Idealism In Candide

            Candide is consistently being brainwashed by reason (Pangloss) saying that we live in "the best of all possible worlds", while it is quite obviously that he does not. For how can there be, in the best of all worlds, war, slavery and many more abominations. Half-way through the book it would appear that Candide has given up his optimism when he looked at the Negro slave. "Oh Pangloss... I'll have to give up your optimism at last" (73). But to the distress of the readers he has not given up his chafing optimism. "Since I found you [an Eldoradian sheep laden with stones], I'm sure I can find Cunegnde again" (79). Thus we see that he has quickly recovered his optimism. Voltaire is using Candide's blatant optimism to relate to the people of his time that also have the same type of optimism.

At the same time, Candide struggles with why the evil happens if it is indeed the best of all possible worlds: "And whatever Master Pangloss said of the matter, I have often had occasion to notice that things went badly in Westphalia"(p.551). One reason that Candide should not follow blindly whatever Pangloss says is that the beliefs are not his own. Candide needs to look within himself for the key to happiness. What makes Pangloss happy will not necessarily make Candide happy. Candide learns to search himself in the end when he discovers that the key to his own happiness is "cultivating

This essay will examine the development of the character of Candide over the course of the text as well as commenting on the final conclusion that the protagonist comes to regarding the possibility or otherwise of achieving happiness.

Even though many people practiced this doctrine Voltaire did not aside with it instead, he implanted doubts on the chances of achieving true happiness and real conformism. Voltaire’s opinion was that one could not achieve true happiness in the real world but only experience it in an utopia. With the many hardships that Candide goes through ultimately leads him to abandon his attitude of optimism. Candide’s misfortunes and adversities often contrasted with his optimistic view on life. Noticeably, Voltaire uses this satirical piece as a way to criticize this exaggerated optimism. This tale as stated by William Bottiglia, “ Has had a great effect on modern writers who confront mankind’s inhumanity to fellow human beings by presenting the human condition absurdly, ironically, and humorously...” (Bottiglia 112).

From a young age, Candide had been taught by Pangloss to have an optimistic philosophy, and he kept those ideas with him throughout his life. Even when the people around him feared the worst and complained about their misfortunes, Candide kept going back to the idea that “everything is linked in a chain of necessity, and arranged for the best” (9). And by no means was he left untouched by various trials: he was flogged, penniless, driven from his home, shipwrecked, robbed, and doomed to leave his loved ones. Although these misfortunes make him question the necessity of tribulation, he nonetheless hoped for the best. Part of his optimism might stem from the fact that he was young and healthy, but it’s also because he cared about the welfare of those apart from himself. For instance, when he heard that Cunegondé was dead and Pangloss hanged, he cried, “If this is the best of all possible worlds, what must the others be like? …Mademoiselle Cunegonde…was it necessary for you to be disembowelled?” (16) Clearly, the reason he questioned the “rightness” of the world is because it took away the people he loved. His mourning for those who have died shows his tender innocence, but it also shows his selflessness. In fact, the reason he was so optimistic throughout the story was because of his longing for Cunegondé, his beloved, and his only wish was to be with her and keep her safe. In other words, he lived for something outside of himself, and that caused him to have hope.

Enlightenment philosophers wanted concrete, tangible proof to back their ideas. Pangloss, Candide’s friend and teacher, is a character that depicts the metaphysical side of the Old Regime. He is an optimist who believes that there is no effect without a cause and that everything is made for a reason and with a purpose. Voltaire portrays Pangloss as naive. Pangloss finds himself in trouble for studying and exploring the world before he becomes sure of himself and his ideas. Even after Pangloss’s troubles, he still refuses to stray from his thoughts and would rather believe his ideas than face reality. Another character that is depicted as naive and optimistic is Cacambo, Candide’s servant. Cacambo consoles Candide after his loss of Cunegonde. Cacambo claims that God takes care of all women and that they will never be at a loss. But Candide knows the sufferings that Cunegonde and the Old Woman have experienced. Cunegonde was bought, sold, and objectified throughout the novel, along with the Old Woman, who was beaten, raped, and treated with

Candide is introduced to the story as an acquiescent youth with a simplistic view on life. His perception on reality has been formed from an overly optimistic theory explained by his friend and personal tutor Pangloss. The ultimate vision, which is Pangloss's theory, is extremely provincial in thought but the experience of those he teaches is exceedingly limited. This inexperience allows the hypothesis concerning “the best of all possible worlds” to influence Candide's mannerisms as well as his perceptions ultimately leading to Candide's

Voltaire's Candide is a novel that is interspersed with superficial characters and conceptual ideas that are critically exaggerated and satirized. The parody offers cynical themes disguised by mockeries and witticism, and the story itself presents a distinctive outlook on life narrowed to the concept of free will as opposed to blind faith driven by desire for an optimistic outcome. The crucial contrast in the story deals with irrational ideas as taught to Candide about being optimistic by Pangloss, his cheerful mentor, versus reality as viewed by the rest of the world through the eyes of the troubled character, Martin. This raises the question of whether or not the notion of free will is valid due to Candide’s peculiar timing of his

