In The Meantime Project Report

“At the beginning of the twentieth century, a homosexual subculture, uniquely Afro-American in substance, began to take shape in New York’s Harlem. Throughout the so- called Harlem Renaissance period, roughly 1920 to 1935, black lesbians and gay men were meeting each other [on] street corners, socializing in cabarets and rent parties, and worshiping in church on Sundays, creating a language, a social structure, and a complex network of institutions.” Richard Bruce Nugent, who was considered the “perfumed orchid of the New Negro Movement” said, “You did what you wanted to. Nobody was in the closet. There wasn’t any closet.”

In the 1980’s and 1990’s, society wasn’t the most accepting of places for people who were different from the “social norms”. Now I know, people today still struggle with trying to fit in and be “normal” but it was different. Being a gay man living in San Fransisco at the time, which had a large gay population, Richard Rodriguez had a hard time dealing with the discrimination he faced. Richard Rodriguez was an American journalist who wrote and published a memoir about his life as a gay man. In October of 1990, Rodriguez published his memoir “Late Victorians” in Harper’s Magazine, a critically acclaimed publication of the time. In his memoir, Rodriguez describes what it was like to realize he was gay and watch as the country changed to become a more accepting place. He does this by setting up how things can change and then explaining the actual ways things change for the gay population.

Staple’s “Black Men in Public Spaces” and Rae’s “The Struggle” address misperceptions with ethnicity. Staples and Rae share similar circumstances making it easy to understand each viewpoint. Culture settings and gender define the authors’ differences. Both essays give the readers different perceptions of African Americans’ lives.

Life for most homosexuals during the first half of the Twentieth century was one of hiding, being ever so careful to not give away their true feelings and predilections. Although the 1920s saw a brief moment of openness in American society, that was quickly destroyed with the progress of the Cold War, and by default, that of McCarthyism. The homosexuals of the 50s “felt the heavy weight of medical prejudice, police harassment and church condemnation … [and] were not able to challenge these authorities.” They were constantly battered, both physically and emotionally, by the society that surrounded them. The very mention or rumor of one’s homosexuality could lead to the loss of their family, their livelihood and, in some cases, their

Author and editorial writer for the New York Times, Brent Staples, skillfully uses both his educational and racial background to exemplify and reflect on the harrowing times black men faced during the mid-1900’s. Growing up the oldest of 9 in 1951, he pushed himself through primary schooling and against the predications of most, was accepted into college where he earned his B.A, and eventually, a coveted Ph.D. His anthology of literary works focus on politics and cultural issues and popularly include, Parallel Time: Growing up in Black and White, which won the Anisfield Wolf Book Award, An American Love Story, and the piece in mention, Just Walk on By: Black Men and Public Space.

During the late twentieth century, the AIDS epidemic became one of the biggest issues to plague the gay community and is often referred to as an event that helped the community come together as a whole, but in Ceremonies Essex Hemphill writes about the community as fractured and divided. Discussions of race, as well as sexuality, are common topics he discusses in the essays and poetry that make up the book. In one of the essays in the book, “Does your Mama Know?”, Hemphill writes about the gay black man’s role, or lack of a subjective role, in the gay community and discusses the idea of what “home” is for someone that doesn’t quite seem to have a place in any community. It is a topic that

Two Diaries, Donald Vining’s A Gay Diary Vol. Two and Martin Duberman’s Gay in the Fifties look into the everyday life of gay males in the post-World War II Era. While World War II increased freedom for men to sexually explore within the male community, post-World War II extended the freedom of exploration but also created a subsequent backlash against homosexual practices. Vining and Duberman’s diaries document an extension of gay freedoms in the post-World War II period. Although Vining and Duberman give contrasting accounts of their lives as gay males in the postwar period, common themes could be drawn in the form of friendships, sexual activity, relationships, and backlash by heteronormative society.

Despite the location though, it seems as if this neighborhood stands in its own little world, a world that is not as accepting of Jess’s sexual orientation as the rest of the city would be. While “La Mission’s” main focus is on the relationship between father and son, it also tackles subjects such as fear and anxiety in society towards LGTBQ, acceptance within cultures, and finally gender and race equality.

George Chauncey’s Gay New York Gender, Urban Culture, and the Making of the Gay Male World 1890-1940, goes where no other historian had gone before, and that is into the world of homosexuality before World War II. Chauncey’s 1994 critically acclaimed book was a gender history breakthrough that gave light to a homosexual subculture in New York City. The author argues against the idea that homosexual men lived hidden away from the world. Chauncey’s book exposes an abundant culture throughout the United States, especially in New York. In this book Chauncey not only shows how the gay population existed, but “uncovers three widespread myths about the history of gay life before the rise of the gay movement which was isolation, invisibility, and internalization.” Chauncey argues against these theories that in the years 1890-1940, America had in fact a large gay culture. Chauncey book is impactful in the uncovering of a lost culture, but also works as an urban pre-World War II history giving an inside view of life in the city through sexuality and class.

The struggles not only happen by outsiders for African Americans LGBTQ individuals, but within their own communities. Yet the LGBT movement’s lack of substantive work on issues most relevant to people of color leaves the movement vulnerable to irrelevance and division—and leaves fully one-third of the members of the LGBT community underserved.

The film Mosquita y Mari directed and created by Aurora Guerrero is a coming of age story set about Huntington Park in the southeastern part of Los Angeles. It uses tense scenery that seeks to explore what it means to be in a romantic relationship versus a close friendship. Furthermore, upon legitimizing Yolanda and Mari`s relationship the film provokes the audience to ask the question, “If they are queer, what is keeping them in the closet?” This question is most effectively answered by examining how Yolanda and Mari`s ethnicity, locational, and immigrant descendant identities intersect to keep them in the closet.

Howard, John. Men Like That: A Southern Queer History. Chicago: The University of Chicago Press, 1999. (hb). ISBN: 0-226-35471-7.

The AIDS epidemic has become an impacting plague that has expanded across multiple countries as well as communities. As it continues its identity as a gay mans disease, its stigma generates a negative connotation that has appealed to figures who are seen as second class individuals. In the essay “Gay Latino Histories/ Dying to be remembered: AIDS obituaries, public memory and the queer latino archive”, author Horacio Ramirez provides evidence of the difficult challenges that came across homosexual latinos as they died in silence from AIDS. His argument is established through the ideal subject of the queer latinos, as their lives went unrecognizable concerning the AIDS crisis. With the growing

The 1991 documentary Paris is Burning directed by Jennie Livingston shows an important aspect of the African-American and Latino LGBTQ community in New York City during the 1980’s. The aspect that the film is centered around are the drag balls. The socially constructed norms of gender, race, and sexuality are all challenged by the people in the film and they make strong efforts to subvert the dominant cultural norms. In their own way they are both confirming and re-defying traditional conceptions of gender, race, and sexuality. To many in the community, the balls are empowering.

Years of protests, laws, and unity among the community helped to shape San Francisco’s identity, which in turn, influenced the many people living in it. Tension between politics and the people revealed the “heteronormative notions of society and a sexual rights movement struggling to reconcile its individual rights agenda with the racial, gendered, and class implications of their rights” (Bell.) Gay men and women wanted their civil rights represented in politics. They wanted to be accepted as members of society. They projected their image in politics by straying away from “questions of sex and relationships and onto the terrain of economic and civil rights” (Bell.)