of a building where many boarders reside. The butcher Mr.Clapet offers him a room in return for handiwork, but his true motives are uncovered at night whenever a boarder is enticed to the dark, isolated confines of the stairwell. Apparently food has become so scarce that food has actually become a currency. Basically people pay for things with bags of corn or split peas…or human flesh. The butcher’s daughter Julie Clapet discovers feelings for Louison, and madness ensues as the two plot to escape. This paper will focus on the film as being a comedic parody of the typical apocalyptic genre. While also examining the climate change, cannibalism, collapse of political authority, and the decadence of French culture that are shown throughout the film.
The Sixth Sense was released during an interesting time in America. America at the end of the century, even though experiencing a time of peace and growth signified by the end of the Cold War and the dissolving of the Warsaw pact, still had many anxieties towards the unknown of the new millennium. These anxieties would soon manifest themselves into a religious fear of the immanent apocalypse and a scientific fear of a mass failing of computers which also shed light on the current societies co-dependence with technology. The alarm that the programming of computers would create a “glitch” at the turn of century would soon be named the “Y2K bug”. The terror of the end of times paired with the more rational fear of an end to technology created a sort of madness among America’s culture at the time.
I have always enjoyed movies. But at some point I started to think of movies as more than just entertainment. I began to view them as a movie critic would, rather than just a casual viewer. Because of this perspective, I think of "Apocalypse Now" as one of the best American made movies I have ever seen. As a student of and an active participant in the late twentieth century media age, I feel justified in making this statement. In my lifetime of observation of American media, including fourteen months of intense movie watching in conjunction with my employment at a local video store, I have had an opportunity to observe a broad sampling of the films, and feel more than qualified to make this statement. By referring to
“Interstellar” (Obst,Thomas & Nolan, 2014) a great science fiction story with so various elements. It takes us traveling through wormholes, into planets in other galaxies, and black holes. The characters keep colliding into the effects of relativity, which is thoroughly explained in numerous scenarios. It’s also a story about love and family, but there is a villain, whose actions result in shocking consequences for the other characters. There is a great deal of emotion expressed by the character, which make a great impacted on how the movie is viewed. The movie will take place sometime in the future where the earth is slowly becoming uninhabitable for the reason that of a global crop plague and a second dust bowl occurring. The science fiction movie “Interstellar” (Obst,Thomas & Nolan, 2014) does an excellent job portraying advancements in technology, astrophysics and real-life issues that could eventually happen, such as, food scarcity and catastrophic natural disasters.
Most of the science fiction works contain a crucial message that the writer wishes to convey to the viewers. There are two categories of film message, one is positive and the other is negative. A positive message is one that is expected to have favourable outcome to the audience, and continuously aiming to promote better societal changes. In contrast, a negative message is one that could deliver threats or unpleasant information to the audience, which could have significant impact on the normal order of the society. This essay will argue that if the message contains positive elements, then it is not a bad sign to embed science fiction works with a message. First, this essay will suggest that the well-integrated message within a particular
The apocalypse is a common subject addressed in films and such Doomsday scenarios have become increasingly popular since the beginning of the Cold War. These films provide a different cause for the downfall of human kind and approach the subject with various degrees of despair and hope. Despite the obvious differences in approach that different directors take, these films all serve to highlight not only the negative qualities of human kind that led to and are represented by the agent of destruction but also to highlight the strength of the survivors who keep the will to fight for their lives despite the bleak circumstances. For the most part, The Mist, adapted from a Stephen King novella, sticks closely to the archetype. The Mist, a