Iago’s Alter Ego: Essay

• Using grotesque animal imagery, Iago voices an explicitly stereotypical view of Othello, as a “Barbary horse,” depicting him as an animalistic outsider. Through the image of conflict in black and white, Iago emphasises on the racial demarcation between Othello and Desdemona, that “an old black ram is tupping your white ewe,” associating Othello with uncontrolled animalistic sexuality. Iago’s overt and vicious racism becomes representative of the reigning stereotype of the African on the

Ryan, Kiernan. “Racism, Misogyny and 'Motiveless Malignity' in Othello.” The British Library, The British Library, 15 Mar. 2011, https://www.bl.uk/shakespeare/articles/racism-misogyny-and-motiveless-malignity-in-othello

The first of many examples of Iago’s manipulation occurs in Scene 1, Act 1. Rodgerio and Iago have had a bit too much to drink and they go over to Brabantio’s house to inform him about his daughter’s romantic relationship with Othello. When Roderigo starts telling Brabantio about this, he shrugs it off, blaming his nonsense on Roderigo’s unrequited love for his daughter. But Iago begins explaining the situation, saying “...very now, an old black ram is topping your white ewe. Arise, arise, awake the snorting citizens with the bell, or else the devil will make a grandsire of you.” (I,I). Iago’s exact choice of words in this quote is very significant because not only are they racist and distasteful, they are dehumanizing Othello. By comparing Othello to an animal, and “old

Othello by William Shakespeare raises the issue of how rampant beliefs and attitudes in a society can cause a person to question their sense of self. In a society where racial equality is near non-existent, Othello, a black skinned foreigner in the Venetian society, is constantly reminded of his status as an outsider. Othello, however, is not depicted in a stereotypical manner and despite occupying a highly respected position he is often confronted with blatant racism throughout the play. The prevailing attitudes and beliefs of Venetian society towards Othello are exploited by Iago in order to manipulate Othello’s self confidence and emotional state.

However, different ideas can be inferred by his more personal asides, “I hate the Moor,/And it is thought abroad, that 'twixt my sheets/'Has done my office. I know not if 't be true,/But I, for mere suspicion in that kind,/ Will do as if for surety” (Shakespeare.I.III.429-433). One of the reasons for Iago’s evil doings is that he perceives that Othello has slept with his wife. With no real indication of this, Iago is left to stew in his hatred and jealousy. Saying that Othello has “’twixt [his] sheets/’Has done [his] office,” reveals that Iago believes Othello’s relationship with Emilia, exceeded a physical one (Shakespeare.I.III.430-431). Another plausible reason for Iago’s malicious activities is racism. Described as “the Moor,” Othello is segregated from the rest of the nobility throughout the story due to his race. The first indication of Iago’s racist thoughts is when he beckons Roderigo to call upon Barbantio and tell him about Desdemona and Othello. Interjecting, Iago yells to Barbantio, “Zounds, sir, you’re robbed. For shame, put on your/gown!/Your heart is burst. You have lost half your soul./Even now, now, very now, an old black ram/Is tupping your white ewe. Arise, arise!/Awake the snorting citizens with the bell,/Or else the devil will make a grandsire of you./Arise, I say!” (Shakespeare.I.I.94-101). Declaring that Barbantio has been “robbed…for shame,” indicates that

Iago is one of the most misunderstood villains in Shakespeare literature. We side with Othello from the start because his name is on the cover of our paperback, we read Othello when learning about heroes, so we expect Iago to be a villain, a ruthless manipulator. We don’t know why, he doesn’t state it plainly or in simple English, so we assume that he’s evil, that he’s just a disgruntled sociopath out to exact his exaggerated revenge on good and noble Othello. Iago’s misunderstood reputation is a result of not truly examining his character, and answering the “why” factor behind his actions. After all, everyone is innocent until proven guilty. His goal in the play was not just to destroy Othello for the fun of it. His objective,

He turns against his friend, Othello, and labels him as a lesser person because of his race. Iago's easy provocation of an important Venetian senator by using Othello's racial characteristics shows how prevalent racism is in the play.

When Iago makes a point of including Othello’s race in a conversation with a confidant, it proves that he feels that Othello’s race is the reason for his actions. There is an obvious abhorrence for Othello based upon his race. Later in the play, Iago goes on to say “If she had been blessed, she would never have loved the Moor” (Reading and Writing Across the Curriculum “WRAC” ). This statement shows that Iago is jealous of Othello because he won the love of Desdemona and is cause for insecurities on his part. Iago must now question his marriage and whether or not Othello is cause for infidelity. These insecurities act as extra motivation for Iago’s actions.

Racism seems to be a big concern in Shakespeare’s tragic play, Othello. Because the hero of the play is an outsider, a Moor, we have an idea how blacks were regarded in England, in Elizabethan times. There are many references that bring about the issue of racism from the very beginning to the end. In the tragedy, where Othello is coming from is not mentioned, yet through the descriptions the reader is informed that he belongs to one of the Eastern nationalities such as African, Ottoman Turk or Arab. In this paper I am going to analyze some episodes involving a prejudicial, racist attitude and try to discuss whether Shakespeare was a racist or not. Even though the play is full of offensive definitions of black

