Imagery In 'Living Like Weasels' By Annie Dillard

The Rabbits, a picture book written by John Marsden and illustrated by Shaun Tan, is an allegory for the British arriving in Australia and the subsequent colonisation. From the perspective of the indigenous population, Marsden explores the impact of white settlement on the traditional aboriginal way of life. This is achieved through the symbolism, colours and language.

Imagery is used in writing when a writer trying to emphasis a specific key element, or portray a clear picture for the reader to understand. Throughout the book, The Great Gatsby, F. Scott Fitzgerald uses imagery to paint a vivid picture for the reader. Imagery is used to describe specific key elements of a story which is shown in The Great Gatsby. Imagery was portrayed for the reader especially when it comes to the setting and characters. In the movie however, imagery was shown both similar and differently. The movie focuses a lot on the setting and charters but also shows imagery of other small factors. Imagery was both present in both the book and the movie, both the movie and book had similar routes of incorporating the imageries.

Annie Dillard’s “Living Like Weasels” details Dillard’s encounter with a weasel in the wild, and her attempts to come to terms with her feelings about said meeting. Dillard not only goes into great detail about the experience itself, but she also provides a very good background on weasels, as well as others’ experiences with the animal. Through her use of background analysis on weasels, as well as with her own experience, Dillard uses the three rhetorical appeals to argue why we humans could and should “live like weasels”.

Secondly, Dillard’s work “living like weasels” effectively projects her perspective through the use of her radical comparisons. Throughout the essay, Dillard’s use of comparisons often helped familiarize her audience in connecting complex and abstract concepts together into concrete context. This is first seen as she states “His journal is tracks in clay, a spray of feathers, mouse blood and bone: uncollected, unconnected, loose-leaf, and blown.” Through this, Dillard connects a concept most would be familiar with: writing journals, to describe what goes on in a weasel’s mindset. In addition, she illustrates that not only do weasels act out of survival, but simply that their “journal” is a transcript of their physical actions. Dissimilar to humans, weasels do not render their thoughts nor “write in journals”, but rather react out of instinct. It is often seen through the content of the piece that she also enjoys to contrast and compare through the occurrences of juxtaposition. This can be seen in the phrases such as, “Our look was as if two lovers, or deadly enemies, met unexpectedly on an overgrown path when each had been thinking of something else: a clearing blow to the gut”. Through these lines, the ideas of man vs nature are continuously

Dillard effectively uses concrete imagery as a way of conveying her inner struggle to the reader in a handful of ways. In the first paragraph, she paints a vivid picture in the reader’s mind by writing “while barred owls called in the forest and pale moths seeking mates

Annie Dillard 's, "Living Like Weasels" has many observational characteristics about the daily life of a weasel. At the exposition of her story, she goes into detail about the appearance, behavior and other such details about a weasel’s life. According to her observations, weasels are wild and obedient to instinct, meaning a weasel will do anything to survive. In the passage Dillard notes, weasels are "ten inches long, thin as a curve, a muscled ribbon, brown as fruitwood, soft-furred, alert … He had two black eyes I didn 't see, any more than you see a window" (Dillard). This analysis of the weasel’s appearance emphasizes the fact that they are simple land dwelling creatures. Initially, Dillard only viewed weasels as the inferior animals’ society deems them as. But as she observed their

In one of his examples he speaks of a two “cages” (Twain). One filled with assorted “animals” the other with different men from different religions and locations (Twain). He hopes to prove how animals very quickly learned the most basic survival technique to cohabitate where the man did not. He lacks logos, as the man is an intellectual species and has evolved, surpassing other animals. The animals do not wear clothes, nor do they choose how they present themselves and what

In her essay “Living Like Weasels”, Annie Dillard explores the idea of following a single calling in life, and attaching one’s self it this calling as the weasel on Ernest Thompson Seton’s eagle had. Dillard presents her argument using the analogy of a weasel and how the; “weasel lives as he’s meant to, yielding at every moment to the perfect freedom of single necessity” (Dillard). In constructing her argument, however, she often contradicts herself undermining the effectiveness of her argument and leaving the reader confused. Dillard primarily uses ethos and pathos to support her argument and concerning both, the reader discovers; inconsistencies in her character, and conflicts between her perceptions of the weasel’s emotions and its actions. Concerning her ethos, Dillard presents herself as a part of suburbia and then is suddenly, inexplicably overcome by the desire to live wild. Dillard also uses very detailed language throughout the essay in describing her surroundings and thoughts, however; this further undermines her argument and ethos as she is trying to convince the reader that she could simply become as simple and single minded as the weasel she has focused her argument around. With her use of pathos, Dillard begins her essay with descriptions of the weasel’s brutality, yet; she concludes by stating the weasel lives as is necessary. By simplifying her experience and presenting a reasonable explanation for why she wanted to

