Images contain arguments, whether if there are many or just a few. A series of images with no words but contains an argument is a pictorial essay. John Berger's Ways of Seeing (1972) contains both word and pictorial essays. The book is divided into seven sections, three being pictorials. In the very first chapter of the book, Berger made it clear that "the way one image follows another, their succession, constructs an argument which becomes irreversible." Having noted that, it would seem that the sixth essay argues that an observation painting provides more information than that of a directed or arranged portrait. Images that are next to one another in the book such as Sarah Burge, 1883. Dr.Barnardo's Homes and Murillo Bartolomé's …show more content…
In these two images however, the observational artwork provides much more information than the arranged portrait possibly because there is a lot more action and emotion being show in the image. It is agreeable that observational images does provide much more information than arranged portraits also because of the surrounding background as well as the actions shown in the images. The information that we unconsciously get from images such as Johann Zoffany's Charles, Third Duke of Richmond and Sale of Pictures and Slaves in the Rotunda, New Orleans, is the time period which it may have occurred in and what kind of lifestyle both parties are living in. There is also action and movement in the image and what could possibly be the century it was painted in. In contrast, Mademoiselle de Clermont shows the viewers that the artist is more focused on the subject because she is looking directly at the artist. There is also no sense of communication between the servants in the image with her; this does not show any information except for the status difference between the any three women. If there were some sort of communication between the women, there possibly would be more information that the viewer can take such what kind of relationship the women have with each other as well as the personality of each women. In comparison to the other two previous images, even though this painting does provide a background, it is not enough to provide the viewer with
The paintings that I will be talking about from the MIA will be Portrait of Catherine Coustard (1673-1728), by Nicolas de Largilliere, Diogenes (17th century), by Johann Carl Loth, LES FLANEUSES (2008) by Ghada Amer, and Portrait of Lucia Wijbrants (1638-1719), by Gabriel Metsu. My critique will be from the perspective of Berger.
The first photograph I am going to discuss is photo of Ellery Shufelt with his children in Albany County, New York. Arthur Rothstein took this photograph in 1937, which was when the Great Depression was taking place in the United States. This photograph depicts many of these formal elements and techniques such as, framing, lighting, composition, and space to help portray the true meaning of the image. Arthur Rothstein uses the technique known as composition, which can be defined as the organization of the photograph by inserting elements in particular places and sizes. This assumption can be made because Rothstein places the Ellery Shufelt and his children in specific areas of the photograph to help capture an emotion or option about how people live and work American society at this time. Also, the framing and position of the door and chair outlines the photograph asymmetrically for the viewer. The door offsets the image by dividing the image with a vertical line. This basically crops the photograph making the viewer focus on the father and his children rather than the background itself. In addition, the level the camera intensifies the feeling and framing by making you feel eye level with the subjects. The use of framing allowed the photograph to make you focus and control how you perceive the image.
The original thought that photos were far superior to other visual aids have been re-evaluated in consideration of graphic artwork. The invention of photography initially provided the belief that a photo was simply a reproduction of the original. The progression of improved photographic equipment supplied the photographer with the choice of what to include or exclude from a picture. As an example, Jacob Riis transferred his belief of a sturdy, upstanding family with high morals into his photos by taking pictures of families in their apartments. However, his photo labeled “Five Cents A Spot” reflect an alternate picture of men and women packed in one apartment supported his viewpoint of the people’s poverty. Considering the subject matter of his reports it is a small wonder that his photos were not connected with a direct bias for both article and
In David’s painting there is a clarity and crispness that is similar to a photograph, yet his figures maintain a baby like softness. Gerard’s implied texture of the clothes and environment are softer than David’s giving the painting a more realistic appearance. David and Gerard both show in these paintings that they have a very good understanding of human anatomy and form. The figures in both painting have a good sense of underlying structure and weight.
Have you ever looked at a piece of art and wondered how it could be based on real life, because it was just so beautiful? Well Elisabeth Vigee Le Brun was able to paint in such new and exciting ways; people were left wondering just this. Elisabeth Vigee Le Brun was a woman of many talents. In her life time she came up with new ways of painting, revolutionized fashion in France, and overcame any prejudice thinking because she was a woman. Before dying at the age of eighty-seven, she had gained the respect of women and men all across the world. Being a female artist in the eighteenth century was not easy, especially when you had to keep a career and your life together during the
Discuss the use of imagery in two stories of your choice. How do the various images work in a particular story to bring its subject matter into focus? Is there a central image? And how does this enhance or confuse or complicate the effect of the story?