To begin, Iago’s encouragement of prejudice leads to Othello’s manifestation of darkness. For instance, when Iago unveils to Rodrigo that he has a plan to attain Desdemona’s affection for him, he in contrast dehumanizes Othello he reveals that “If I the Moor I would not be Iago. In following him I follow but myself; Heaven is my judge, not I for love and duty, but seeming so for my peculiar end. For when my outward action doth demonstrate” (I.i.57–65). This illustrates, Iago’s true nature that he holds prejudice and hatred for Othello by referring to him as a Moor, it proves that he only views him as substandard. Iago will pretend to serve him, but in reality he is only loyal to himself. This foreshadows that Iago will use negative connotations of race to manipulate Othello into thinking he is worthless. Thus, planting in Othello’s mind thoughts of adultery and hypocrisy. Later, resulting in the uprising of jealousy and darkness of Othello’s character. So Rodrigo, can obtain Desdemona’s love. Promotion of racial bias is also, evident when Iago tries to insinuate that Desdemona is unfaithful. He argues that “not to affect many proposed matches of her own clime, complexion, and degree, Where to we see in all things nature tends—Foh! One may smell in such a will most rank, Foul disproportions,

Therefore, even before Othello is physically presented to the audience, the Elizabethan audience would already have an image of Othello being wild and “moorish” since they would have the similar notion as Iago and Rodrigo towards black men. Therefore, Shakespeare establishes the racist concepts from the very beginning of the play to set the base for the tragic downfall of Othello. Racist language is not only limited to the beginning of the play; it is constant throughut the play. Iago uses racist words when he wakes up Brabantio to inform him about Desdemona’s marriage. Iago says an “old black ram” is “tupping” Brabnatio’s “white ewe” which is highly racist and reveals the Elizabethan society’s prejudice against black men. The Elizabethan era believed that black men have animal-like and sexual nature and Iago uses this notion to make Brabantio fear about the mixed marriage and persuade him to stand against Othello. Also, Iago makes use of the racist Elizabethan notion that the colour black meant evilness by calling Othello as “the devil”. This is ironical because in the play, Iago is the one who is playing the role of “the devil” whereas Othello just the biggest victim who is manipulated by Iago. The irony adds on as Iago, white man, is the most evil one in the play where normally according to Elizabethan racist notion, black men are the one who should be the

Iago has many reasons to hate Othello, including the fact that he had been passed over for a promotion, in which Othello had snatched the position, and he also suspects Othello had slept with Emilia. These reasons were given to the audience, as Iago, himself, reveals his reasons to Roderigo, “ I hate the Moor; and it is thought abroad that 'twixt my sheets 'has done my office. I know not if't be true; yet I, for mere suspicion in that kind, will do as if for surety.” (1.3.378-82). Iago is never turned back on his plan to ruin Othello and the people surrounding him, since he is always contemplating on how Othello doesn’t deserve his accolades, and how Iago is plotting revenge against him. This keeps Iago to consistently, and deliberately continue with his strategies, which keeps the audience empathetic for the rest of the story. Iago is also jealous of Othello’s ability to woo and lure Desdemona, “It cannot be that Desdemona should long continue her love to the Moor ... She must change for youth. When she is sated with his body, she will find the error of her choice.” (1.3.340). However, Even if Iago had received the promotion; even if he had no suspicions or jealous feelings, he would still invent new motives for hating the Moor, as he is the devil of the story. Iago is not capable of performing good deeds, sustaining good relationships, or even

It then hit me that through Iago’s judgments Othello is “the Moor” and should therefore exemplify the common idea of a moor, which is not admiration, self-worth, and fortune; it is one of disconnectedness and dependency. When he says that “nothing can or shall content his soul/ Till he is evened with the Moor, wife for wife” (Act 2: Scene), he means that he is satisfied until Othello’s life is made equal with his involving feelings of inadequacy and jealousy, which are all qualities fitting to a “moor”. Throughout the play Iago repetitively uses derogatory remarks when speaking of Othello so to encourage certain people in the play to endure racism and confirm that it was the norm. Even so, some of Iago’s semantics reveal his own prejudices. For example, Iago only refers to Othello as a “Moor” with the exception of when he refers to Othello as the “black Othello” (Act 2: Scene 3). Iago hates Othello because he is “the Moor” yet does not symbolize the expected role of what is thought of to be a black man in these times. There is neither reason nor logic behind his hatred, but discrimination against one seldom has reason, for it is characteristically irrational thinking. Iago is a clear illustration of what racism is and will justify his irrational thoughts with anything, just as Iago contributes to Brabantio and Rodrigo’s reasoning behind their actions and Othello’s reasons for acting out on

Critics have debated the significance of Othello’s race in terms of portraying his identity for a long time. The negative connotations of “blackness” have led to the creation of many racial constructs associated with the “Moor”; this denigration has infused the opinions of many critics, such as Albert Gerard, proposing that Othello’s “negroid physiognomy” reaches down to the “deepest levels of personality” and that he is a “barbarian”. However, many other critics like Edward Berry and Martin Orkin believe that colour is merely a “surface indicator” compared to the outward virtue of beneficence, defining identity. Beneficence could be defined by the will to practice good acts, in conjunction with the aversion of practicing evil, and the prevention and removal of evil.

In this essay, Adelman reads Othello as a test case for Kleinian psychoanalysis’ ability to deal with problems of race. She is interested in identifying the ways in which racism is the psychic property of the racist rather than the victim. The focus of the analysis is largely based on explaining Iago as an example of Kleinian envy. This notion of envy comes from Klein’s theory about rage and the fantasy of the good breast versus the bad breast (the maternal object that doesn’t provide enough). Kleinian envy is directed at the good breast. The idea is that the baby would rather destroy the good breast by poisoning it (with feces) and obtain control rather than punish the bad breast. Adelman contrasts Iago as the spokesperson for interiority (emptiness) with Othello’s fullness in act one. Iago is able to conflate the hidden with the hideous in Othello and make Othello a projective receptacle for Iago’s envy. Iago projects racist ideology into Othello whose blackness then becomes an external sign for the symbolic feces that Iago injects into the good breast (Othello). Through a