Pangloss, a philosopher is depicted all through the novel as an idealistic mastermind who lives by this logic. Candide, who is mentored by Pangloss aimlessly much of the time addresses this reasoning at snapshots of hardship over the span of his life, lastly rejects it, picking to trust that in spite of the fact that the world is not the best of all possible worlds but,“we must cultivate our garden” (Voltaire 365). Different characters in the book likewise can 't help contradicting Pangloss ' ideals. Jacques who went to Lisbon with Pangloss isn 't strong of these ideals. Jacques says “ humankind has corrupted its nature a little, for people were not born wolves, yet they have become wolves. God did not give them heavy cannon or bayonets, yet they have invented them to destroy each other” (Voltaire 309). The book recounts the account of Candide, as he goes through life and endures numerous hardships on account of others. Candide not only suffers, but the people he surrounds himself with suffer the same fate as well. The book does a good job at outlining human suffering that provoked enlightenment ideas to not only challenge it, but to really show their true selves. Each time something bad happens Pangloss shares his idealistic perspective as to why it occurred. The way Candide points these things out, causes the reader to disagree with Pangloss’s

In a way, Pangloss is Candide’s “father-figure”. As no physical father is present in Candide’s life, Pangloss’s teachings install order and opinion in his world. Whenever introduced to something new- terrible or grand- throughout this novel Candide’s first thought is always about Pangloss; what he would say about it or how he would react. Pangloss physically bounces in and out of this novel, infrequently, but in reference he is in the entire book. Page four in chapter one, while setting up the background for Candide, Voltaire includes an educational and philosophical speech by Pangloss in which he ends by stating, “...all is for the best.” This direct quote continues to influence Candide throughout his quest. This quote initiates an optimistic attitude in Candide which will encourage him throughout his adventures.

In “Candide,” Voltaire’s satiric theme is broad and varied. Although the most interesting satire is the one on religion, especially the utopia in which Candide starts off the story in, the first in importance is philosophical optimism, specifically Pangloss’s philosophy which in the novel this philosophical optimism seems to represent mankind's overall and overused optimism as means to copping with tragedy or loss. Pangloss’s philosophy is both the most important point for debate among the novel’s characters and one of the main targets of Voltaire’s satire. Pangloss is inevitably humorous “Pangloss gave instruction in metaphysico-theologico-cosmolo-nigology" his character is very predictable and superficial, his so called doctrine on optimism which is voiced out repeatedly that even great evil leads to good is opposed gross absurdity with absurdity. "It is clear, said he, that things cannot be

In Voltaire’s Candide, we are taken by the hand through an adventure which spanned two continents, several countries, and to a multitude of adverse characters. The protagonist, Candide, became the recipient of the horrors which would be faced by any person in the 18th century. But Candide was always accompanied with fellows sufferers, two of which our focus will lay, Pangloss and Martin. In equal respects, both are embodiments of different philosophies of the time: Pangloss the proponent of Optimism and Martin the proponent of Pessimism. Each of the two travelers is never together with Candide, until the end, but both entice him to picture the world in one of their two philosophies. Throughout the story there is an apparent ebb and flow

     Voltaire does most of his satirizing through the character of Dr. Pangloss, an unconditional follower of Leibnitz’s philosophy and Candide’s mentor. Pangloss’ ramblings are not personal attacks on Leibnitz, but in some way represent the thoughts of a typical optimist. He is a very hopeful character in the story because he refuses to accept bad. When Candide encounters Pangloss after a long period of time, Pangloss explains how he was almost hanged, then dissected, then beaten. Candide asks the philosopher if he still believes that everything is for the best, and Pangloss replies that he still held his original views. Voltaire frequently exaggerates his point on optimism; there is nobody in reality who is positive about everything all the time, especially after so many horrible experiences. One could say that Pangloss is irrational and idiotic, and Voltaire tries to depict how inexplicable his beliefs are which do not measure up to reality.

Comedy of ideas, a form a satire and also known as a form of high comedy, is a when two ideas of thoughts are put directly against each other. Typically it involves characters arguing about ideas that involve politics, social classes, and society as a whole. Characters use wit, mockery, and clever language as a way to mimic and mock their challenger. In the case of Candide, the idea of optimism (Pangloss’ views) and pessimism (Martin) are pinned against each other. Optimism is an attitude in which one remains hopeful and positive despite the negative circumstances. Pangloss’ view of optimism involves his belief that everything happens for a reason. Pangloss is stuck in this particular state of mind through out the novel. He firmly believes that the death, mishaps and misfortunes of others are the way the world is and God has a plan. Candide also starts out in this state of mind due to the fact that Pangloss mentored him and shaped his way of thinking. However, unlike Pangloss, Candide progresses in his way of thought. In this novel, Pangloss represents Voltaire’s attack on philosophical optimism and the non- progressive social consequences involved with optimism.

Candide begins with the title character receiving instruction from his tutor Dr. Pangloss, whose worldview is characteristically optimistic (he ceaselessly asserts that the world they inhabit is the best that it possibly could be). Pangloss is a kind of satirized version of Johnson's Imlac. Neither philosopher appears to have any real control over the events of the world, even though their prescient ideas seem to give them some sort of mental agility and power. Candide is indeed