In classical Hollywood cinema, most films are voyeuristic in nature. This paper examines two films that explain the main characters’ relationships but in styles that contrast classical cinema. The two films analyzed have some similarities but primarily are different than what most American audiences are accustomed to seeing. Annie Hall is a romantic comedy from the United States that explores sexual relationships. The movie is focused on the relationship between two main characters -Alvy Singer played by Woody Allen and Annie Hall played by Diane Keaton. They had a tumultuous relationship that had many highs and lows that lasted for years. However, due to their different personalities and views on life, they finally break up and live their …show more content…
Alvy was married twice before he met Annie. He never clearly states why his two previous relationships did not work out, but viewers can still make educated guesses based on the plot. It could be because of Alvy 's neuroticism characteristic and how each have different expectations on what a relationship is. Alvy and Annie were sweet, kind, and passionate at the beginning of their relationship. However, after a while things changed. They eventually had sexual problems which lead to Alvy thinking that Annie did not have intercourse with him wholeheartedly. Like real relationships, Alvy and Annie were starting to have different views on how to live their lives and where they see their futures. Annie thought Alvy did not try to understand what she was going through and he was to selfish. An example of this would be when Annie was in a cranky mood because she overslept, but Alvy just thought that she was angry because she was on her menstrual cycle. Moreover, Alvy was not a big supporter of marriage and commitment, this made Annie upset and made her rethink their relationship and if she wanted to be with that type of person. Their many differences caused their relationship to become a problem for both parties. There are multiple scenes where it is from their perspective but they are not in the frame. For instance, when they walk across the beach and the audience only hears Alvy’s and Annie’s voices in the background.
The Revolutionary war, sparked by the colonist's anger towards taxation without representation, was a conflict between the United States and its mother country Great Britain. This event had been considered the most significant event in the American history. It separated the thirteen colonies from the tyrannical ruling of King George. The revolutionary war was not a big war, "The military conflict was, by the standards of later wars, a relatively modest one. Battle deaths on the American side totaled fewer than 5,000"1. However, the war proved that the thirteen colonies were capable of defeating the powerful Great Britain. Over the years there were many Hollywood films made based on the revolutionary
What were Edwin S. Porter's significant contributions to the development of early narrative film? In what sense did Porter build upon the innovations of contemporaneous filmmakers, and for what purposes?
In the article, “Types of Women in Romantic Comedies Who Are Not Real”, actor and writer, Mindy Kaling, classifies the women’s roles from classic romantic comedies, while a critical analysis piece over the genre as well. Starting the article, She discusses her inspiration for the piece itself, furthermore expressing her love for romance, as well. Throughout the article, she separates the different types of women in these roles, whether it’s the obnoxious glamour girl, or the girl with an amazing personality, in latent terms, the difference between “The Klutz” and “The Ethereal Weirdo.” By the end of each example, she differentiates how cliche the storyline of the female character
In “A Century of Cinema”, Susan Sontag explains how cinema was cherished by those who enjoyed what cinema offered. Cinema was unlike anything else, it was entertainment that had the audience feeling apart of the film. However, as the years went by, the special feeling regarding cinema went away as those who admired cinema wanted to help expand the experience.
Hollywood is starting to become more and more harmful to society. Many people wonder why it is this way. Simple, Hollywood is a very high power in the world; that power leads to being influential. Individuals look up to celebrities as good role models, when in fact, they aren't good ones at all. They aren't themselves on the set of a movie or a TV show. They are playing a role that the producers have written up. Since the characters aren't real, America gets the wrong impression of almost everything. Children get false ideas in their heads of what the world is really like. Teens and adults get false perceptions of how much they should weigh, what size clothes they should wear, and what they should look like. All ages get the wrong idea of
Film makers use many historical events to spark up and idea for a movie. One historical event that is commonly used is war. One advantage a film maker has when using war as a movie plot is that there is already a lot of drama in war. This may seem like a good advantage for the film maker, however focusing on all of the drama of war leaves much of the actual info. When watching a war movie, you may feel like you have an understanding about the war, but when you really compare a war movie to an actual war you find that there is a lot of factual information left out. One may ask why would directors and film makers leave out the facts of war and focus on the drama? After reading The Faces of Battle by John Keegan and reviewing war movies
Mulvey, Laura. Visual Pleasure and Narrative Cinema (1975) - Laura Mulvey. Thesis. N.d. N.p.: Laura Mulvey, 1975. Visual Pleasure and Narrative Cinema (1975) - Laura Mulvey. NG Communications, 2006. Web. 20 Feb. 2014. .
