Important Scenes In The Scarlet Letter

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The five most important scenes of The Scarlet Letter were first, Hester holding baby Pearl being shamed on the scaffold right in the beginning. Second, when Chillingworth found out that Dimmesdale was the man who committed adultery with Hester. Third, when Hester and Dimmesdale were in the forest talking about fleeing and living with only each other and Pearl. Fourth, in which Dimmesdale finally reveals his sin to the public as he is on death’s bed. Finally, the last most important scene of the novel, is the “happy ending” when everything gets wrapped up.

As the book opens, Hester is brought forth from the jail and walked to the scaffold. For the first time being seen in public named an adulterer, Hester shies from the public as they mock her. However, "She never battled with the public, but submitted uncomplainingly to its worst usage; she made no claim upon it, in requital for what she suffered; she did not weight upon its sympathies." (Hawthorne 140). Soon, it did not matter what other people thought of Hester because of her sin. She chose not to live with the humiliation, but she did have to live with herself.

Hester and Pearl venture into the forest in order for Hester to talk with Dimmesdale in order “to make known to [him]...the true character of the man who had crept into his intimacy” (125), hence, she wanted to warn Dimmesdale of Chillingworth. Pearl goes with Hester because she was was the “companion of all her mother’s expeditions”(125), regardless of how inconvenient it may be to Hester.

Dimmesdale realizes that he must confess his sin and face whatever consequences may lie ahead of him, whether or not his confession is seven years past due. Before reaching the “well-remembered and weather-darkened scaffold,” where Hester Prynne had encountered the “world’s ignominious stare,” Arthur Dimmesdale cautiously comes to a pause (246). Only two people in the crowd, Roger Chillingworth (Hester’s husband) and Hester Prynne, understand why Dimmesdale halts before ascending up the scaffold. He will finally reveal his identity to the town and release the guilt that has built inside of him for seven years. As Hester and Pearl are about to accompany Dimmesdale up to the scaffold, Chillingworth “trusts himself through the crowd” – or, from Hawthorne’s description, “so dark, disturbed, and evil was his look,” Chillingworth “rose up out of some nether region to snatch back his victim from what he sought to do” (247). Ignoring Chillingworth’s effort to stop Dimmesdale, the three mount the scaffold and face the eager crowd. In one of Dimmesdale’s final speeches, he claims that Hester’s scarlet letter “is but the shadow of what he bears on his own breast” (250). The moment after Dimmesdale reveals his ‘scarlet letter’, he stood “with a flush of triumph in his face as one who had won a victory” (251). As Dimmesdale had wished, his remorse and internal pain is forgotten once he reveals his true identity, allowing his soul to experience its elapsed freedom.

The narrator covers the events of several years. After a few months, Hester is released from prison. Although she is free to leave Boston, she chooses not to do so. She settles in an abandoned cabin on a patch of infertile land at the edge of town. Hester remains alienated from everyone, including the town fathers, respected women, beggars, children, and even strangers. She serves as a walking example of a fallen woman, a cautionary tale for everyone to see. Although she is an outcast, Hester remains able to support herself due to her uncommon talent in needlework. Her taste for the beautiful infuses her embroidery, rendering her work fit to be worn by the governor despite its shameful source. Although the ornate detail of her artistry defies

While in the town, villagers persecute and criticize her endlessly for the sin of adultery. She is faced with name calling such as “the naughty baggage” and forced to wear the scarlet “A” to display her sin (49). Hester has a hard life in the strict Puritan village, but the forest is a mysterious place “never subjugated by human law, nor illumined by higher truth” (183). Although the forest is mysterious to others, Hester experiences it as an escape from the constant condemnation in the village which represents the punishment for her sin. In the forest, she does not have to be afraid of her feelings. It is the place where “she undid the clasp that fastened the scarlet letter, and, taking it from her bosom, threw it to a distance among the withered leaves” (182). Hester escapes to not feel like a failure and even plans to run away with her love, Dimmesdale. Hester’s punishment and penance are publicized in the village, but she is able to find a haven in the

In the third scaffold scene, Hester, Pearl, and Dimmesdale reunite together on the scaffold. As others recognize who her secret lover is, the community perceives Hester as a sympathetic figure. When Hester is standing with Dimmesdale on the scaffold, he confesses his immoral actions and shows his version of the scarlet letter on his chest. After seven years the Reverend proclaims, “In the name of Him, so terrible and so merciful, who gives me grace, at this last moment, to do what---for my own heavy sin and miserable agony---I withheld myself from doing seven years ago, come hither now, and twine thy strength about me!” (226).

