Iago Manipulation In Othello Essay

Iago, in Shakespeare's Othello, is a deceiving character because he tells lies in order to get what he wants. He interacts with people only to manipulate them, but most importantly he never reveals his true feelings or motives. Iago might say things that suggest what his motive is, but he soon contradicts himself with another suggestion making it extremely difficult to understand him. Although Iago's true motives cannot be determined, some motives could be jealousy, the enjoyment of seeing people suffer, or power. Iago's jealous of Othello and Cassio because he thinks that both of them slept with his wife, Emilia. In Iago's first soliloquy at the end of act 1, Iago says that Othello might have slept with his wife and even though this is a

Othello trusts Iago and now Iago is trying to take his wife from him for someone else. Furthermore, “He takes her by the palm...sir in.” (pg. 71). Iago watches Cassio and Emilia because he thinks they had an affair he watches them carefully so he can figure out how to convince Othello that Desdemona and Cassio are having an affair. Another example involves the plan to help Othello kill Desdemona. “Do it not with poison. Strangle her in her bed, even the bed she hath contaminated” (pg. 185). Othello believes that Iago is most honest, thus he believed killing his wife Desdemona was the right thing to do. Iago brainwashed Othello into believing the wrong thing was the right thing. The characterization of Iago is created by the use of dramatic irony. The audience knew how devious Iago is, but the characters fell for his mischievous acts.

Shakespeare’s play Othello is based on tragedy of Othello’s jealousy, which ironically leads Othello to kill Desdemona, his beloved (wife). Evil Iago is above all Shakespeare’s villains. Iago is a person with evil emotions, and as a result he deceives everybody, he also is exceptionally influential character who has taken in everyone, above all his own wife Emilia. His public face of bravery and honesty conceals a satanic delight in manipulation and destruction, and he will stop at nothing. Iago’s opinion on women is that he detests women in all kinds and shapes, and finds faults even when they have little or no faults.

Revenge is the main theme in the play Othello by William Shakespeare and it is portrayed from the character Iago. Through Iago’s soliloquies he reveals his horrible doings. Iago wants to get revenge on Othello and his loved one Desdemona. The reason why he wants to get revenge at Othello is because he promotes Cassio to Lieutenant. Iago takes advantage of his reputation “Honesty Iago” to manipulate other characters in the play to get revenge from Othello. Iago is aware that he can easily manipulate the people around him to get revenge from Othello that he does not stop and think about the harm he is causing. Iago is a brilliant character that he successfully manipulates Cassio, Desdemona, Roderigo and his own wife Emilia to fulfill his

The first victim of Iago’s manipulation was Roderigo. Iago realises Roderigo will do anything to be with Desdemona, so Iago uses this to his advantage. “Thus do I ever make my fool my purse” (I, iii, 374). Iago plays with Roderigo’s emotions and hopes to swindle his money. Iago makes a fool out of Rodrigo because he is a rich guy who thinks that money will win over Desdemona’s heart. Roderigo buys her gifts and gives it to Iago thinking that he will give it to Desdemona. Instead, Iago keeps it for himself, and making a lot of profit in doing so. Iago does not waste his on knowledge and skills on something he can get someone else to do. “For I mine own gained knowledge should profane” (I, iii, 375). Iago convinces Roderigo that he will make Desdemona fall in love with him by giving her presents with Rodrigo’s money. This shows that he is sly and clever because he knows that Roderigo has a lot of money he can benefit from. Also, Iago gets something useful out of Roderigo that aids in his evil plans. “If I would time expend with such a snipe But for my sport and profit” (I, iii, 376-377). Roderigo is shown to be a very gullible character that believes everything Iago says. Iago keeps Rodrigo uninformed about his plans and continues to profit from him. Rodrigo follows Iago blindly, thinking the whole time that Iago is trying to aid him, but since Iago is driven to become lieutenant, he uses Roderigo for his money and something to rely on. Later Iago sends Roderigo to kill Cassio so Iago would not be suspected as a criminal. Iago’s plans begin to dwindle as Roderigo ends up dying by the hands of the manipulative Iago that supposedly helped Roderigo get with Desdemona.