Glory is a movie about the 54th Massachusetts Infantry Regiment, one of the first official all black units in the United States during the Civil War. It’s an inspirational story of how a young Union soldier, Robert Gould Shaw, is offered the chance to lead an army unit that will change not only his life, but the lives of many other Americans.
Being one of the world’s most popular art forms, it was inevitable that these archetypes would find their way into film as well. In this essay I will argue that the
“Sunset Blvd” is not subtle in stating illusion will win out over reality. After all, Norma Desmond, the aged silent movie star who deludes herself into believing that she will be famous again, kills Joe Gillis, our involved narrator and voice of reason. But before we analyze the dramatic pool scene, which dispels any idea that “Sunset Blvd” sides with reality, we must first look at the characters, the embodiments of dreams and of reality in this movie. Norma Desmond, who dreams of rising to greatness again, refuses to believe that time has passed and that she no longer has any fans. Max, her butler and first husband, feeds into this facade by writing her fan mail, encouraging her
Alvy does not conform to the norms of expectation as he is not what one would generally refer to as captivating compared to the majority of the audience eye. He is everything but the male usually portrayed in most other romantic comedies as he is not muscular, good looking or popular. Alvy’s outlook on dating has been marred by previous bad relationships.
Ever since I was a young kid I have always been interested in movies. My grandma, who was full of the wise the life experience left, always knew about my interest in movies. She feed my vain for the art. Even though her religion, she professed Adventist of seven-day religion, didn't let her go to the cinema, she always found the way to took me to the cinema. She and I enjoyed watch movies. We used to sit in the darkness room, with our faces illuminated from the reflection of the light which rebooted from the screen, both absorbs in the plot of the movie which made us laughed or cried. After the movie, while we went back to her home, she started to talk about the movie. She had a particular point of view where the main story
Can violence in movies and video games lead to real violence? Can it lead people to harm others? What effects does it have? Even though your inner conscience controls your final decision external influences can drive you over that breaking point. According to the article “ Violence in the Movies: Cinematic Craft or Hollywood Gone Too Far?” violence in movies can be very harmful to kids and others as well. Violence in video games and movies does lead to real violence because external influences such as peer pressure can lead violent acts being carried out.
An Austrian physician by the name of Sigmund Freud, a well renowned psychologist, aside from his studies, was once rumored do have done enough cocaine to kill a baby horse. Other than his cocaine addiction he also developed the theory of Psychoanalysis, which in short means that he studied the longstanding difficulties in the ways that people think and feel about themselves, the world, and their relationships with others. Sigmund Freud’s ideals of psychoanalysis was translated to in a way where we are able to analyze media in all it’s shapes and forms. Psychoanalytic media analysis argues that literary texts, like dreams, express the secret unconscious desires and anxieties of the characters within a movie, and the literary work is a manifestation of the Id, Super-Ego, and Ego. The text that I will analyze using the psychoanalytic media theory will be the film The Great Gatsby, originally a novel by F. Scott Fitzgerald. I will be using Freud’s primary psychoanalytic theory of the ID, Ego, and Super-Ego to analyze the movie The Great Gatsby, and also analyze the potential cultural and societal impacts of an authors use of psychoanalytic theory.
Even if a film production had already finished shooting it's takes, editing can still dramatically changes the way a viewer interpret the narrative of the movie by altering its narration. In this case, to give Annie Hall the distinctive difference between other romantic comedy, Woody Allen tells the story throughout a subjective narration from the perspective of our protagonist Alvy Singer. Throughout the film there are numerous considerations of editing techniques to be used such as the continuity of the film, length of shots, types of cuts to be made in every single shot and series of shots. The continuity of the film has been challenged by the use of disjunctive editing which breaks the chronological order of events in Annie Hall. During