Hester was tall, with dark and abundant hair. She had deep black eyes. She had a beautiful face. She was lady-like, and characterized by a certain state of

This ridicule has a trickle down effect on Hester as she too is banished from her own community for committing adultery. The comparison between Hester and Hawthorne defines the external struggle for the reader to fully understand the effect of opinions from society on them Although reluctant to allow Hester to leave prison, the members of the town suggest that her punishment be to wear a scarlet red letter A on her bosom, thereby allowing all to know of her crime. The scarlet letter “ was red-hot with infernal fire, ” (Hawthorne 81) and defined the state she was currently in, that being eternal hell. Though she was forced to marry an older man at a young age, her rebellion to have an affair is not seen as an internal struggle that she overcame; rather, it is merely seen as a woman who sinned, a woman who shall therefore endure the punishment for the sin, rather than a woman who was never given a say in what she wanted with her life. Time and again, Hester Prynne is seen defying society by allowing herself to stand out from societal norm just as the roses “with its delicate gems, which might be imagined to offer their fragrance and fragile beauty to the prisoner“ (Hawthorne) did. Instead, she returns to the community and is observed aiding those in need, all with seven year old Pearl by her side.

In the first scaffold scene Hester Prynne is depicted standing alone while clutching her baby. She has been sentenced to the scaffold for three hours to face public condemnation. In the Puritan society, where this novel is set, public shame is a source of entertainment. On this occasion the townspeople are present to watch the judgment of Hester.

The settings in The Scarlet Letter are very important in displaying the themes of the novel. The settings in this novel are almost characters, for they are an important part in developing the story. The scaffold, the forest, the prison, and Hester’s cottage are settings that show sin and its consequences result in shame and suffering.

The Scarlet Letter displays a theme of sin throughout the novel through multiple major events. To start off, in chapter seven, “The Governor’s Hall”, Hester observes herself in a convex shaped mirror, and realizes that the scarlet letter was exaggerated in size. The second major event is the entrance of Roger Chillingworth. He was quickly accepted into the Puritan society as an excellent physician, but as time passed, a few puritans started to suspect Chillingworth of using the skill of black art from the Indians. Hester also starts to realize a change, which goes into another major event to display the theme of sin. As Hester and Chillingworth were talking, she started to recognize a change in him, similar to a demon that had possessed him. But Hester wasn’t the only one to notice, Chillingworth noticed himself. In chapter nine and ten, Chillingworth is given the opportunity to cure Mr. Dimmesdale and to discover all of Dimmesdale’s hidden secrets. The final major event to represent sin is in chapter fifteen, “Hester and Pearl”, when Hester rids herself of the scarlet letter and realizes the freedom from the weight of her sin and shame. In The Scarlet Letter, Nathaniel Hawthorne uses appearance versus reality to illustrate sin.

In the stories of The Scarlet Letter by Nathaniel Hawthorne and Frankenstein by Mary Shelley, the antagonist characters display parallel story lines through their searches for the enemy. Roger Chillingworth, the former husband of Hester Prynne and the antagonist of The Scarlet Letter, works against his wife in order to find her untold second lover. Frankenstein is a contrasting story in which an unnamed monster is the antagonist towards his human creator, Dr. Frankenstein. Yet despite quite different story lines, the two characters possess traits that exibit parallels between them. In the novel The Scarlet Letter, Roger Chillingworth displays the startling passionate characteristics of an unwavering drive to seek out his foe, madness as his focus on his search takes over his entire being, and terrible anguish when his task is unexpectedly over, all of which are reflected in the daemon created at the hand of Dr. Victor Frankenstein in Mary Shelley 's novel Frankenstein.

“Human nature will not flourish, any more than a potato, if it be planted and replanted for too long a series of generations in the same worn-out soil. My children have had other birthplaces, and, so far as their fortunes may be within my control, shall strike their roots into unaccustomed earth.” (23)-Nameless narrator’s narration