In “Living Like Weasels,” Annie Dillard recalls an encounter with a weasel and connects the weasel’s tenacity to the human pursuit of one’s calling. In a forest, Dillard describes the encounter with the weasel when they lock eyes; she then explains what is inside of the weasel’s brain, his habits and traits. (MS7) She explains that a weasel’s living is one desire: instinct, a weasel’s tenacity to lock onto its prey and to not let go. Dillard then compares the weasel’s tenacity with the human calling; humans urge to understand their calling and refuse to quit until they have achieved their goal. Additionally, Dillard offers an exhortation to live in obedience to that calling. (MS6) As well as obedience, instinct requires the human capacity for reason.

In the short story “Living Like Weasels” authored by Annie Dillard, the role of a small, furry, brown-colored rodent’s life develops an extreme significance as the story progresses. According to Dillard, the life that a weasel lives is care free and passionate. Weasels are very tenacious creatures and what they have their eye set on something they want, they go and get it. Also, when Dillard says “The weasel lives in necessity and we live in choice” in “Living Like Weasels,” the words can be deeply felt by the reader; we are able to not only feel Dillard’s passion for this underlying opinion of hers, but readers can also develop their own view on what she is saying and find evidence to prove their thoughts (121). The way that everyday

Annie Dillard’s essay “Living Like Weasels” exhibits the mindless, unbiased, and instinctive ways she proposes humans should live by observing a weasel at a nearby pond close to her home. Dillard encounters about a sixty second gaze with a weasel she seems to entirely connect with. In turn, this preludes a rapid sequence of questions and propositions about “living as we should”. Unfortunately, we tend to consume our self with our surroundings and distractions in life, which is not a problem until we are blatantly told. How have we strayed so far from our once instinctive lifestyle?

In the first book, a Separate Peace, by John Knowles, Gene, the narrator, meets Phineas and they become very close friends. Their life is based in the Devon high school during the WWII period. Gene goes through a lot of confusion after others blame him of pushing Phineas off a tree and breaking his leg, even if he feels very connected to Phineas as a friend. The other book, The Great Gatsby by F. Scott Fitzgerald, is narrated through Nick’s eyes who observes the story of his neighbor Gatsby’s difficult life as he is trying to get the person who he loves: Daisy. This book does well in representing the wealthy life and struggles during the 1920s with Gatsby’s big parties and the Buchanans capability of escaping punishment from crimes thanks to

Everyday people all over the world try to improve the qualities of their lives. Nonetheless, they forget that what they do can have severe harms and damages on the environment and other organisms. In the excerpt “A Fable for Tomorrow” from the book Silent Spring, Rachel Carson describes the disastrous and horrific effects of pesticides on the environment and animals of the town. In the essay “Our Animal Rites” by Anna Quindlen, she shows the inhumanity of animal hunting by human. Furthermore, she argues how human migration is destroying the natural habitats that belong to the animals. In the excerpt “Reading the River” from the autobiographical book Life on Mississippi, Mark Twain describes how he loses the ability to perceive the

"The Birthday Party" by Katharine Brush interprets the cruelty of a man who does not appreciate his wife’s achievement of creating a special surprise. Imagery is included to describe every detail the woman was aware of to make the occasion perfect. Brush’s usage of the literary device serves to convey the purpose in which it shows how the man is a person who underappreciates his wife. Without imagery the story would not be able to present how much time and effort the woman must have taken to prepare the celebration. Katharine Brush's usage of imagery plays an important role in the short story to demonstrate how the man depreciates the woman’s efforts to make him happy.

In the short story “A Haunted House” by Virginia Wolf, tells the story of the interactions between a ghostly couple and a living couple, and the discoveries each couple made. Throughout the love story, the author uses imagery and repetition to convey meaning to the readers. The author uses these literary devices to reveal the importance of the couple’s findings. The author uses imagery several times throughout the story. The imagery used gives great effect.