The art and beauty in this painting is exemplified through the eyes of Boucher. It starts with a beautiful couple taking a rest after picking up some followers. Their clothing looks very elegant and colorful which shows that they are aristocrats. The man’s eyes are gazing at a shepherdess who gathered her own flowers. Their eyes are locked despite the man having his own woman right in front of him. The light brushstrokes of the dresses, flowers, and trees
Painting portraits, portraits of women, youth and loved ones became more popular than scenery. Here, women are no longer mythological creatures and have stepped out into everyday life, although there is still an air of idealism around them. (Fig. 2)is a work of this period with an emphasis on the female element.
Macbeth is a courageous war general who receives a prophecy from the mysterious three witches that he will someday become the King of Scotland. Although skeptical at first, Macbeth knows better than to question the witches. He lets this prophecy over take him and with the encouragement from his wife, Lady Macbeth, they murder King Duncan and become engulfed with both regret and insanity. This insanity leads to Macbeth unnecessarily murdering other citizens in order to “secure” his throne. At the start of this play, Macbeth and Lady Macbeth are polar opposites, as Macbeth is self-aware of his actions while Lady Macbeth refuses to worry about her consequences. However by the end, their feelings of guilt completely switch. In Macbeth, Shakespeare uses the story of these murders to portray the effects that Macbeth’s diminishing guilt will have on his relationships. Macbeth’s lack of guilt will destroy his relationship with Lady Macbeth, alter Macduff’s feelings towards him, and overtake his own actions.
It is said that “The true content of a photograph is invisible, for it derives from a play not with form but with time”. This makes me think that the real content of a picture, which is what the photographer tried to express, is not evident to perceive unless an explanatory text is provided. In fact, I believe that our perceptions of pictures changes over time as the historical context do. In addition, our opinions are never fixed as they are influenced by our environment. Therefore, when looking at a particular picture at a given time, it is certain that our perception of it will be different in the future based on what happen between the first time and second time we saw it.
William Shakespeare was one of the greatest authors in history. Shakespeare is a famous author known for his tragedies. Macbeth is a play loosely written about historical people. The play Macbeth was written between 1603 and 1606. Historical Macbeth who the play was written about, lived from 1005-1057. Shakespeare refers to “ If chance will have me king, why, chance may crown me.” Macbeth is saying whatever happens will happen. If fate wants Macbeth to be king, no matter what he does, he will become king. Shakespeare’s Macbeth and historical Macbeth have very little similarities. Shakespeare often took real events and used them as inspiration to write his plays. Being that theater is more dramatic than it actually is, he often changed
Photographs are also manifestations of time and records of experience. Consequently, writings on photographic theory are filled with references to representations of the past. Roland Barthes (1981, 76), for instance,
Capturing moments of them getting ready for the day, being with clients or being with their lovers is what Toulouse did the best. The viewer always feels as if they the paintings are like cracks in a door or looking through key holes, nothing is disturbed. Meaning the models are not painted to seem to know that they are, it is painted just like a moment. Putting this into the appropriate will not be hard as I am not changing major parts of the paintings. Hopefully the theme will still be prevalent in the appropriated piece. The messages Toulouse tried to communicate were that he painted in a true way. He did not cover up ‘imperfections’ and
In “Ways of Seeing”, John Berger, an English art critic, argues that images are important for the present-day by saying, “No other kind of relic or text from the past can offer such direct testimony about the world which surrounded other people at other times. In this respect images are more precise and richer literature” (10). John Berger allowed others to see the true meaning behind certain art pieces in “Ways of Seeing”. Images and art show what people experienced in the past allowing others to see for themselves rather than be told how an event occurred. There are two images that represent the above claim, Arnold Eagle and David Robbins’ photo of a little boy in New York City, and Dorothea Lange’s image of a migratory family from Texas; both were taken during the Great Depression.
Short stories have been told for centuries to teach valuable lessons, to pass down history and culture and to entertain. It is fascinating to analyze all of the examples of writer’s craft and literary elements and see how they make a decent story extravagant. Both Lamb to the Slaughter and The lady or the Tiger used literary elements in important ways, but Lamb to the Slaughter was more effective in its use and enhanced the story more with its use of literary elements and writer’s craft.