Once a seed of suspicion or doubt is planted in a person’s mind, the noxious effect of jealousy is soon to ensue. Jealousy and suspicion are Othello’s flaws hubris throughout the play and foreshadow to the audience his imminent downfall. He believes what Iago tells him so strongly that he compromises his close relationship with his best friend and his love for his wife. Iago manipulates Othello through the use of extortion, literary techniques, and his keen judge of character. His syntax and diction are so simple yet so powerful because he uses the correct rhetorical questions and addresses Othello with respectful terms such as “my lord.” He allows Othello do most of the talking

He fears the exposure of his actual character and wants to execute his plan by keeping other individuals believing that he is an honest and a trustworthy man. Firstly, Iago undermines Emilia not to say another word in regards to the handkerchief that he utilizes as a major aspect of the arrangement to devastate Othello. He advises Emilia to “Be wise and get you home.” (Act 5.2.221). Emilia disagrees with what Iago says and soon after, Iago draws his sword. This shows Iago really thinks about his personality and notoriety, his trepidation of presentation is fierce to the point that it drives him to execute his own particular wife. Also, there is not a single line written in the play, which uncovers Iago presenting his reality to someone else. In spite of the fact that everybody makes sense of Iago's two-sided personality towards the end of the play, despite everything he doesn't have the quality to uncover his actual two- sided character or translate why he has done such offensive deeds. When Othello demands Iago for a reasoning behind his actions, he responds back saying, “Demand me nothing; what you know, you know. / From this time forth I never will speak word” (Act 5.2.300-301). Iago's instability of character is powerful to the point that is prohibits him to talk up and give a sensible reaction to Othello regarding why he has done such malevolence activities. Identity, as well as reputation, is what a man is acknowledged for, a wide range of wrong decisions will destroy this part of Iago

    We find in William Shakespeare’s tragic play Othello an example of personified evil. He is the general’s ancient, Iago, and he wreaks havoc and destruction on all those under his influence.

Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.

Iago is the antagonist of the play, and one of the most evil Shakespearean villains. Iago is extremely clever in the way he uses unsuspecting power- especially psychological power. He gets into people’s heads in many dishonest ways- by spreading false rumours, telling lies and psychologically tricking people and secretly controlling certain situations. His power to manipulate is a key point in the play, as it results in major consequences and the deaths of some main characters. Iago’s schemes are multi-levelled- he conspires with roderigo, and makes him believe that Desdemona will take him back. On another level, he leads Othello to believe his wife is having an affair with Cassio. He uses his wife Emilia (unknown to her), to bring back the handkerchief he uses to deceive Othello. Iago is an extremely resourceful and talented man, but he uses these resources and talents in detrimental ways. Iago is constantly referred to by numerous characters as ‘honest’. He himself also refers to honesty. Numerous characters believe that they know and trust Iago and that he would not lie, nor deceive them. Iago’s soliloquies also provide invaluable insight into his wicked mind and evil schemes and plans.

The play Othello written by William Shakespeare is a tragedy. In this story there is one character that really stands out and influences the other characters, which causes this tragedy to happen. This character is Iago. Without him, the play wouldn't turn out how it did. Iago seems more of a main character than Othello, who the play is named after. Iago is an evil character, who manipulates a lot of the other characters. Iago uses the other characters in the play to do his dirty work. He manipulates these characters in a way that makes them kill their friends or even themselves.

Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs

Then, there is the matter of Othello’s wife, Emilia. One would think that being so close to Iago, she would know something of his deceitful nature. However, she is continuously hoodwinked by her husband. She seems to know nothing of his supposed rage toward Othello at being overlooked for the promotion to lieutenant. She also believes him when he pretends to be upset over Cassio’s demotion from lieutenancy. She says thus to Desdemona, “I warrant it grieves my husband/ As if the cause were his.” (III.iii.3-4). Later, she finds her lady’s

In addition, Iago’s noticeable abhorrence of women is undeniably apparent throughout the play. This decisive factor compels Othello to have awful jealousy towards female protagonists (Barnes, Shakespeare and Coleman 75). Interestingly, Desdemona along with Emilia offer the most crucial conflict for the feminist and terrible sexes’ ideas. Therefore, women in Othello’s play are immensely revealed with increased complication

Relationships among man and woman Emilia and Iago Emilia's relationship with Iago has no trust or affection on either side. Her relationship with her husband is not directly exhibited, but is gradually shown throughout the story. In one of Iago's monologues he shows his distrust on his wife's fidelity and character. He assumes with no evident proof that his wife has been unfaithful to him. Throughout the play he shows no respect or affection towards his wife, and constantly attacks her and approaches her rudely. Emilia shows no more affection towards her husband then he does to her. In her talks with Desdemona she reveals pessimistic comments about men and her dissatisfaction with her relationship with her husband. She tries to be a good wife but shows no affection towards her husband. This kind of relationship shows that Iago would not have told her about his plans. The relationship between Iago and Emilia is also a superb example of power in gender roles as they were prescribed by the Renascence society. Iago, the masculine being in the relationship has the power to describe, define and ultimately destroy Emilia; the feminine persona. The definition of women as subservient to men is exemplified in their behavior toward each other. [Focault, 1978] Othello's centerpiece, the sexual union of a black man and a white woman, has fascinated audiences for generations, tapping into deep-seated fears of cultural and racial "miscegenation". Earlier generations were less willing to